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‘I get idiot men calling me arrogant’: Irish post-punks Sprints confront the mansplainers and misogynists

​As they announce a dystopian new album and play Glastonbury, Karla Chubb and co explain why they’re not keeping quiet about Palestine and sexism

Lana Del Rey review – mid-century melodrama as mindblowing stadium spectacle

The US singer-songwriter graduates to the UK’s biggest venues with a theatrical show to match, featuring a house on fire, Allen Ginsberg recitals and some very real tears

‘We have a high appetite for risk’: inside King Gizzard & the Lizard Wizard’s historic EU tour

Residencies in storied venues from a panopticon prison to an ancient amphitheatre gave an appropriate backdrop to the Australian band’s existential new record

U2 guitarist The Edge becomes Irish citizen – after 62 years in the country

English-born David Evans, 63, is conferred with ‘long overdue’ Irish citizenship

Forever Now review – timeless stars shine among grab bag of 80s nostalgia

Public Image Ltd deliver a thrilling set and the The can still enthrall, but it is the techno-symphonies of headliners Kraftwerk that remain truly peerless

Hung Up on a Dream: The Zombies Documentary review – happy-sad tale of 60s psychedelic rockers

Robert Schwartzman examines how five friends from the home counties ended up as part of the British invasion of the US music scene

Charli xcx and Neil Young to Juan Atkins and the Asian underground: what to see at Glastonbury

There are more than 3,000 performances to choose between at this year’s giant pan-genre jamboree. From pop A-listers to underground ones-to-watch, here are our picks

Iron Maiden review – 50th anniversary tour as near as uncompromising band get to greatest hits show

The newest song might date from 1992 but that matters little to fans of their fast and intricate heavy metal

‘People thought I was off my face’: indie rockers Hard-Fi look back at adrenaline, addiction and a life of excess

The band remember their hit 2005 record Stars of CCTV and talk about coming back with a new dynamic

Brandi Carlile review – country for the marginalised excels on the big stage

Elton John was a constant silent presence as versatile Carlile veered from crooner ballads to hot-rubber-and-leather vibes

‘I find it sad and difficult to listen to the Smiths’: Ana Matronic’s honest playlist

The Scissor Sister has a complex relationship with the Smiths and gets parties started with Grace Jones, but who’s her (not so) guilty pleasure?

I’m no Ed Sheeran fan, but he’s right: when it comes to musical plagiarism, guilt is in the ear of the listener

Musical history is littered with cases like the failed $100m suit against the singer, and they risk stifling pop music, says music journalist Simon Price

Dua Lipa review – dance-pop icon keeps the energy hotter than hell

Amid exercise videos, confetti cannons and guest star Jamiroquai, Lipa maintains an old-school superstar steeliness as she works up a sweat in the summer heat

When did ‘feminist critique’ of celebrities become nothing more than a snide telling-off?

Those delivering paternalistic lectures to Sabrina Carpenter, Addison Rae and Sydney Sweeney would do well to revisit recent history, says writer Jennifer Jasmine White

‘I’ve never been so obsessed with a band’: readers’ best albums of 2025 so far

Bad Bunny blasting bigotry against Puerto Ricans, Davido’s 5ive’s uplifting vibes and a blast from trip-hop’s past. Here’s what has caught your ear this year

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  • From Amarillo to Stockport: 15 of Neil Sedaka’s greatest songs, and their extraordinary stories
  • Hard work, romance and bell hooks: how Olivia Dean became British pop’s newest megastar
  • Cruz Beckham review – son of David and Victoria transcends nepo-baby tag with intriguing psych-pop
  • From The Testament of Ann Lee to Gorillaz: your complete entertainment guide to the week ahead
  • ‘The kinetic energy is palpable’: Manchester embraces its first Brit awards
  • Neil Sedaka, Breaking Up Is Hard to Do singer and pop song hitmaker, dies aged 86
  • Pulp have the last word in Adelaide festival saga with triumphant opening gig
  • RPO/Edusei/Masabane Cecilia Rangwanasha review – the makings of a classic Strauss
  • The Hallé Presents … Jonny Greenwood review – everything in its right place, almost
  • Bruno Mars: The Romantic review – you’re better off listening to the songs he’s blatantly imitating
  • Add to playlist: the cliche-correcting medieval music of Idrîsî Ensemble and the week’s best new tracks
  • ‘It’s good music, not a guilty pleasure’: how Bruno Mars embraced cheese to become pop’s most popular star
  • Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run
  • Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year
  • Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary
  • Experience: my record company replaced me with an ‘impostor’
  • ‘Everybody wants a bestie like this guy!’ Rush on rock’s most anticipated reunion – and its greatest bromance
  • Mardi Gras parade, Bad Bunny and Grace Jones headline blockbuster last day of summer in Sydney
  • Yuja Wang accuses Radio 3’s Norman Lebrecht of misogynistic bullying
  • Pekka Kuusisto: Willows album review – luminous, inventive and penetrating
  • Dead-end boys and West End girls: Lily Allen’s greatest songs – ranked!
  • ‘Play like a dog biting God’s feet’: Steven Isserlis on the formidable György Kurtág at 100
  • Gorillaz: The Mountain review – a late career peak haunted by ghosts yet glowing with life
  • ‘The bathrooms were rank, but we didn’t care’: how the grimy-but-great CBGB changed rock for ever
  • ‘Rest in power, Power’: Wu-Tang Clan collaborator Oliver ‘Power’ Grant dead at 52
  • Willie Colón obituary
  • Source close to Rolling Stones disputes Melania producer’s claim Mick Jagger ‘gave his blessing’ to use song

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