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‘Helping people survive’: how creating a hip-hop album supported incarcerated artists

Formerly or currently imprisoned artists in Florida came together to create an inspiring album, much of which was recorded under difficult circumstances

On the right track: the record label reaching out to Cameroon’s street talent

Born in Douala prison and hailed for helping young people stay out of trouble, the success of Jail Time Records has persuaded Burkina Faso to let the label branch out there

Add to playlist: GB’s open-hearted pop and the week’s best new tracks

The latest innovator to emerge from the RMC, Copenhagen’s music school and alt-hothouse, Gustav Berntsen combines off-kilter rock with unabashed yearning

Judge denies Sean ‘Diddy’ Combs lawyers’ bid for mistrial

Defense lawyers argued prosecutors had improperly suggested Combs was involved in destruction of evidence

Kid Cudi testifies Sean ‘Diddy’ Combs broke into his home at sex-trafficking trial

Scott Mescudi said his Porsche was set on fire with a molotov cocktail on day nine of Combs’s trial in New York

Drugs and guns found in raid on Sean ‘Diddy’ Combs’s Miami home, court told

Homeland security agent Gerard Gannon testifies about federal raid on Miami Beach property in March last year

Salt-N-Pepa sue Universal over ownership of master recordings

Push It hitmakers Sandra Denton and Cheryl James claim Universal is blocking the return of their copyright, but label claims it has repeatedly attempted a resolution

Cassie Ventura’s mother says Sean ‘Diddy’ Combs blackmailed her for $20,000

Music mogul’s sex-trafficking trial continues as mother of key witness says she was ‘scared about my daughter’s safety’

Chart-topping French rapper Werenoi dies aged 31

French media report that award-winning artist suffered heart attack and died in hospital early on Saturday morning

Tyler, the Creator review – a fiery performance from a giddy rap god

Performing solo to a backing track, the rapper nevertheless generates extraordinary heat with his fluid and furious flow atop foundation-rumbling bass

Cassie Ventura concludes testimony in Sean ‘Diddy’ Combs sex-trafficking trial

First week of testimony heard singer talk about in-patient treatment center she went to to ‘help me with my trauma’

Cassie Ventura grilled about explicit messages on day four of Sean ‘Diddy’ Combs trial

On third day of testimony the former girlfriend of music mogul details violence, abuse and blackmail

Cassie Ventura tells court at day three of trial that Sean ‘Diddy’ Combs raped her

Music mogul’s former girlfriend describes physical abuse, control and violence at trial in New York City

Day two of Sean ‘Diddy’ Combs sex-trafficking trial ends as Cassie Ventura describes alleged abuse

Singer says on the stand there were ‘violent arguments’ and ‘dragging’ in former relationship with the hip-hop mogul

Sean ‘Diddy’ Combs’s sex-trafficking and racketeering trial to begin

Hip-hop mogul, 55, has been accused of forcing women to perform in drug-fueled ‘freak offs’ to further their careers

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  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Powderfinger confirm reunion for national tour 16 years after saying farewell in last live show
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Franz & Marie review – Woyzeck folk musical finds heart amid the horror
  • Fierce, frantic and loaded with menace: Fontaines DC’s 20 greatest songs – ranked!

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