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Chris Martin’s lost James Bond theme goes on auction with unheard Coldplay tapes

Acoustic recording of a song titled The World Is Not Enough included in wide-ranging auction featuring formative Coldplay recordings

Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year

Tipped by Lorde and Billie Eilish, the New York musician twists sublime folk and chaotic synths into bewitching new shapes

‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece

They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again

Phoebe Bridgers: Lost Boys review – ghosts, guns and guileless youth on generational songwriter’s return

The US singer took years away from public life after her silvery balladry reshaped pop. Her return is an ornate reinvention

‘Guys would think I was a girl then get aggressive when they found out my name was Brian’: how Placebo made Nancy Boy

‘I thought I could regain some power by writing a celebration of debauchery that was so brazenly sexual it would infuriate the people who insulted me’

Post your questions for Vini Reilly of the Durutti Column

Ahead of the band’s first new album in 16 years, the hugely influential guitarist will be taking your questions for the Guardian Film & Music reader interview

‘A sacred kind of sound’: inside a solar-powered journey to preserve the music of church organs

Musician Michael Cloud Duguay’s new album was born from a mission to capture the sound of the majestic yet increasingly rare instruments

Bongeziwe Mabandla faced addiction, illness and ‘backstabbers’. How has the South African singer stayed so upbeat?

An indie star in his homeland, Mabandla’s fame is growing abroad – and his uplifting new album is full of existential insight after some of the toughest years of his life

‘Addiction is proof there is a devil. Recovery is proof there is a God’: Irish rockers Bleech 9:3 on struggle, sobriety and their stunning debut

After two friends sponsored each other in Alcoholics Anonymous, they started making music. As they gear up for a summer of 40 festivals, the band tell their harrowing yet uplifting story

‘We weren’t allowed to meet Oasis!’: Japanese punk band Otoboke Beaver on fun, feminism and famous fans

Dave Grohl spread the word about the ferociously funny quartet and now they’re supporting Foo Fighters in stadiums. Just make sure you switch off your phone’s flash if you go to their gigs …

LA fans, Mark E Smith’s sisters and Frank Skinner doing the quiz: inside the totally wired festival on the Fall

Featuring cover bands, walking tours and the poet laureate as DJ, The Fall: Futures and Pasts is the ultimate Fall fan experience. But can our writer get through Eat Y’Self Fitter at karaoke?

‘I don’t listen to indie music any more’: Ed O’Brien’s honest playlist

The Radiohead guitarist once serenaded a girl with the Smiths and thinks George Michael was a genius. But what is his favourite football song?

‘The story of Hong Kong is the sound of it’: the cross-cultural joy of the city’s Cantopop music

Emma-Lee Moss, AKA singer-songwriter Emmy the Great, has written a memoir rooted in her love of Hong Kong’s east-meets-west pop. She picks her favourite tracks

‘People get confused, think it’s called Where Did You Go?’ How the Bluetones made Slight Return

‘We didn’t have a washing machine, so I was in the launderette when our manager rang and said: “You’ve gone in at No 2”’

‘We’re really good. I don’t mean that arrogantly’: Yard Act on bullying, imposter syndrome and their heavy new sound

The Leeds group arrived in a frenzy of post-punk energy, picking at the scabs of society – then started questioning their instant success. They talk about dodging ‘the megaband treadmill’ to make their surreal new album

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← Older posts
Newer posts →
  • Britain loves its underdogs. We should be celebrating our Eurovision flops, not investigating them
  • Chad Gilbert, New Found Glory’s founding guitarist, dies aged 45
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • ‘Love and respect’ or ‘a cash grab’? The furious battle over the final album by the Fall
  • How much is being close to your favorite artist worth? Superfans are reshaping the concert industry
  • Harry Styles walked eight miles in loafers. Is he ruining his feet? There’s only one way to find out
  • Exhausted by optimisation, I’m seeking solace in the past. As Sibelius’s swans soar skywards, so do my spirits
  • What do you think of the MPs’ inquiry into UK Eurovision song contest failure? I give it nul points
  • If you really hate it when music and film stars do politics, here’s the answer: give us politics that works
  • John Farnham tribute: Céline Dion, Chris Martin and Hugh Jackman honour ‘living legend’ at livestreamed concert
  • ‘I suck at breaks’: a day in the life of an aerial cellist
  • ‘I feel betrayed’: inside Ed Sheeran’s controversial return to the stage
  • ‘It’s been work to not go crazy’: Way Dynamic, the Australian folk-pop musician with fans including Elton John
  • Henry Herford obituary
  • Singer Becky Hill looks back: ‘Aside from the music I was making, I hated every minute of my 20s’
  • UK startup snares $20m to recreate gigs with ‘hyper-realistic’ digital avatars
  • Ed Sheeran says situation in Gaza ‘unjustifiable’ in first show since tour plunged into turmoil
  • Suzi Quatro: ‘It is absolutely crazy I’m not in the Rock and Roll Hall of Fame. But I’m in good company!’
  • Ed Sheeran thought fans didn’t want artists to be politically engaged. He’s finding out how wrong he was
  • Deep cuts: how one Londoner’s fake vinyl empire sheds light on ‘industrial scale’ fraud
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • ‘A maelstrom of his own making’: how Ed Sheeran’s tour turned into a full-blown culture war
  • Attorneys for Sean ‘Diddy’ Combs drop music mogul, alleging unpaid legal bills
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • Duncan Sheik, singer and composer of Spring Awakening, dies at 56
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Add to playlist: the euphoric ‘Bollywood electronic’ of the Twins and the week’s best new tracks
  • UK to answer for its ‘dismal record’ in Eurovision before committee of MPs

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