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‘One-off talent’: UK comedy composer Steve Brown dies aged 69

Hit composer scored TV and radio as well as the stage shows X-Factor and TONY!

‘They’re really breaking through’: how women put the music business in a spin

Despite distressing reports about misogyny and male ‘banter’ in the industry, the Grammy nominations mark the start of a hopeful new era for female artists

‘I’ll probably be OK, right?’ Musicians and users concerned as Universal music taken off TikTok

Contractual dispute between Universal Music Group and social media giant results in removal of thousands of songs, and loss of marketing clout for musicians

Britain’s world-class music industry has a dark secret: it’s still a boys’ club

A new parliamentary report damns the music business for its sexism – and the situation is even worse for Black women, says Black Lives in Music’s CEO Charisse Beaumont

From Pitchfork to Q, music criticism is under attack. We must fight for the magic it can inspire

Yes, critics help us make sense of the millions of songs released every month – but the best writing transcends the music, says John Doran, editor of the Quietus

Singer Rebecca Ferguson tells of music industry abuse in MPs’ report

DJ Annie Mac also provides evidence to report that says racism and misogyny is ‘endemic’ in the sector

Over a third of UK grassroots music venues are loss-making, charity finds

Alarm in sector as cost of living crisis and rent rises mean that 125 independent venues either closed or stopped hosting live music in 2023

‘Greedy and dishonest’ touts sold tickets worth £6.5m, court hears

Ed Sheeran and Little Mix fans among those targeted by firm that resold on Viagogo and StubHub

Taylor Swift’s people shut down speculation about her sexuality – but risked rebuking her LGBTQ fans

The star’s team slammed an editorial that compiled theories about her queerness. But Swift constructs stories about herself – why shouldn’t they compete with other interpretations?

Taylor-made deals: how artists are following Swift’s rights example

The singer’s public fight over ownership of her work has lit the way for a new generation of musicians – especially young women – demanding more control over their output

CDs shine as UK music sales in 2023 jump to near record figure

Taylor Swift dominates album market, while best-performing track is Miley Cyrus’s Flowers

Vinyl is back for good and that’s exciting. Don’t let the greed of big labels ruin it

Mainstream music’s take-up of the format has led to soaring demand, driving out indie labels and driving up prices, writes Guardian columnist John Harris

‘Clubbing just isn’t cool’: UK’s New Year’s Eve revellers switch to warehouse or home parties

Smaller clubs are losing out to mega raves, private events and even livestreams, say music industry insiders

Taylor Swift and Rolling Stones drive Christmas surge in UK vinyl sales

More than 250,000 vinyl records were sold last week, the most since the turn of the century

Beyoncé and Blondie song fund Hipgnosis delays results amid valuation concerns

Company says songs have been assessed as worth more by independent valuer than recent transactions in the sector

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← Older posts
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  • Add to playlist: the defiant queer dancehall of Destin Conrad and the week’s best new tracks
  • Post your questions for the Pogues
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • U2 announce new album Carnaval de Luz, featuring final recording by Dolly Parton
  • Rick Wakeman performs piano concert to 150 rescued moon bears in Vietnam
  • Julia Jacklin: The Gem review – tender, emotional storytelling of hope and hopelessness
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • George Bush, murder and nautical infidelity: the Chicks’ 20 greatest songs – ranked!
  • Tell us: do you enjoy listening to music on CDs?
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Pete Byrne, frontman of British new wave band Naked Eyes, dies aged 74
  • Post your questions for Zach Braff
  • Dance Monkey v the NRL: did Tones and I really turn down $90,000 a minute because she hates her own song?
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Justin Bieber performs surprise acoustic gig in beleaguered Los Angeles park
  • Michael Kiwanuka says he faces ‘long, tough journey’ to recovery from stroke
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • The living dead: we can watch ‘Janis Joplin’ perform or reunite the Beatles, but who are the real winners here?
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • ‘It’s about being loudly visible’: Ahadadream, the British-Pakistani dance star defanging racist slurs
  • Dolly Parton estate in feud with nephew over alleged ‘warfare’ threats
  • Angry Anderson dies aged 79: Rose Tattoo frontman was a ferocious rock’n’roll singer and youth advocate
  • From 50p gold hot pants to Paul Smith suits: how Kylie Minogue became one of pop’s ultimate chameleons
  • Choosin’ Texas unseats All I Want for Christmas as longest-running No 1 song on Billboard Hot 100
  • Charlotte Church accuses Ed Sheeran of ‘choosing capitalism over doing the right thing’
  • Fancy a pint … at Lidl? The bizarre battle over Northern Ireland’s stifled nightlife
  • The truth about Sean Combs: ‘No is not a stopping point for him’
  • ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
  • Britain loves its underdogs. We should be celebrating our Eurovision flops, not investigating them

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