‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers

‘My wife finds the whole thing hilarious. She was the girlfriend who inspired it. We’ve now been together for 30 years’

The Kooks review – a triumphant and touching mass singalong

Playing to the biggest crowds of the careers, the 00s indie stalwarts perform like they’re loving every minute – although there is also raw emotion in Manchester on the night after the synagogue attack

Sigur Rós and the London Contemporary Orchestra review – crashing waves of refined harmony

Perhaps the band that can best justify a mid-career gig with classical backing, the extra heft of the orchestra adds power to the Icelanders’ beautiful crescendos

Geese: Getting Killed review – Cameron Winter and co’s surreal, swaggering spectacular

Opaque but brilliant, the Brooklyn indie-rock band’s fourth album is full of the dread and dark absurdity of our current moment

Add to playlist: the crisp conviction and poetic intrigue of Feeo, and the week’s best new tracks

Theodora Laird’s serene vocals navigate delicate, textural atmospheres like a breath of fresh air on a beautiful debut, with support from her regular collaborator Caius Williams

‘We’d play for a frozen burrito’: post-rockers Tortoise on the changing face of Chicago, Steve Albini and their new-gen fans

Informed by everything from jungle to Krautrock and musique concrète, Tortoise broke new ground 30 years ago. Returning after nine years away, ‘it’s a different world’, they say

Supporting the Jam, sausages with the Bay City Rollers and defying skinheads: post-punk girl group Dolly Mixture look back

The all-girl trio gave punk a playful spin and drew admirers in Paul Weller and Captain Sensible – but, singer Debsey Wykes recalls, faced confusion for being out of step with era’s noise and anger

‘The epitome of amazingness’: how electroclash brought glamour, filth and fun back to 00s music

Witty, foul-mouthed, camp and punky, it was the 00s answer to slick superclubs and the rock patriarchy. As its rough, raw sound returns, the scene’s eyeliner-ed heroes, from Peaches to Jonny Slut, relive its excesses

‘Indie boy gone bad’: the Hidden Cameras on their kinky, clubland inspired new sound

From his early 00s ‘gay church folk music’ via country-tinged indie, Joel Gibb has always been an outlier. Now he is back with an album of synthy pop pumpers

Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes

Haunting harmonica and poetic banality add to the Londoner’s spookily sonorous baritone to create a hypnotically familiar yet ineffably fresh album

Patrick Wolf review – a moon-lit marvel lights up the Minack theatre

Celebrating the 20th anniversary of his album Wind in the Wires in the Cornish landscape that inspired it, Wolf claims his status as a goth-folk pioneer

Morrissey puts his business interests in the Smiths up for sale ‘to any interested party’

Musician says he has ‘no choice’ after being ‘burnt out by any and all connections’ to his former bandmates

Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity

Classic melodies, spring water acoustics and pared-back poeticism about living in the moment fill Adrianne Lenker and co’s latest with life

‘You’re either getting punched or going skinny dipping’: Swedish indie star Jens Lekman on playing 132 weddings of his fans

He once sang, ‘if you ever need a stranger to sing at your wedding ... then I am your man’. Couples took him at his word. Now, he’s turned the experience into an album and novel

Folk Bitch Trio: ‘Being pathetic and lonely is great for songwriting’

On the heels of their debut album Now Would Be A Good Time, the Melbourne indie band open up about life on the road, their global aspirations and ‘the pathetic little tragedies’ that occur in your 20s