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Harry Styles review – Netflix concert is a communal love-in with some big pop moments

Recorded for the streaming giant, this performance wrestles songs from the star’s new album into more interesting shapes

Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was

Dodgy conspiracy theories are thankfully kept to one track, but the rest is not much better, lacking insight even when Morrissey returns to his specialist subjects

Post your questions for Kim Gordon

The Sonic Youth musician will answer your queries ahead of the release of her third solo album Play Me

I had a front row seat at the Blur v Oasis frenzy – here’s what a new play gets bang on and bafflingly wrong

In 1995, the bands tussled for No 1 – and the Britpop crown. Our writer was on the inside of the mad-for-it contest. Does The Battle accurately capture this divisive moment? And what was Noel’s problem with risotto?

Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together

The Stockholm musician’s debut album is a fascinating character study with improvised lyrics and a light, pretty sound that belies its emotional depth

‘The beast inside me wants to move!’ The smart, slapstick world of Audrey Hobert, the Steve Martin of pop

She co-wrote Gracie Abrams’ hit album then struck out solo, winning a fervent cult for her funny, wordy songs. As her tour hits the UK, she explains why imperfection is so important in pop

Mitski review – pop meets performance art in a masterful spectacle

The Shed, New York CityAt a six-night residency, the singer creates an immersive world filled with wry humor and big emotions

Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat

Squeeze’s first new album in nearly a decade is based on material written when they were teenagers. It’s endearing but callow

Bright and beautiful? The man causing millennial rapture with his school hymn singalongs

Primary School Bangers caused a sensation on TikTok, then at Glastonbury, and now it’s gone nationwide. Is it harmless nostalgia – or a symptom of an increasingly conservative culture?

10cc review – 70s legends reprise a dazzling string of pop classics

Fifty years since the band fractured with the departure of Godley and Creme, songs from Donna to I’m Not in Love are in prime condition on what is billed as ‘another bloody greatest hits tour’

‘Fame is the worst thing for us as human beings’: Naomi Scott on scream queens, Disney princesses and finding her own voice

After major roles in horror hit Smile 2 and the live-action Aladdin, the actor is returning to her first love: music. She talks faith, fame and why singing is more freeing than cinema

Can you watch without wincing? Seven times Australian politicians burst into song

Tim Wilson’s take on a Billy Joel classic has triggered cheers and jeers in parliament. We look back at some unforgettable ‘performances’

‘At first, she couldn’t come off the oxygen long enough’: the film that gives Marianne Faithfull one final thrilling performance

In new docu-drama Broken English, the much misunderstood singer looks back at all her past selves – and gives a performance that moves her audience to tears. Its makers relive an extraordinary shoot

Harry Styles on Liam Payne’s death: ‘It’s so difficult to lose a friend who is so like you in so many ways’

The musician reflected on the death of his former One Direction bandmate in an interview with Zane Lowe to promote his new album

Harry Styles: Kiss All the Time. Disco, Occasionally review – nice all the time. Good, occasionally

The music on Styles’s new album is muted, subtle and pleasant – but from the title downwards, he has a real problem with words

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← Older posts
  • Ditch Spotify: how to actually support the bands and artists you love
  • From The Bride! to Harry Styles: your complete entertainment guide to the week ahead
  • Harry Styles review – Netflix concert is a communal love-in with some big pop moments
  • Des de Moor obituary
  • LSO/Hannigan review – intensely fluent soprano switches into full command as conductor
  • Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was
  • ‘It’s 10,000 people saying – we’re with you’: inside Trans Mission, a night of solidarity and joy for a community under stress
  • Feshareki/BBC Singers/Goddard review – goddess-inspired soundscape stuck in the great unknown
  • Ballet de Lorraine: Acid Gems and a Folia review – clubby cool with a wild streak
  • Post your questions for Kim Gordon
  • I had a front row seat at the Blur v Oasis frenzy – here’s what a new play gets bang on and bafflingly wrong
  • Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown
  • Simo Cell and Abdullah Miniawy: Dying Is the Internet review – a virtuosic voice cuts through digital noise
  • Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together
  • ‘The beast inside me wants to move!’ The smart, slapstick world of Audrey Hobert, the Steve Martin of pop
  • Experience: I lost my arm – now I’m one of the fastest drummers in the world
  • Mitski review – pop meets performance art in a masterful spectacle
  • Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat
  • Britney Spears arrested in California for DUI
  • Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate
  • Bright and beautiful? The man causing millennial rapture with his school hymn singalongs
  • 10cc review – 70s legends reprise a dazzling string of pop classics
  • Brummie rapper Tony Bontana: ‘I have to speak on genocide, the same way I have to speak about my grief’
  • The RSC’s music cuts fundamentally diminish our experience of theatre
  • Soul to Soul review – joyous 1971 concert film captures Black American stars’ emotional return to Ghana
  • Dave review – prodigiously skilled rapper conjures thrilling intimacy on a grand scale
  • ‘Fame is the worst thing for us as human beings’: Naomi Scott on scream queens, Disney princesses and finding her own voice
  • Can you watch without wincing? Seven times Australian politicians burst into song
  • ‘At first, she couldn’t come off the oxygen long enough’: the film that gives Marianne Faithfull one final thrilling performance
  • Harry Styles on Liam Payne’s death: ‘It’s so difficult to lose a friend who is so like you in so many ways’

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