wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

‘The spirit lives on’: Apple to discontinue the iPod after 21 years

Apple is discontinuing its MP3 player, bringing an end to device that transformed how we listen to music

‘It was the poor man’s studio’: how Amiga computers reprogrammed modern music

It was grey, ugly and had 0.0128% of an iPhone’s memory. But the Amiga 500 defied its limitations to power a series of astonishing dance tracks, from early jungle to Calvin Harris

Pro-war memes, Z symbols and blue and yellow flags: Russian influencers at war

As the government tightens its grip, some social media stars are speaking out, while others are pivoting to propaganda

Grimes and Elon Musk welcomed second child via surrogate in December

Musician reveals in Vanity Fair interview that she and the Tesla CEO welcomed a baby girl named Exa Dark Sideræl Musk

On my radar: Dave Grohl’s cultural highlights

The Foo Fighters frontman on his favourite new band, watching celebrities eat hot sauce and Zendaya in HBO’s Euphoria

Listen here: you can’t rely on music streaming. Maybe it’s time to dig out your old CDs

The Neil Young row hinted at the precariousness of relying on Spotify et al. Could the casual CD become cool again, asks writer Larry Ryan

‘Don’t take the damn thing’: how Spotify playlists push dangerous anti-vaccine tunes

Conspiracy theory songs claiming Covid-19 is fake and calling vaccine ‘poison’ being actively promoted in Spotify playlists

Sony’s takeover of Awal provisionally cleared by UK regulator

CMA decides acquisition of artist service company won’t significantly affect competition

‘Sexy horror comedy’: Bitcoin laundering suspect is also ‘raunchy rapper’ Razzlekhan

Heather Morgan, arrested on suspicion of laundering cryptocurrency worth billions, has a second life as performer with ‘more pizzazz than Genghis Khan’

Spotify’s attempt to use the Facebook playbook over Joe Rogan won’t wash

Founder Daniel Ek’s bid to make the anti-vaxxer controversy go away ignores the fact that it is paying the US comedian to appear on its service

How $1bn push into podcasts led to Spotify’s growing pains

Streaming firm is facing a cocktail of crises, from culture wars to competition concerns

The Guide #20: Joe Rogan is just one rogue in podcasting’s wild west

In this week’s newsletter: the beauty of podcasts is that anyone can start one and be successful. But that also means Rogan’s is far from the first show to get out of hand

Teen monitoring Elon Musk’s jet ‘tracking Gates, Bezos and Drake too’

Jack Sweeney, who wants Tesla CEO to hand over $50k to remove flight tracker bot, sets sights on other celebrities

‘I wish I could’: why it’s hard for smaller artists to boycott Spotify

The feud between major artists and Spotify has overlooked problems faced by those with less power and finances

Four alternatives to Spotify: swapping is easier than you think

Whether you’re boycotting the service over Joe Rogan or just looking for something new, it’s a cinch to cancel and you can take your playlists too

Post navigation

← Older posts
Newer posts →
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

Contact www.wrongmog.com   Terms of Use