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‘I’m not a quitter!’ Rubén Blades, the salsa supremo who acted with Jack Nicholson, inspired Bad Bunny – and served as Panama’s tourism minister

As he prepares to play the UK, the 25-Grammy-winning musician (and Harvard law graduate) looks back on his astonishing journey from the barrios of Panama City to global stardom

Chris Martin’s lost James Bond theme goes on auction with unheard Coldplay tapes

Acoustic recording of a song titled The World Is Not Enough included in wide-ranging auction featuring formative Coldplay recordings

It’s a love story – or is it? The surprising conflict and chaos in Taylor Swift’s songs about commitment

A pop superstar widely perceived as a romantic has in fact mostly written love songs troubled by strife, ghosts and delusion. Ahead of her wedding, we strip away the gossip to see what Swift-as-songwriter has spent 20 years telling us

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Quincy Jones emailed saying, ‘Hey man, I need to have a word’: how Jacob Collier made In My Room

‘Stevie Wonder and Prince played all the instruments on their albums, but in recording studios. I did it all in a back room at home – and then it won two Grammys’

Bad Bunny review – dynamic Latin superstar hosts thrilling party

The Puerto Rican musician kicks off in a white suit fronting a salsa band in full flow, then switches up with a swaggering, chaotic rave in a replica island home

‘I’ve only been addicted to two things – funk and praise’: Eddie Marsan’s honest playlist

The actor dances his insecurities away and wells up at a particular Eric Clapton song. But which double act brings out his inner cockney?

I was a whinger, a cynic, a misanthrope. Then I saw Harry Styles live – and I will never be the same again

I knew my 11-year-old son would love an evening at Wembley with his favourite star. But nothing prepared me for what it would mean to me, writes Polly Hudson

Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year

Tipped by Lorde and Billie Eilish, the New York musician twists sublime folk and chaotic synths into bewitching new shapes

Madonna & Graham review – it’s ‘gay heaven’ when Kylie arrives

You can’t blame Graham Norton for being tongue-tied over the icon. They have a nice, hammy time – and another pop queen serves them drinks – but where is the naughtiness?

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

The Surge review – a wild and haunting wake for Sinéad O’Connor

The late singer gets a thrilling tribute from a cast of 10 dancers in Sonya Tayeh’s heartfelt show

‘I can out-dance Bowie and Jagger!’ Martha Reeves on Motown, Dancing in the Street and smashing crockery with Dusty Springfield

Now 84, the voice of Heat Wave and Jimmy Mack is releasing a new album. She answers your questions on Marvin Gaye, popularising the roundabout and why she hates cover versions of her songs

‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece

They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again

David Clayton-Thomas, lead singer for Blood, Sweat & Tears, dies aged 84

The Canadian musician, who achieved major hits such as Spinning Wheel and You’ve Made Me So Very Happy, died peacefully at a Toronto hospital

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  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar
  • ‘So healing’: can singing Miley Cyrus with strangers cure our spiritual malaise?
  • Is the most popular song played on Australian radio stations the product of generative AI?
  • The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium
  • ‘Unchained Melody makes me want to live out my Swayze fantasies’: Gary Jarman’s honest playlist
  • Jay-Z review – rap legend dazzles New York City with lavish spectacle, sharp bars and Beyoncé
  • Casual by Chappell Roan helped me ditch dead-end relationships
  • From Moana to Suki Waterhouse: your complete entertainment guide to the week ahead
  • Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’
  • Rapper Pitbull and fans set ‘bald cap’ Guinness World Record at London show
  • ‘Take that, Marti Pellow!’ Sam Fender and Olivia Dean’s Rein Me In beats Wet Wet Wet’s UK chart record
  • Bon Jovi review – rockers make a surprisingly poignant return to the stage
  • The Guide #251: From Oasis to Harry Styles, music is mad for football merch
  • Add to playlist: the fluid club deconstructions of Stolen Velour, Floco and Aria SL and the week’s best new tracks
  • Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse
  • Wild Gods: The Glorious Abysmal review – truly fascinating songs born of tweed-beating and psychedelic trips
  • ‘Being a billionaire is so tacky!’ Musical firebrand Lido Pimienta on exploitation, class struggle – and going ‘Enya mode’
  • Mahler: Songs of Youth and Awakening album review – exuberance and intensity from fine cast of singers
  • Beatles’ early mentor Lord Woodbine to feature in new BBC drama
  • ‘It says you are a Harry Styles fan’: how ties became a secret language for concert-goers
  • Oasis reunion helps draw record 25m ‘music tourists’ to UK concerts
  • Pianist Jayson Gillham loses discrimination case against Melbourne Symphony Orchestra over Gaza comments
  • ‘Music was my first desire’: Anthony Hopkins releases single
  • ‘We’ve had moments of devastating pain’: jazz icons Ezra Collective on their new album – and why we can’t rely on the government
  • ‘Ramones had leather jackets when they got spat on. We didn’t!’ David Byrne on touring with Talking Heads and taking advice from Lou Reed
  • Sueye Park: Goldmark and Sibelius album review – Korean violinist’s silvery tone is ideal for Goldmark rarity
  • Brian Potter, British songwriter behind hits for Glen Campbell, Take That and more, dies aged 87
  • Jack White: Frozen Charlotte review – brutal, squalid blues-rock that just about sells its own ridiculousness
  • Bonnie Tyler obituary
  • Why are we so obsessed with Taylor Swift’s wedding?

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