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Want to see Oasish play GlastonBarry? Well, you can! How tribute festivals ‘grew into a monster’

More than 30 outdoor music events including Tribfest and Big Fake Festival are taking the UK by storm

Addison Rae: Addison review – 2025’s most refreshing star revels in pop’s shallow pleasures

The one-time TikTok dancer’s remarkably cohesive debut spans Jersey club to R&B, and defies an obsession with ‘lore’ to suggest that the best pop isn’t that deep

Add to playlist: the genre-swerving chaos of eight-piece collective Parade and the week’s best new tracks

Determined to dodge every pigeonhole, the band’s forthcoming mixtape veers from lulling acoustic to nightmarish noise, free jazz to prog post-rock

Witch: Sogolo review – Zamrock originators in joyously punchy form

After the band’s 2023 reunion and a revamp of members comes this imaginative and playful set showing 74-year-old Emmanuel ‘Jagari’ Chanda’s undiminished vocal power

CMAT, pop’s gobbiest, gaudiest star: ‘Everyone else in music needs a kick up the hole!’

Playing stadiums and causing dance crazes, the Irish singer-songwriter is going supernova – and whether opining on trans rights, body shaming or capitalism, she’s more forthright than ever

Lionel Richie review – larger-than-life legend delivers a lesson in charm

The perfectly ’tached singer rolls out some raw and funky versions of his hits, from Hello to Brick House to All Night Long, with a roaring-along crowd

The ones we love: all 16 of REM’s albums – ranked!

As their album Fables of the Reconstruction turns 40, we assess REM’s hugely varied discography, from mysterious masterpieces to commercial failures

Ahead of Glastonbury, Rod Stewart cancels two concerts because of flu

Eighty-year-old singer has another health setback, following cancelled concerts earlier this year

A-ha frontman Morten Harket shares diagnosis of Parkinson’s disease

The singer announced the news on the band’s website urging fans not to worry about him and ‘spend your energy and effort addressing real problems’

‘Faith is light, and we turn that light into sound’: Afro-Adura, the music uplifting Nigeria amid financial crisis

Facing electricity blackouts and rampant inflation, Nigerians are turning to what is also called ‘trenches music’ to vent their frustrations and find joy and hope in life

‘British feminism needs reshaping’: Kate Nash on her new single about trans rights

The British pop musician questions the gender-critical movement in her new song GERM, and argues that cis women need to stand up for the trans community

‘It was an I Will Survive for the 1990s’: how McAlmont & Butler made Yes

‘David only had words for one verse. “Just sing it twice,” I said. “We can worry about that later.” But we never got around to it – and people don’t seem to notice’

James Lowe, singer of psychedelic rock trailblazers the Electric Prunes, dies aged 82

The band’s early single I Had Too Much to Dream (Last Night) was their biggest hit, featuring on the compilation Nuggets, and has influenced generations of musicians

Pulp: More review – anthems and rage for the next life stage

Jarvis Cocker and the band’s first album in 24 years delivers a refreshing take on middle age, with all the the skewed observation and joyful melodic flourishes of old

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  • British rapper Ghetts jailed for 12 years for causing death of student in hit and run
  • ‘Like turning your soul inside out’: Barbara Hannigan and Laura Bowler on their devastating composition The White Book
  • From David Bowie to Fleetwood Mac and Eric Clapton, Mike Vernon’s ear was invaluable to British pop and blues
  • David Byrne review – in life during wartime, this show will restore your faith in humanity
  • La Bohème review – boutique modern-day Puccini travels to gentrified Hackney in good voice
  • Paavo Järvi to succeed Edward Gardner at helm of London Philharmonic
  • Lily Allen review – pop star makes much-anticipated comeback – but where is the West End Girl?
  • Philharmonia/ Schwarz/ Ólafsson review – a masterclass in pianissimo
  • LSO/ Wang/ Peltokoski review – Yuja Wang’s ferocious Rautavaara meets Peltokoski’s passionate Wagner
  • ‘My guitar was mangled – like my life!’ Goo Goo Dolls on how they made epic ballad Iris
  • ‘We were just astonished’: Mental As Anything on their highs and lows – and hitting the road again
  • ‘Do what you really want to do while you’re still alive’: Masayoshi Takanaka, the Japanese guitar hero surfing a second wave in his 70s
  • ‘People think you’re old if you need a hearing aid’: Pete Tong on ageing, all-nighters and hearing loss
  • Delta Goodrem to represent Australia at Eurovision 2026
  • Neil Sedaka obituary
  • How Courtney Barnett made her new album by retreating to the desert: ‘It nearly drove me mad’
  • Morrissey review – classic Smiths songs meet GB News-style talking points
  • Sinfonia Cymru / Laura van de Heijden review – quiet authority and effortless grace inspire
  • ‘I never had those deep chats in the smoking area’: Arlo Parks on embracing late night life with her hedonistic new album
  • ‘By 18 I was having sex to the music of Brian Eno’: Tim Booth’s honest playlist
  • The best theatre to stream this month: a decade of Dom Coyote’s spellbinding stage music
  • Harry Styles, fake stage invaders and a censored Peter Mandelson joke: the biggest moments at the Brit awards
  • ‘For us, it’s like Christmas’: Bad Bunny gets rapturous welcome at first-ever Australian show
  • This year’s Brit awards found a flicker of chaos – but the winners were never in doubt
  • Brit awards 2026: full list of winners
  • Grace Jones review – chaos, nudity and endless costume changes: the disco legend’s show has it all
  • Olivia Dean sweeps the board at 2026 Brit awards, winning four including artist, song and album of the year
  • ‘We’re going into a dark place’: Brit awards artists voice alarm over Reform UK’s rise
  • Son of rapper Lil Jon drowned after ingesting hallucinogenic mushrooms
  • How did I believe that? A cult survivor looks back at his lost years

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