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My Bloody Valentine review – shoegaze pioneers find prettiness in pulverising noise

Earplugs safely distributed, the band proceed to rattle ribcages with a two-hour show that showcases their unique ability to mesh the dreamlike with the apocalyptic

Jimmy Cliff’s charisma and fearless creativity expanded the horizons of reggae

Cliff, who has died aged 81, took every opportunity that he was presented with, and created plenty more himself. It resulted in a career path like no other

The Hives review – veteran punk’n’rollers fizz with megawatt energy

Twenty-five years on from their first UK tour, the Swedish band are at their cartoonish, snarling best, eager to prove themselves rather than wallow in nostalgia

Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves

Noah Sebastian’s vocals switch deftly from croon to scream to whisper, but the genre-hopping US metalcore band lack chemistry on the big stage

Still Pushing Pineapples review – Black Lace trouper on sad disco circuit from Blackpool to Benidorm

Kim Hopkins’ documentary follows Dene Michael, of 1980s novelty pop act Black Lace, as he belts out the band’s hits – though it misses out a key part of his life

Diaries, artworks and more to be auctioned from Marianne Faithfull’s personal belongings

Late singer’s personal effects up for sale including a trunk gifted to her by Carrie Fisher, and artworks by Anita Pallenberg and Marlene Dumas

Jimmy Cliff, Jamaican reggae singer, actor and cultural icon, dies aged 81

Star of The Harder They Come had hits including You Can Get It If You Really Want and I Can See Clearly Now

‘The world is such a nice thing!’: Matt Maltese, the songwriter for pop’s A-list … and Shakespeare

After getting dropped by a major label, the Leonard Cohen-influenced south Londoner kept going, and has now won fans in Rosalía, Sabrina Carpenter and more. But writing for the Bard is best of all, he says

Netflix’s Selena doc sensitively focuses on her incredible life over her tragic death

The 23-year-old ‘Queen of Tejano music’ was murdered just as her music was set to cross over, and revealing new film Selena y Los Dinos: A Family’s Legacy finds new ways to celebrate her

Gary ‘Mani’ Mounfield obituary

Charismatic Stone Roses and Primal Scream musician acclaimed for some of the most memorable bass lines in indie music

Inseparable, sensuous and confident, the Kessler twins were pioneers of variety show culture

Alice and Ellen Kessler, who died by joint assisted suicide this week, entertained – and occasionally scandalised – Europe with their glitzy and subversive pop music and classically informed dance

‘Justin Bieber is an insanely courageous artist’: Tobias Jesso Jr on how he became the songwriter to the stars

He has penned hits for Adele, Dua Lipa and Bieber, but the sought-after Canadian pop songwriter has only ever released one album himself. Now, 10 years on, comes a second –and it’s a scorching account of a breakup

‘We’ve got to release the dead hand of the past’: how Ireland created the world’s best alternative music scene

Irish indie acts used to be ignored, even on Irish radio. But songs confronting the Troubles, poverty and oppression are now going global – and changing how Ireland sees itself

Gary ‘Mani’ Mounfield, the Stone Roses and Primal Scream bassist, dies aged 63

Ian Brown and Tim Burgess were among those to pay tribute to Mani, whose death was announced by his brother and nephew

Mani’s writhing, relentless bass was the Stone Roses’ secret sauce – it taught indie kids how to dance

His love of ‘good northern soul and funk’ was always in evidence and had a lasting impact on alternative music

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← Older posts
  • The Beatles Anthology review – the incredible audio shows exactly why the world fell in love with this band
  • Being a famous singer raises risk of early death, researchers say
  • My Bloody Valentine review – shoegaze pioneers find prettiness in pulverising noise
  • Jimmy Cliff’s charisma and fearless creativity expanded the horizons of reggae
  • The long and winding road: Stuart Maconie on why our opinions about the Beatles keep changing
  • The Hives review – veteran punk’n’rollers fizz with megawatt energy
  • UK charity records original music by people living with dementia
  • Jimmy Cliff obituary
  • Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves
  • Still Pushing Pineapples review – Black Lace trouper on sad disco circuit from Blackpool to Benidorm
  • Diaries, artworks and more to be auctioned from Marianne Faithfull’s personal belongings
  • Hip-hop godfathers the Last Poets: ‘In times of great chaos, there’s opportunity’
  • Jimmy Cliff, Jamaican reggae singer, actor and cultural icon, dies aged 81
  • The one change that worked: I was trembling with anxiety when I found a fun, free way to get calm
  • ‘The world is such a nice thing!’: Matt Maltese, the songwriter for pop’s A-list … and Shakespeare
  • Hardcore band Speed wins inaugural $80,000 New South Wales Music prize
  • ‘An inner duty’: the 35-year quest to bring Bach’s lost organ works to light
  • Donald Glover reveals he had a stroke on Childish Gambino tour in 2024
  • Huddersfield Contemporary Music festival review – ghostly echoes, fearless voices and the rattle of milk frothers
  • ‘It hurts listening to Whitney Houston – I knew her so well’: Mica Paris’s honest playlist
  • From Wicked: For Good to Stranger Things: your complete entertainment guide to the week ahead
  • Netflix’s Selena doc sensitively focuses on her incredible life over her tragic death
  • Gary ‘Mani’ Mounfield obituary
  • Brandy and Monica review – 90s R&B heavyweights bring star-studded reunion to New York
  • Partenope review – edgy and erotic Handel update
  • LSO/Pascal review – from an effervescent marimba to funeral gongs in compelling new music concert
  • Battle of the Sexes review – tennis’s most famous match becomes kitschy, pacey opera
  • Inseparable, sensuous and confident, the Kessler twins were pioneers of variety show culture
  • ‘Justin Bieber is an insanely courageous artist’: Tobias Jesso Jr on how he became the songwriter to the stars
  • Pollyfromthedirt’s grey-skied Anglo ambience and the week’s best new tracks

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