wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

A voice that still carries: Aimee Mann’s greatest songs – ranked!

Thirty years on from the release of her acclaimed album I’m With Stupid, we count down the sucker-punching best tracks by the US singer-songwriter

Michael: first trailer unveiled for controversial Michael Jackson biopic

Star will be played by the real-life singer’s nephew Jaafar Jackson in a film that will ‘humanise but not sanitise’ him

Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever

After five decades, the songs are still memorable, warm and a little sex-mad. It’s classic Kelly – and Joe’s back, too

Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity

Eschewing the fairyfloss hooks of her earlier work, the Australian’s third album is both more mature and less immediately palatable

Radiohead review – bards of the apocalypse return for a brutal bacchanal

Powered by a pounding rhythm section, the crowd dance to even the tricksiest drum patterns at Radiohead’s first gig in seven years – one that demonstrates the pure joy this band can bring

Radiohead’s 2025 tour: the opening night setlist

From The Bends to A Moon Shaped Pool, nearly the whole album discography was accounted for at the art-rockers’ first gig since 2018

Donna Jean Godchaux supplied steel and soul to the Grateful Dead in their prime

Godchaux sang on classics by Elvis and Otis Redding and had a long solo career, but it’s as a member of the Dead’s classic, acid-drenched 70s lineup – and as the band’s only female member – that she will be remembered

Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill

The UK premiere of Respighi’s 1937 work was paired with Ethel Smyth’s dark and dramatic Der Wald, both imaginatively staged by Stephen Barlow

‘I want to ride out on a unicorn every night’: swords’n’sorcery heavy metal band Castle Rat

Wielding fantasy weapons and splashing fake blood, the New Yorkers have even learned how to make chainmail outfits – and they’re already aiming to conquer stadiums

Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else

The Catalan star’s monumental fourth LP features lyrics in 13 languages, references to female saints, the London Symphony Orchestra – and Björk on ‘divine intervention’

Post your questions for Geoff Barrow, of Portishead, Beak> and more

As he moves from music into film production with Game, a thriller starring Sleaford Mods’ Jason Williamson, the multifaceted creative mind answers your questions

‘I took mushrooms before my audition’: Smiths drummer Mike Joyce on wild gigs, Marr’s jim-jams and Morrissey’s genius

Breaking dancefloors, recording in the dark, crying at I Know It’s Over, winning in court, splitting over chips … the musician relives his tumultuous years in ‘the best British band ever’

Rosalía’s Berghain is a thunderous goth-pop hit – but is it opera?

The Catalan star’s epic new single is delighting and dividing classical music fans in equal measure

Sudan Archives: ‘My favourite fact? I’m 100% that bitch’

The violin-playing sonic experimentalist on gadgets, guilty pleasures, and her most controversial pop culture opinion

Girlbands Forever: this shocking history of 90s female pop is packed with gossip, scandal – and bangers

Strap in for a nostalgia-stuffed jaunt through musical classics, featuring honest interviews with stars – the details of which make the record industry look appalling

Post navigation

← Older posts
  • A voice that still carries: Aimee Mann’s greatest songs – ranked!
  • Michael: first trailer unveiled for controversial Michael Jackson biopic
  • Martin Fröst: BACH album review – silkily eloquent clarinettist brings freshness and fun
  • Sir John Rutter’s Birthday Celebration review – niche national treasure celebrates 80 in magnificent style
  • Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever
  • Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity
  • Danny Brown: Stardust review – hyperpop-rap powered up with post-rehab positivity
  • The Choral review – Ralph Fiennes leads the choir in impressively unsentimental Alan Bennett fable
  • ‘Sinners was a blast’: Christone ‘Kingfish’ Ingram, the blues prodigy serving up electrifying riffs in the year’s biggest film
  • Jack DeJohnette obituary
  • Ed Sheeran takes partial credit for move to overhaul music teaching in England
  • The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging
  • Why the anger with Billie Eilish? Because it’s against the rules to say what we all know about billionaires
  • ‘Everybody comes from a place of mundanity’: northern gothic, the strange music scene rooted in small-town Yorkshire and Lancashire
  • ‘A shot of adrenaline’: readers pass on 90s club classics to new generations
  • Wings by Paul McCartney review – a brilliant story of post-Beatles revival
  • A moment that changed me: I thought I was a lesbian. David Bowie made me realise the truth
  • Radiohead review – bards of the apocalypse return for a brutal bacchanal
  • Their Eras tour? Radiohead play career-spanning set in first concert since 2018
  • Radiohead’s 2025 tour: the opening night setlist
  • Donna Jean Godchaux supplied steel and soul to the Grateful Dead in their prime
  • Aimard/Benjamin review – concentrated musical thought and pianistic imagination
  • Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill
  • Tell us: what 90s dance track would you gift to your teenager?
  • ‘I want to ride out on a unicorn every night’: swords’n’sorcery heavy metal band Castle Rat
  • Adrian Sutton obituary
  • Ravyn Lenae review – art-school dreamer at ease with her own melancholy
  • Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else
  • Post your questions for Geoff Barrow, of Portishead, Beak> and more
  • Richard Ashcroft: ‘Why not Sir Liam and Sir Noel?’

Contact www.wrongmog.com   Terms of Use