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Brandon Flowers: Thrasher review – Killers frontman’s country pivot is a rootin’ tootin’ cowboy-bootin’ hoot!

Even a couple of bafflingly misguided social commentary songs can’t detract from the joys of Flowers’ classically full-throated commitment to the Nashville bit

Ariana Grande Eternal Sunshine tour review: pop illusion at its most effective – for good and bad

On her last live dates before she steps back from the public eye, Grande holds her own – but it’s also impossible to avoid feeling concerned for her wellbeing

Rock stars Ash look back: ‘Mark broke his feet jumping off a balcony – for the rest of the tour he self-medicated with gin and buckets of ice’

The Northern Irish band on jamming together at school, booze and breakdowns, and being a weirdly functional family

‘I thought – if I die, I’ve had a good innings’: producer James Ford on life, death and making an album from his hospital bed

The Arctic Monkeys, Pet Shop Boys and Pulp collaborator was Britain’s most in-demand producer when leukaemia struck. ‘I realised life is exceptionally fragile,’ he says

‘Have I tried having sex to my own music? God, no!’: Natalie Imbruglia’s honest playlist

The singer was wooed with some knocked-off Joni Mitchell and might even be persuaded to sing Torn at karaoke. But what fan comment winds her up the most?

Family affair: how pop-star siblings Audrey Hobert and Malcolm Todd stormed the charts in parallel

Following in the footsteps of Michael and Janet Jackson, and Kylie and Dannii Minogue, the Hobert siblings have simultaneously struck pop gold – with no rivalry

Add to playlist: the heartbreak post-mortems of Cape Town’s Rowlene and the week’s best new tracks

The South African singer has been a memorable guest artist, but the unhurried, emotional tracks on new album Some Strings Attached show she’s ready for the spotlight

‘It was lonely being a young queer artist’: Sam Smith on finding health, happiness – and their hazel-eyed fiance

On their new album, Smith is subverting their singer-songwriter roots to tell a queer love story. They talk about their shifting fanbase, the nasty undercurrents of fame – and finding sanctuary in New York City

Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream

The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn’t feel out of place as festival anthems

James: Getting Away With It review – hippies, hardnuts and dreamers unite

Auto-hagiography it may be – most of the interviewees were in the band at some point – but this portrait of the seminal Manchester indie group is charming stuff

Countries in ‘armed conflict’ barred from hosting Eurovision

Organisers says new rule will ensure contest provides ‘safe and welcoming environment’ for participants

Post your questions for Amy Lee of Evanescence

The metal icon is here to answer your questions about the band’s 90s origins, MTV fame and being trailblazer in a male dominated genre

‘Today’s Brazilians have no idea what it feels like to lose democracy’: Joyce Moreno on her battles to become a Latin musical great

After her defiant femininity outraged many in Brazil, she lived through a military dictatorship and was boycotted for years. But after more than 30 albums, she explains how she kept going

Rod Stewart cancels farewell tour dates after undergoing successful heart procedure

The singer said that he was ‘already feeling better’ but forthcoming dates on his mammoth farwell tour will not now go ahead

A moment that changed me: My stammer made life a misery – then a song gave me back my voice

As a teenager, I was so ashamed of my speech disability that even my family didn’t know about it. When Scatman John came on the radio, celebrating his own stammer in a hit about self-esteem, I knew I had to meet him

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← Older posts
  • Thom Yorke, Romy and Brian Eno among 200 musicians urging PM to reject new North Sea drilling
  • Tether 인연 review – romantic ceilidh skips from Scotland to South Korea
  • Swedish Chamber Orchestra/Fröst review – dance, dynamism and a wild rumpus as maverick clarinettist-conductor takes charge
  • Post your questions for actor and musician Samantha Morton
  • Skintown review – Northern Irish scamps rave their Troubles away
  • Brandon Flowers: Thrasher review – Killers frontman’s country pivot is a rootin’ tootin’ cowboy-bootin’ hoot!
  • I Made You a Mixtape review – frothy fringe fun as dorm mates party like it’s 1999
  • ‘His ache is real’: Bob Dylan and more on the wild genius of honky-tonk hellraiser Gary Stewart
  • Ariana Grande Eternal Sunshine tour review: pop illusion at its most effective – for good and bad
  • Rock stars Ash look back: ‘Mark broke his feet jumping off a balcony – for the rest of the tour he self-medicated with gin and buckets of ice’
  • LSO/LSO Chorus/BBC Symphony Chorus/Henric/Pappano review – grand forces capture the viscerality and desperation of Berlioz’s Requiem
  • ‘I thought – if I die, I’ve had a good innings’: producer James Ford on life, death and making an album from his hospital bed
  • ‘Have I tried having sex to my own music? God, no!’: Natalie Imbruglia’s honest playlist
  • Not for Glory review – folk dance and bagpipes, but not as we know them
  • The Singer review – come on feel the noise with KT Tunstall’s glowing gig theatre
  • ‘I longed to play the Bach violin double with my daughter – but then I got MS’
  • Thousands of Bonnie Tyler fans gather to pay respects as coffin brought home
  • Thirty years after Tupac Shakur’s killing, can a murder trial offer justice?
  • Charlene Kaye: Diversity Shredder review – killer riffs slay toxic music industry
  • The Guide #256: Norovirus, giant puddles, sit-ins and no beer – how can festivals survive the worst?
  • From Tony to Jungle: your complete entertainment guide to the week ahead
  • Madonna will not be playing Glastonbury in 2027, Emily Eavis says
  • Family affair: how pop-star siblings Audrey Hobert and Malcolm Todd stormed the charts in parallel
  • BBCSO/Gaffigan review – all-American evening of sleek grooves and edge-of-seat Barber
  • Add to playlist: the heartbreak post-mortems of Cape Town’s Rowlene and the week’s best new tracks
  • The Real Kyle McCarren review – musical eulogy to lost bandmate strikes a chord
  • Hillborg: Lost Landscapes album review – sonic imagination and luminous colours
  • Henry Threadgill, Vijay Iyer, Dafnis Prieto: Fifteen review – Pulitzer winner stirs gorgeous improv patterns
  • Open Mike Eagle and Kenny Segal: Doomed! review – caustic, crushing breakup album flirts with catharsis
  • Why is Drake barking like a dog? Six things you need to know about the rapper’s midlife pivot

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