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Kesha: . (Period) review – a smart, funny return to her hedonistic hot-mess persona

After a long legal battle, the pop star’s sixth album harks back to her 2010s era, with a buffet of pop styles and only rare hints of her highly-publicised trauma

The masterplan: Alexis Petridis on his dream Oasis tour setlist

As the Gallagher brothers prepare for the decade’s most anticipated tour, our critic offers 20 useful tips for what to play – including the deep cuts they really should pick

Foo Fighters release first new song since Dave Grohl infidelity scandal and firing of drummer

Rock band put out new song Today’s Song, and look towards their return to live music in October

‘He made the dust fly!’ Mick Jagger and others on 100 years of Clifton Chenier, the king of zydeco

Whether playing the Royal Albert Hall or a rooster fight, Chenier’s scorching Creole blues blew minds. As a tribute album is released, starry admirers and family members remember one of history’s great live performers

Give Me a Word: The Collective Soul Story review – hyped-up account of nice-guy 90s mainstream rockers

Dolly Parton adds star power to this formulaic music documentary about Ed and Dean Roland’s band

Glastonbury chanters or the Southport hate-tweeter – throw the book at one, you must throw it at them all

There are many nasty idiots in the world – but whether the offence was at a music festival or online, none of these people should be in jail, says Guardian columnist Marina Hyde

What would British culture be like if Oasis had never existed?

Would Britpop have happened? Would bands still dream as big? As Oasis prepare for their return gig on Friday, it’s worth asking what their cultural impact has been

It’s not inevitable that musical dinosaurs dominate the charts. Here’s how we rescue pop in Britain

Thanks to streaming, the charts are dominated by albums from years ago. Australia has shown how to give new artists a chance, says music business journalist Eamonn Forde

‘Glastonbury’s definitely still medieval!’: The Libertines’ Pete Doherty and Carl Barât interviewed at the festival

The wild men of noughties indie on their return to the site to play the Pyramid stage, Pete Doherty’s opinions on Oasis – and their regrets

Glastonbury 2025: Sunday with Olivia Rodrigo’s headline set plus the Prodigy, Rod Stewart and more – as it happened

The festival reached its final day with standout sets from Wolf Alice, Turnstile, Joy Crookes and more

Olivia Rodrigo at Glastonbury review – full of bile and brilliance, this is easily the weekend’s best big set

With a genuinely surprise appearance from the Cure’s Robert Smith and a magnificent theatricality to her lovelorn songs, Rodrigo totally steals the entire festival

Nile Rodgers and Chic at Glastonbury review – pop’s most reliable band bring the party to the Pyramid

While you might quibble that Chic’s set has become more reliable than revolutionary, you can’t argue with the effects of the greatest pop music ever made on the crowd

‘I’ve been incredibly lucky. I have heavy impostor syndrome’: Djo on viral fame, bad reviews, and life after Stranger Things

Actor and musician Joe Keery made his name on the Netflix hit as lovable jock Steve Harrington, but he never stopped making music. He discusses anxiety, his earnest new record and why he and his castmates are ‘bonded for life’

Doechii at Glastonbury review – an education in rap from the greatest teacher in the game

Theatrical, flirtatious and athletic, this debut UK festival performance from the US MC is unrelentingly brilliant

Neil Young at Glastonbury review – ragged glory from a noisemaker who never treads the easy path

Still adhering to his own bizarre internal logic as he approaches 80, Young is crowd-pleasing one minute, wilfully odd the next – and you wouldn’t want it any other way

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  • From Amarillo to Stockport: 15 of Neil Sedaka’s greatest songs, and their extraordinary stories
  • Hard work, romance and bell hooks: how Olivia Dean became British pop’s newest megastar
  • Cruz Beckham review – son of David and Victoria transcends nepo-baby tag with intriguing psych-pop
  • From The Testament of Ann Lee to Gorillaz: your complete entertainment guide to the week ahead
  • ‘The kinetic energy is palpable’: Manchester embraces its first Brit awards
  • Neil Sedaka, Breaking Up Is Hard to Do singer and pop song hitmaker, dies aged 86
  • Pulp have the last word in Adelaide festival saga with triumphant opening gig
  • RPO/Edusei/Masabane Cecilia Rangwanasha review – the makings of a classic Strauss
  • The Hallé Presents … Jonny Greenwood review – everything in its right place, almost
  • Bruno Mars: The Romantic review – you’re better off listening to the songs he’s blatantly imitating
  • Add to playlist: the cliche-correcting medieval music of Idrîsî Ensemble and the week’s best new tracks
  • ‘It’s good music, not a guilty pleasure’: how Bruno Mars embraced cheese to become pop’s most popular star
  • Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run
  • Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year
  • Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary
  • Experience: my record company replaced me with an ‘impostor’
  • ‘Everybody wants a bestie like this guy!’ Rush on rock’s most anticipated reunion – and its greatest bromance
  • Mardi Gras parade, Bad Bunny and Grace Jones headline blockbuster last day of summer in Sydney
  • Yuja Wang accuses Radio 3’s Norman Lebrecht of misogynistic bullying
  • Pekka Kuusisto: Willows album review – luminous, inventive and penetrating
  • Dead-end boys and West End girls: Lily Allen’s greatest songs – ranked!
  • ‘Play like a dog biting God’s feet’: Steven Isserlis on the formidable György Kurtág at 100
  • Gorillaz: The Mountain review – a late career peak haunted by ghosts yet glowing with life
  • ‘The bathrooms were rank, but we didn’t care’: how the grimy-but-great CBGB changed rock for ever
  • ‘Rest in power, Power’: Wu-Tang Clan collaborator Oliver ‘Power’ Grant dead at 52
  • Willie Colón obituary
  • Source close to Rolling Stones disputes Melania producer’s claim Mick Jagger ‘gave his blessing’ to use song
  • ‘We’re a pub friendship – with songs attached’: deadpan dazzlers Black Box Recorder return, thanks to Billie Eilish
  • The Taliban are burning musical instruments in the name of morality. It is an assault on all culture
  • Someone’s Knockin’ at the Door review – in search of Macca’s Mull of Kintyre hideaway

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