One of the pleasures of the Very Best's debut, 2009's Warm Heart of Africa, was that it sounded little like anything else at the time: Esau Mwamwaya's collaboration with Radioclit produced an irresistibly inclusive album of European pop with kwaito and highlife. Their second still bears that warmth and immediacy – the simple ebullience of Kondaine is a highlight ("We're walking on water/We're walking on air"), as is the dense and swirling Bantu featuring Amadou & Mariam – but the decision to supercharge so many tracks with clubbier beats – in other words, to make them sound a lot more like the rest of the charts – is disappointing.