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Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models

Authentic Brands Group says AI company infringed on rights of songs by the King such as Can’t Help Falling in Love

Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’

The singer-songwriter on her unconventional education, her brother Daniel, and her quest to write a classic like Purple Rain

Readers reply: will there ever again be a band as big as the Beatles or the Stones?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup

Whether he’s playing the role of soul-baring artist or starry producer, the Bleachers frontman strives to keep his integrity intact. He weighs in on Ed Sheeran, his love of working on ‘high-stakes’ albums and why he’s standing by the songs about his marriage

‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist

The comedian unashamedly loves the Spice Girls’ Wannabe and cries to Boyz II Men, but which novelty song changed her life?

Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’

Fender criticises stadium pricing, calling it ‘bollocks’ and says it ‘won’t be happening’ on his tour

‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition

K-pop star RM gave a boost to the previously struggling SFMOMA with an exhibition of over 100 pieces from his collection

Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks

Filtering alt influences and eskibeats through a distinctly Black British point of view, the Ipswich rapper’s scorched-earth rage sounds like a lot of fun

With albums under threat, Raye’s Mercury win is a triumph for grand statements

Her winning album has its longueurs, but there’s something heartening about its risk-taking – and the Mercury prize needs big bold records like this to stay relevant

Raye wins 2026 Mercury prize for This Music May Contain Hope

Singer who has had record-breaking Brit awards success adds to haul thanks to massively ambitious big-band album

Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival

With performances by Christina Aguilera, Lola Young and Tinashe, the pop star brings a colorful vision to life in support of LGBTQ+ charities

Amy Winehouse musical in development for West End

Stage show based on late singer reportedly set to feature her best-loved songs with involvement from her father Mitch

Heartbreak, hope and human imperfection: Leonard Cohen’s greatest songs – ranked!

A decade after his final album, and his death, we rate the best of the Canadian singer-songwriter who brought a deep, spiritual wisdom to love and grief

Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game

With Jorja Smith, Mark Ronson and others reinterpreting Back to Black for its 20th anniversary, most of the singers are eclipsed by the memory of Winehouse

‘He had this electrical charge’: the short life and long legacy of Jason Molina, master of Americana

As a documentary celebrates the late US musician, friends and collaborators describe an incomparable storyteller who brought ‘myth and magic to everyday life’

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← Older posts
  • Trump rallies for Mike Rogers – and Nicki Minaj’s derriere – in Michigan
  • Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models
  • Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’
  • Readers reply: will there ever again be a band as big as the Beatles or the Stones?
  • Martina Arroyo obituary
  • ‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup
  • ‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist
  • Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • ‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Murder on the dancefloor: are phones, drugs and chatter killing off dancing?
  • With albums under threat, Raye’s Mercury win is a triumph for grand statements
  • Raye wins 2026 Mercury prize for This Music May Contain Hope
  • Barbara Jay obituary
  • Flo & Joan: With Feeling review – sisters turn an old rock setlist into hilariously neurotic songs
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse musical in development for West End
  • Heartbreak, hope and human imperfection: Leonard Cohen’s greatest songs – ranked!
  • Glee’s pro-LGBTQ+ vision captured 2010s hope. Can a reboot handle Trump’s America?
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • John Anderson, five-time US country chart-topper, dies aged 71
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • ‘He had this electrical charge’: the short life and long legacy of Jason Molina, master of Americana

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