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Radiohead review – bards of the apocalypse return for a brutal bacchanal

Powered by a pounding rhythm section, the crowd dance to even the tricksiest drum patterns at Radiohead’s first gig in seven years – one that demonstrates the pure joy this band can bring

Radiohead’s 2025 tour: the opening night setlist

From The Bends to A Moon Shaped Pool, nearly the whole album discography was accounted for at the art-rockers’ first gig since 2018

Donna Jean Godchaux supplied steel and soul to the Grateful Dead in their prime

Godchaux sang on classics by Elvis and Otis Redding and had a long solo career, but it’s as a member of the Dead’s classic, acid-drenched 70s lineup – and as the band’s only female member – that she will be remembered

Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill

The UK premiere of Respighi’s 1937 work was paired with Ethel Smyth’s dark and dramatic Der Wald, both imaginatively staged by Stephen Barlow

‘I want to ride out on a unicorn every night’: swords’n’sorcery heavy metal band Castle Rat

Wielding fantasy weapons and splashing fake blood, the New Yorkers have even learned how to make chainmail outfits – and they’re already aiming to conquer stadiums

Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else

The Catalan star’s monumental fourth LP features lyrics in 13 languages, references to female saints, the London Symphony Orchestra – and Björk on ‘divine intervention’

Post your questions for Geoff Barrow, of Portishead, Beak> and more

As he moves from music into film production with Game, a thriller starring Sleaford Mods’ Jason Williamson, the multifaceted creative mind answers your questions

‘I took mushrooms before my audition’: Smiths drummer Mike Joyce on wild gigs, Marr’s jim-jams and Morrissey’s genius

Breaking dancefloors, recording in the dark, crying at I Know It’s Over, winning in court, splitting over chips … the musician relives his tumultuous years in ‘the best British band ever’

Rosalía’s Berghain is a thunderous goth-pop hit – but is it opera?

The Catalan star’s epic new single is delighting and dividing classical music fans in equal measure

Sudan Archives: ‘My favourite fact? I’m 100% that bitch’

The violin-playing sonic experimentalist on gadgets, guilty pleasures, and her most controversial pop culture opinion

Girlbands Forever: this shocking history of 90s female pop is packed with gossip, scandal – and bangers

Strap in for a nostalgia-stuffed jaunt through musical classics, featuring honest interviews with stars – the details of which make the record industry look appalling

‘G’day Australia. Did you miss us?’ Oasis kicks off Australia tour with euphoric show

The bucket hats were out in force at Marvel Stadium as Liam and Noel Gallagher made a polished – and even affectionate – return to Melbourne

Teen Jesus and the Jean Teasers: ‘We don’t want to be the biggest band in the world. It’s just fun playing with our besties’

The Australian rock band are ‘legit now’ with their second album Glory. They talk about performing while underage, playing with Dave Grohl and the ‘girl band’ label

Add to playlist: the long-lost lo-fi pop of Australian nun Sister Irene O’Connor and the week’s best tracks

Far from being the preserve of ecclesiastical listening, the reissue of O’Connor’s 1973 album is a compelling feast of drum machine, acoustic guitar and synth organ

Win Butler and Régine Chassagne of Arcade Fire announce separation – but band will continue

In 2022, four women accused Butler of sexual misconduct alleging sexual assault and unwanted sexual messages

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← Older posts
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  • Ed Sheeran takes partial credit for move to overhaul music teaching in England
  • The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging
  • Why the anger with Billie Eilish? Because it’s against the rules to say what we all know about billionaires
  • Why the anger with Billie Eilish? Because it’s against the rules to say what we all know about billionaires
  • ‘Everybody comes from a place of mundanity’: northern gothic, the strange music scene rooted in small-town Yorkshire and Lancashire
  • ‘A shot of adrenaline’: readers pass on 90s club classics to new generations
  • Wings by Paul McCartney review – a brilliant story of post-Beatles revival
  • Wings by Paul McCartney review – a brilliant story of post-Beatles revival
  • Radiohead review – bards of the apocalypse return for a brutal bacchanal
  • Their Eras tour? Radiohead play career-spanning set in first concert since 2018
  • Radiohead’s 2025 tour: the opening night setlist
  • Donna Jean Godchaux supplied steel and soul to the Grateful Dead in their prime
  • Aimard/Benjamin review – concentrated musical thought and pianistic imagination
  • Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill
  • Tell us: what 90s dance track would you gift to your teenager?
  • ‘I want to ride out on a unicorn every night’: swords’n’sorcery heavy metal band Castle Rat
  • Adrian Sutton obituary
  • Ravyn Lenae review – art-school dreamer at ease with her own melancholy
  • Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else
  • Post your questions for Geoff Barrow, of Portishead, Beak> and more
  • Richard Ashcroft: ‘Why not Sir Liam and Sir Noel?’
  • The one change that worked: I struggled with stress after work – until I made a discovery in my attic
  • ‘I’m good at doing pain’: soprano Ausrine Stundyte on trauma, adrenaline and playing a 300-year-old woman
  • ‘I took mushrooms before my audition’: Smiths drummer Mike Joyce on wild gigs, Marr’s jim-jams and Morrissey’s genius
  • Hallé/Shields/Adams: John Adams festival review – dynamism that could generate electricity
  • Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
  • Romesh Ranganathan: ‘I Want Your Soul by Armand Van Helden is so relentlessly catchy I’m sick of it’
  • Rosalía’s Berghain is a thunderous goth-pop hit – but is it opera?
  • Sudan Archives: ‘My favourite fact? I’m 100% that bitch’

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