wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

Addison Rae review – glorious fantasy from pop’s newest star

With a wedding dress and a giant crystal chandelier, the TikToker-turned-pop wunderkind’s live show is a welcome breath of escapism

Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity

Chart-topping singer-songwriter adds to his previous support of charity that works on behalf of small UK venues

‘Most of it was the conga preset on Prince’s drum machine’: how Fine Young Cannibals made She Drives Me Crazy

‘Prince’s Purple Rain guitar was in the corner of the studio and his lava lamps were everywhere. You couldn’t help but be inspired’

Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday

The perma-sunglassed singer tries to transport himself and the audience to a higher plane, culminating in a cathartic sing-along like a gigantic Last Night of the Proms

Grammys 2026: the nominations in all the major categories

With big numbers for Kendrick Lamar, Lady Gaga, Bad Bunny and more, check out the nominated artists this year

The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

The latest themed album from John Darnielle’s band – with some help from Lin-Manuel Miranda – takes them on a sumptuously crafted and surprisingly upbeat voyage to a desert island

A voice that still carries: Aimee Mann’s greatest songs – ranked!

Thirty years on from the release of her acclaimed album I’m With Stupid, we count down the sucker-punching best tracks by the US singer-songwriter

Michael: first trailer unveiled for controversial Michael Jackson biopic

Star will be played by the real-life singer’s nephew Jaafar Jackson in a film that will ‘humanise but not sanitise’ him

Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever

After five decades, the songs are still memorable, warm and a little sex-mad. It’s classic Kelly – and Joe’s back, too

Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity

Eschewing the fairyfloss hooks of her earlier work, the Australian’s third album is both more mature and less immediately palatable

Radiohead review – bards of the apocalypse return for a brutal bacchanal

Powered by a pounding rhythm section, the crowd dance to even the tricksiest drum patterns at Radiohead’s first gig in seven years – one that demonstrates the pure joy this band can bring

Radiohead’s 2025 tour: the opening night setlist

From The Bends to A Moon Shaped Pool, nearly the whole album discography was accounted for at the art-rockers’ first gig since 2018

Donna Jean Godchaux supplied steel and soul to the Grateful Dead in their prime

Godchaux sang on classics by Elvis and Otis Redding and had a long solo career, but it’s as a member of the Dead’s classic, acid-drenched 70s lineup – and as the band’s only female member – that she will be remembered

Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill

The UK premiere of Respighi’s 1937 work was paired with Ethel Smyth’s dark and dramatic Der Wald, both imaginatively staged by Stephen Barlow

‘I want to ride out on a unicorn every night’: swords’n’sorcery heavy metal band Castle Rat

Wielding fantasy weapons and splashing fake blood, the New Yorkers have even learned how to make chainmail outfits – and they’re already aiming to conquer stadiums

Post navigation

← Older posts
  • Haftbefehl shows that Germany loves art born from alienation – just not the people who create it
  • Harley Flanagan: Wired for Chaos review – riotous life story of hardcore punk godhead
  • Addison Rae review – glorious fantasy from pop’s newest star
  • British music industry adds record £8bn to UK economy, according to UK Music
  • Kiss guitarist Ace Frehley died after fall, autopsy finds
  • ‘I can see a world where Spotify doesn’t exist’: will a new generation of music streaming companies succeed?
  • Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity
  • ‘Most of it was the conga preset on Prince’s drum machine’: how Fine Young Cannibals made She Drives Me Crazy
  • ‘We never had much fun – we were angry’: Eve Libertine on life with anarcho-punk pioneers Crass
  • Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due
  • BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • ‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation
  • ‘Anastacia is a big inspiration for me – raspy, raw and heartfelt’: Ella Eyre’s honest playlist
  • Paul Kelly: ‘Imagine by John Lennon is probably one of the worst songs ever written. I can’t stand it’
  • Olivia Rodrigo condemns Trump administration’s use of her music for ‘racist, hateful propaganda’
  • Washington National Opera may move out of Kennedy Center due to Trump ‘takeover’
  • Guitar Hero at 20 – how a plastic axe bridged the gap between rock generations
  • Die My Love to Rosalía’s Lux: your complete entertainment guide to the week ahead
  • Grammy awards 2026: Kendrick Lamar leads nominations with nine nods
  • Grammys 2026: the nominations in all the major categories
  • Toussaint To Move: Free review – a joyful celebration of reggae culture
  • ‘I was the only out queer guy in rock’: Faith No More’s Roddy Bottum
  • Add to playlist: Tristan Perich and James McVinnie’s piece for organ and 100 loudspeakers, plus the week’s best new tracks
  • Rebecca Clarke: The Complete Songs album review – rich, radiant performances bring a forgotten voice to life
  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller
  • Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review – elemental power, eerie beauty
  • ‘Huge step in the right direction’: arts leaders hail move to boost creative subjects in England’s schools
  • From fiasco to feted: the story of the Dream of Gerontius, the revolutionary music of The Choral
  • ‘It’s impossible not to have contradictions in a contradictory world’: Catalan pop visionary Rosalía on critics, crisis and being ‘hot for God’

Contact www.wrongmog.com   Terms of Use