Phil Mongredien 

Marianne Faithfull: Give my Love to London review – a singular talent on fine form

It’s not as good as Broken English, but it’s the equal of anything she’s done since, says Phil Mongredien
  
  

Marianne Faithfull
Marianne Faithfull: Give my Love to London ‘is the equal of anything she’s done since Broken English’. Photograph: PR

Over five decades, Marianne Faithfull’s recording career has always been somewhat overshadowed by her tempestuous personal life. That’s a shame because when she hits form – as she does here, on her 20th album – she’s one of our most singular talents. Give My Love to London features an inspired collection of collaborators, including Roger Waters, Nick Cave, Anna Calvi and Brian Eno, yet Faithfull never yields centre stage, her gravelly voice imbuing this collection with, by turns, passion, regret and - on Mother Wolf - icy contempt. It isn’t quite as good as 1979’s extraordinary Broken English, but the likes of Falling Back and Sparrows Will Sing are the equal of anything she’s done since.

 

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