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‘So many people say things about my appearance – it’s not normal’: Jorja Smith on burnout, body-shaming and finding freedom

Being recognised by the Brits, Grammys and Drake made the singer one of British music’s most famous names – and also left her exhausted. Now, after decompressing in her home town she returns with a record made for raving

‘Dancing with Rylan made me feel arthritic’: Jeremy Vine’s honest playlist

The presenter and journalist used the Psychedelic Furs to soothe teenage heartbreak and had a Damascene moment to Bowie, but which cheesy 70s ballad does he secretly adore?

Four blokes and a zebra crossing: the banality and beauty of the Beatles’ Abbey Road cover

Much-copied and parodied picture captures dynamic between the individuals and the band with eerie perfection

‘It brings me joy’: how young people are making CDs cool again

Compact discs are back, with searches for players up 96% at John Lewis and popular models sold out online

From Ludwig to Ariana Grande: the week in rave reviews

David Mitchell’s quirky puzzle-maker is back with the low-stakes murder mystery, while the US pop superstar’s Eternal Sunshine tour continues its London residency

From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead

A film-maker’s attempt to reboot a horror movie franchise is derailed by her wild relationship with its former star, and the Killers frontman gets rustic

Meet Fat Papi, the little-known NZ rapper catapulted to Billboard 100 fame

Kurdish New Zealander Baban Hussain has gained global fame with online hit he created with Australian producer

Salty Brine: How Strange It Is (The Neutral Milk Hotel Show) review – one of today’s most powerful stage voices

Summerhall, EdinburghIntertwining his diaries with Anne Frank’s gives Brine a tough job, but his passionate performance and force of will combine in a heady brew

‘I could have put a deposit on a house or do this crazy experiment’: the British musician playing 365 gigs this year

Isaac Neilson is burning through his savings to play a gig every day in 2026 in a bold bid to break through – and champion Britain’s struggling grassroots music scene

Mike D: ‘After Yauch died I couldn’t make music. I’d open a computer file and just feel sadness’

As part of the Beastie Boys, the rapper shot to fame and notoriety in the 80s, before bandmate Adam Yauch’s death saw him withdraw from the spotlight. He returns with a solo album that sees him reckon with greed, mortality – and his past

Daily Mail accused of stalking woman mistaken as White Stripes drummer Meg White

The tabloid boasted in a now-deleted article that they found White and promised to reveal her ‘secret new life’

Add to playlist: the righteous jangle and snaking melodies of Jawdropped and the week’s best new tracks

The LA-based powerpop project’s triumphant debut is a celebration of low-stakes creativity in the slacker-skater tradition

Gaia Wilmer Large Ensemble: Parabólico review – gorgeous reinvention of Gilberto Gil’s grooves

Saxophonist and composer Wilmer brilliantly transforms Gil tunes, changing tempos and adding breathy melodies, flourishes of horns or undulating rhythms to luscious effect

Stella Lefty: Long Way Home review – Boston singer’s debut is bland, boilerplate and beyond banal

The breakout 24-year-old country star’s debut is stunningly unremarkable, offering little in the way of artistic identity or her peers’ originality

Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart

There’s a cinematic flourish to many of Hopkins’ compositions, together with fine arrangements of Welsh tunes and pieces dedicated to family

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← Older posts
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  • Barriers facing black and south Asian music events ‘cost London up to £141m a year’
  • Duane ‘Keffe D’ Davis sentenced to 40 years to life over Tupac Shakur’s murder
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Duncan Sheik obituary
  • Stephen Shears obituary
  • Trevor Jones obituary
  • George Fenton obituary
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks

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