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Bleak Squad: Strange Love review – Australia’s newest supergroup sound like they’ve been together for years

Four music greats – Mick Harvey, Mick Turner, Adalita and Marty Brown – have created a genuine collaboration that leaves room for all their talents

Deftones singer Chino Moreno: ‘I’ve got hundreds of drawings of myself in my house’

Ahead of their 10th album, Private Music, the vocalist of the Californian alt-metal heroes answers your questions on covering Sade, loving Duran Duran and his terrifying time in Sunday school

This Is Spinal Tap review – a glorious heavy-rock nightmare that was ahead of its time

Rereleased ahead of its forthcoming sequel, the classic mockumentary about the mythic pomp of a musical colossus on the decline is still a joy

‘Status, hierarchy, cool – none of it matters’: Dinosaur Pile-Up’s frontman on the chronic illness that changed his life

Doctors were baffled as Matt Bigland bled internally and his body became unrecognisable. He’s now channelled the trauma into a headbanging new album

‘Liam Gallagher is funnier than most standups!’: Is comedy the new rock’n’roll – or vice versa?

Oasis’s tour gobbled up Edinburgh audiences while fringe comics put on shows about Britpop and Arctic Monkeys. The music industry and the funny business could be more entwined than ever

Noel Gallagher opens up about his brother Liam on Oasis reunion tour: ‘He’s been amazing’

Noel says his long-estranged brother is ‘smashing it’ during the band’s stadium shows and that he’s ‘proud’ of him

Coldplay review – after 12m tickets sold, this tour is still a mindblowing spectacle

They may be as cloyingly earnest as ever, but even amid an overwhelming production full of fireworks and lovehearts, Chris Martin and co are in total control

‘There was so much vitriol’: Willis Chimano on being outed while in Africa’s biggest boy band

The Kenyan singer, part of the wildly popular Sauti Sol, faced hatred and threats but it made him determined to push for change in a country where being gay is still illegal

Green Man festival review – Kneecap and CMAT lead the charge in a utopian Welsh idyll

Progressive, independent and more sonically diverse than ever, the Brecon Beacons festival offered sterling sets from MJ Lenderman to Mike, Jasmine.4.t to Joshua Idehen

‘It’s like having a button that makes the audience go nuts’: Deep Purple on Smoke on the Water

‘We went to see Frank Zappa at Montreux casino. But someone fired a flare gun into the ceiling and – whoosh! The whole building went up in flames’

Sault review – GCSE-level drama performance borders on the pretentious

Standout moments included Chronixx captivating on stage, Yasiin Bey delivering a seamless guest verse and Cleo Sol’s ethereal appearance – but the theatrics felt alienating

‘What I really love is cheesy disco’: Rob Newman’s honest playlist

The comic struggles to listen to the punk bands of his youth, while his son sings along to the Blue Nile. But which Smiths song caused his girlfriend to dump him?

‘The Black experience is more than just London’: Chiedu Oraka, the Hull rapper handpicked to support Coldplay

When Chris Martin called, the MC saw an opportunity to rep his city, pursue his goal of being rap’s next ‘king of the north’ – and expand perceptions of Black British identity

Rise Against: Ricochet review – slick shift doesn’t skimp on righteous anger

Blood-and-guts emotion with the energy of the punk veterans’ early years meets high-sheen recording craft in a hulking 10th album

‘I tried to be nice. Sometimes I would explode’: John Fogerty on Creedence, contracts and control

As the driving force behind Creedence Clearwater Revival, he wrote some of the 60s’ most enduring songs. But a poor record deal followed by years in the wilderness drove him to the brink of breakdown. Now 80, he looks back

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← Older posts
  • Bleak Squad: Strange Love review – Australia’s newest supergroup sound like they’ve been together for years
  • Battleship Potemkin review – Eisenstein’s explosive movie still burns bright
  • Battleship Potemkin review – Eisenstein’s explosive movie still burns bright
  • Battleship Potemkin review – Eisenstein’s explosive movie still burns bright
  • Terry Riley: The Columbia Recordings album review – early masterworks from a founding father of minimalism
  • Tchaikovsky: The Seasons album review – exemplary playing but Yunchan Lim’s take is strangely sombre
  • Peter Jackson to create new episode of Beatles Anthology TV series
  • Peter Jackson to create new episode of Beatles Anthology TV series
  • Peter Jackson to create new episode of Beatles Anthology TV series
  • Breaking Bach review – breakdancing thrillingly animates 300-year-old music
  • Linda May Han Oh: Strange Heavens review – ideas and invention burst from a great jazz trio
  • Deftones singer Chino Moreno: ‘I’ve got hundreds of drawings of myself in my house’
  • This Is Spinal Tap review – a glorious heavy-rock nightmare that was ahead of its time
  • ‘No Russian words from my lips, no Russian music from my hand’: the Ukrainian Freedom Orchestra hit the UK
  • Why doesn’t the BBC blaze the glories of its orchestras year round, not just at the Proms?
  • ‘I’d never seen anything like it’: Lucinda Childs on the extraordinary worlds of Robert Wilson
  • ‘Status, hierarchy, cool – none of it matters’: Dinosaur Pile-Up’s frontman on the chronic illness that changed his life
  • ‘Liam Gallagher is funnier than most standups!’: Is comedy the new rock’n’roll – or vice versa?
  • Noel Gallagher opens up about his brother Liam on Oasis reunion tour: ‘He’s been amazing’
  • They’re among the best in British indie. So why have Field Music become a Doors cover band?
  • ‘I’m not a big CGI guy’: Guns N’ Roses axeman Slash on remaking trash classic Deathstalker
  • Spike Lee’s Highest 2 Lowest rages against the new but leaves him looking too old
  • A Mass of Life review – magical and ecstatic Proms performance of Delius’s magnum opus
  • BBC says it delayed Ozzy Osbourne documentary at family’s request
  • The Butterfly Who Flew Into the Rave review – mesmerising trio tear up the dancefloor
  • Coldplay review – after 12m tickets sold, this tour is still a mindblowing spectacle
  • ‘There was so much vitriol’: Willis Chimano on being outed while in Africa’s biggest boy band
  • Here We Go Again: the enduring appeal of Mamma Mia!
  • Revolver review – Beatlemania gets a captivating feminist rethink
  • Le Concert Spirituel review – a sumptuous musical journey to late Renaissance Florence

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