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Share your tributes and memories of Dolly Parton

We would like to hear your tributes and memories of country music star, actor and philanthropist Dolly Parton – whether you met her, or appreciated her work

Dolly Parton’s peerless career turned country music cliches inside out

Beneath the wig and rhinestones, Parton was the genius behind strings of classic songs from Jolene to I Will Always Love You that continue to inspire new artists

Dolly Parton, country star, actor and philanthropist, dies aged 80 after cancer diagnosis

Songwriter of I Will Always Love You, Jolene and 9 to 5 invested millions in child literacy, Covid-19 vaccine development and other causes

Russian stadium says it will not host Kanye concerts – but promoter says shows have not been cancelled

The controversial rapper now known as Ye was due to play two huge shows at St Petersburg’s Gazprom Arena, which now states it cannot host performances for contractual reasons

From ‘old people music’ to owning the streets: 60 years of Notting Hill carnival and me

As a child, being taken to the Caribbean celebration was a drag. But once sound systems arrived in the 1970s, it became an unmissable yearly pilgrimage offering a sense of freedom

‘Why isn’t there hip-hop in 3/4 time?’: the groups reinventing a Polish folk dance for the modern age

The oberek is a traditional dance beloved of state folk ensembles – but a new generation of musicians is reconfiguring its music into wild new forms, merging folk steps with electronics and the sound of Chicago footwork

Freddie Mercury’s ‘splendid things’ to go on display at V&A

Eight costumes spanning Queen frontman’s career will feature in a free trail developed with his former fiancee

Green Man review – Wolf Alice, Shame and secret sets keep the Welsh festival’s flame burning

The traditional fire might be banned this year, but festivalgoers are treated by energetic performances by Wolf Alice, Tamikrest and Westside Cowboy

Slayyyter live review – raucous show announces a new princess of sleaze-pop

The cult star proves she is ready for pop’s big leagues in a show that blends chaotic punk energy with technical finesse

BBCSSO/Canellakis review – electrifying trio of women unleash the horror in Strauss’s Elektra

Making the most of a huge orchestra, conductor Karina Canellakis treated the dissonant score with relish, but the evening belonged to the singers, with even the tiniest role superbly realised

‘A rock star on her own terms’: why we’re still so fascinated by Meg White

Recent incorrect attempts to reveal the White Stripes star’s whereabouts reflect how much we’re still obsessed with the one-of-a-kind drummer

Breakout indie band Westside Cowboy on rejecting tech and loving imperfection: ‘We’re not hermits!’

Despite their fast rise, the Manchester indie-pop band are happily going at their own pace. But what – if anything – did they learn from the advice of Duran Duran’s Simon Le Bon?

Academy of St Martin in the Fields/Marquise Gilmore review – bassoon earns its spotlight in Thea Musgrave’s Out of the Darkness

Amy Harman brought a warm baritonal vocalise to premiere from nonagenarian Thea Musgrave, while Felix Klieser bent his unique horn technique to Mozart

‘When I make a sale, I’ll sing a high note’: a day in the life of an opera singing car salesman

Andrew Hiers is trying to start his own opera company. Until then, he’s serenading the parking lot

Chineke!/ Heyward/ Angel Blue review – belated premiere for forgotten Black composer

A suite of reconstructed dance pieces from 1918 by Edmund Thornton Jenkins made a moving start to Chineke!’s Prom, where soprano Angel Blue sang Barber’s nostalgic Knoxville and Dvořák’s Symphony No 8 made a breathless finale

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  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Duncan Sheik obituary
  • Stephen Shears obituary
  • Trevor Jones obituary
  • George Fenton obituary
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks

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