wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers

‘My wife finds the whole thing hilarious. She was the girlfriend who inspired it. We’ve now been together for 30 years’

The Lemonheads’ Evan Dando: ‘Some people were supposed to take drugs – and one of them was me’

He was the darling of early-90s alt rock, but success came with the kind of rock’n’roll excess that many of his peers did not survive. Now, having finally quit heroin, he’s back with a new album, a memoir – and no regrets

Finn Wolfhard’s honest playlist: ‘I don’t know if I want to hear Sweet Child O’ Mine any more’

The musician and actor gives Bowie some welly at karaoke and is a lapsed G’n’R superfan. But which UK stadium indie-popsters created the first album he ever bought?

‘I was called an enemy of the people’: how the US Senate went to war with the biggest rock stars of the 1980s

Forty years ago Prince, Madonna and Judas Priest were among stars dubbed the ‘Filthy Fifteen’ in a high-profile parents’ campaign against ‘objectionable’ music. Some of those artists, and supporters like Alice Cooper, recall a major moral panic

‘Politics is nasty. And it’s getting worse’: Lionel Richie on his worries for America, his friend Michael Jackson – and why he still believes in the power of love

He’s known for his ballads and winning smile – but the singer has also had a ringside seat to history, from the civil rights battles in his native Alabama to the rise and fall of pop’s biggest superstar

Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in

The megastar’s underwhelming new album gets a suitably sub-par cinematic accompaniment offering very little for even the most devoted of fans

Ethel Cain review – a sublime rejection of pop stardom from the shadows

Bathed in darkness and backed by a formidable band, the Florida singer-songwriter turns her brooding southern gothic into a mesmerising, slow-burn spectacle

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Taylor Swift’s Charli xcx hit job misses the point – and underscores her tedious obsession with conflict

Sixteen months after Charli used Brat to air her anxieties about Swift, the US star’s graceless response is a missed opportunity for growth – and betrays her vengeful side

Taylor Swift: fans and critics react to ‘catchy’, ‘goofy’ and ‘joyful’ The Life of a Showgirl

Swift’s new album has been praised for upbeat songs with a tighter focus and funny lyrics – though one track about Travis Kelce’s ‘magic wand’ has divided opinion

Taylor Swift: The Life of a Showgirl review – dull razzle-dazzle from a star who seems frazzled

Far from the Max Martin-assisted pop juggernaut fans expected, this soft-rock paean to domestic bliss is slight on tunes and still seethes with grievance. And the less said about her fiance’s ‘magic wand’, the better

Sharon & Ozzy Osbourne: Coming Home review – an extremely moving look into the rock icon’s final months

This fly-on-the-wall documentary was meant to follow the couple as they left LA for Buckinghamshire. It turned into a compellingly intimate memorial

Imogen Heap: ‘We’re making a horrendous job of existing. Maybe AI is the next stage of evolution’

The pop-electronica musician answers your questions on hanging out with Jeff Beck, cheering up babies, and what she has learned from her ADHD and autism diagnoses

‘She’s leaning into the idea that her image is a gilded fantasy’: how Taylor Swift embraced the showgirl

Swift, who returns with her 12th album in the guise of the ultimate iconic performer, is the latest pop star to take on the 19th-century tradition

TV tonight: the postponed Ozzy Osbourne show about his final years

The metal icon and his family invited the cameras back into their lives for the final chapter. Plus: get the Kleenex ready for Long Lost Family. Here’s what to watch this evening

Post navigation

← Older posts
  • ‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers
  • Hermeto Pascoal obituary
  • The Lemonheads’ Evan Dando: ‘Some people were supposed to take drugs – and one of them was me’
  • Finn Wolfhard’s honest playlist: ‘I don’t know if I want to hear Sweet Child O’ Mine any more’
  • Omar and Cedric: If This Ever Gets Weird review – Mars Volta bromance looks for time out
  • Rob Brydon’s Honky Tonk Road Trip review – proof that he doesn’t need Steve Coogan for a fun travelogue
  • Susanna review – Opera North’s arresting take on Handel’s proto-#MeToo tale
  • ‘I was called an enemy of the people’: how the US Senate went to war with the biggest rock stars of the 1980s
  • ‘Let’s learn from that history’: opera looks to luddites for how to deal with AI
  • From the BFI London film festival to Taylor Swift: your complete entertainment guide to the week ahead
  • ‘Politics is nasty. And it’s getting worse’: Lionel Richie on his worries for America, his friend Michael Jackson – and why he still believes in the power of love
  • Stunned Combs holds head in hands as judge unmoved by pleas for mercy
  • Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in
  • Sean ‘Diddy’ Combs sentenced to more than four years in prison on prostitution-related charges
  • Sean ‘Diddy’ Combs calls behavior ‘disgusting’ and apologizes ahead of sentencing
  • Paul ‘Bonehead’ Arthurs to miss Oasis tour leg for cancer treatment
  • Taylor Swift gives album low-key launch on cheerful tour of UK radio
  • The original Tay-Tay: a Swifties’ guide to Elizabeth Taylor
  • Sean ‘Diddy’ Combs sentencing: how it happened
  • Oum – A Son’s Quest for His Mother review – hybrid forces bring Bushra El-Turk’s haunting score to vivid life
  • Ethel Cain review – a sublime rejection of pop stardom from the shadows
  • Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band
  • Dania: Listless review – intimate underground pop inspired by hospital night shifts
  • Taylor Swift’s Charli xcx hit job misses the point – and underscores her tedious obsession with conflict
  • ‘We need anger to fight for our lives’: Mexican musician Silvana Estrada on grief, violence and the indignity of ‘el ghosting’
  • Taylor Swift: fans and critics react to ‘catchy’, ‘goofy’ and ‘joyful’ The Life of a Showgirl
  • Strange Journey: The Story of Rocky Horror review – insiders’ account of cult musical 50 years on
  • Taylor Swift: The Life of a Showgirl review – dull razzle-dazzle from a star who seems frazzled
  • Bossing it! The makers of Springsteen: Deliver Me from Nowhere on turning Jeremy Allen White into the rock icon
  • Experience: I put on the world’s first deaf rave for deaf ravers like me

Contact www.wrongmog.com   Terms of Use