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Charli xcx portrait added to National Portrait Gallery collection

Pop star is celebrated as ‘one of the defining cultural figures of her generation’ by gallery, which acquires Brat-era portrait by Harley Weir

‘The greatest album never made’: the untold story of George Michael’s secret, star-packed duets project

Suing his record label and sick of being a sex symbol, the singer spent 1992 working on the Trojan Souls for stars including Aretha Franklin and Bryan Ferry. Now, newly released studio footage shows him in his creative prime

‘I thought it didn’t stand a cat’s chance in hell’: Andrew Ridgeley on Wham’s surreal trip to China

Four decades after he and George Michael became the first western pop act to tour the country, Ridgeley recalls silent gigs, awkward embassy receptions – and the ‘bloody ludicrous’ hiring of Lindsay Anderson as director

Pussycat Dolls singer Ashley Roberts looks back: ‘It was my dream come true, but we were all burned out’

Roberts on refusing to take no from her dance teacher, moving to the US aged 18, and reuniting with Kimberly Wyatt and Nicole Scherzinger

Luke Combs review – regular Joe megastar brings the arena-sized party home

Despite his humble persona, the highest-selling country artist of all time has the vocal firepower and heavyweight hits to deliver two hours of crowd-pleasin’ pyrotechnics

Shania Twain’s honest playlist: ‘If Dancing Queen comes on, you rush out’

The country-pop superstar loves Abba and secretly listens to Lloyd Webber, but which British heartthrob’s single gets her out of bed in the morning?

‘I know what it’s like to be vulnerable’: musician This Is Lorelei AKA Nate Amos on addiction and finding peace

The singer-songwriter and Water from Your Eyes guitarist was unstoppably prolific, despite a growing dependence on substances. Now sober, he reflects on his new album and the songs that helped him turn his life round

The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form

Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times

The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention

‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black

Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat

How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey

As they release their first album in 16 years, the Vini Reilly-fronted band answer your questions on sandpaper record sleeves, having Harry Styles as a fan and inventing a new style of guitar music

‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song

​With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album

How a boy’s own song about eastern rosellas went viral and was covered by Ben Lee

Miles Phillips’ hit has been viewed 1.5m times and played on the radio. The seven-year-old was inspired after feeding birds and realising one ‘main bird stood out’

Pass the pit diapers! Why are fans wetting themselves to stand front row at concerts?

Olivia Rodrigo, Noah Kahan and Morgan Wallen have all dealt with audience effluence in recent weeks – but that’s only one part of a fearsome subculture that has built up around fandom, endurance and ‘getting barrier’

Post navigation

← Older posts
  • CBSO/Yamada review – Poulenc and Adams pairing is stylish, witty and thrilling
  • Charli xcx portrait added to National Portrait Gallery collection
  • ‘The greatest album never made’: the untold story of George Michael’s secret, star-packed duets project
  • ‘I thought it didn’t stand a cat’s chance in hell’: Andrew Ridgeley on Wham’s surreal trip to China
  • ‘I thought it didn’t stand a cat’s chance in hell’: Andrew Ridgeley on Wham’s surreal trip to China
  • The Oresteia review – this body-shaking, blood-soaked opera is exhilaratingly wild
  • Katy Perry ‘deeply appalled’ over White House using her song in Iran war video
  • Three Choirs festival review – impressive opening salvo full of crackling energy and exuberant fireworks
  • Pussycat Dolls singer Ashley Roberts looks back: ‘It was my dream come true, but we were all burned out’
  • Sinfonia of London/Wilson review – night of Technicolor masterpieces from one of the finest orchestras on the planet
  • Luke Combs review – regular Joe megastar brings the arena-sized party home
  • Shania Twain’s honest playlist: ‘If Dancing Queen comes on, you rush out’
  • Lou Koller, frontman of New York hardcore band Sick of It All, dies aged 59
  • From A Useful Ghost to Self Esteem: your complete entertainment guide to the week ahead
  • Singer D4vd had impregnated teenager he is accused of fatally stabbing
  • Singer Chris Brown pleads guilty to affray over London club confrontation
  • ‘I know what it’s like to be vulnerable’: musician This Is Lorelei AKA Nate Amos on addiction and finding peace
  • Add to playlist: the ramshackle, soulful twang of Twisted Teens and the week’s best new tracks
  • The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years
  • The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history
  • Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times
  • John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour
  • ‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black
  • Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat
  • ​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey
  • Beethoven: The Last Three Sonatas/Mitsuko Uchida album review – the music emerges as if new
  • ‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song
  • The music in Nolan’s Odyssey is as well-crafted – and bloodlessly forgettable – as the film itself
  • How a boy’s own song about eastern rosellas went viral and was covered by Ben Lee
  • ‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles

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