wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

‘It destroyed me’: two more men accuse Christian rock star Michael Tait of sexual assault

The founding manager of rock band Evanescence claims he was fired after reporting that Tait assaulted him. An Evanescence co-founder denies he was fired for that reason

Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side

An oppressively humid night takes its toll on the maximalist pop quartet who deliver moments of sugar rush exuberance but with less power than before

Malcolm-Jamal Warner obituary

Actor who found global fame as a teenager playing Theo Huxtable in the 1980s US TV sitcom The Cosby Show

Five burning questions from Triple J’s Australian Hottest 100, a ‘rare and precious thing’

How did the radio network’s Top 100 Australian Songs poll become a cultural moment and why does Triple J’s head say we should stay ‘fucking loud’?

Rare original proof of David Bailey’s 1965 Box of Pin-Ups discovered

Exclusive: Near-mint condition preprint copy features 36 portraits of stars including John Lennon and Mick Jagger

Triple J Hottest 100: Never Tear Us Apart by INXS voted best Australian song ever

More than 2.6 million people voted in radio poll to find the most loved homegrown hits of all time

Meg Washington: ‘Why make art at all? What’s the point? Sometimes I feel like the violinist on the Titanic’

For the last five years, the Australian singer has been busy with films, Bluey and even changing her name – as well as grappling with the climate crisis, parenthood and capitalism for her new album, Gem

Kesha review – a triumphant and electric return for pop’s comeback kid

The millennial-beloved pop star brings the house down in an emotional and energetic chance to show off her new, return-to-form album

Cleo Laine, Britain’s most successful jazz singer, dies aged 97

Versatile singer straddled jazz, classical, pop and musical theatre with four-octave range, and collaborated for decades with husband, John Dankworth

‘He spoke up for me when I was in prison’: Anthrax, Lamb of God, Rick Wakeman and more share memories of Ozzy Osbourne

After Osbourne’s death at 76, the heavy metal greats he inspired remember his pranks, generosity and quadruple brandies – and relive the tears at his farewell show

‘Laughing and out of breath, he thanked us for the snowball fight’: fans on the magic of Ozzy Osbourne

The Prince of Darkness was unexpectedly self-effacing, hilarious and generous, say lovers of Black Sabbath

Khruangbin, again? I quit Spotify for a month to escape samey algorithms – this is what I learned

After being served the same artists again and again, my tastes were narrowing – so I tried vinyl, iPods and radio to see if I could rediscover the joy of finding new music

‘I’ve long struggled with my identity in pop’: Ethel Cain on fandom, first loves, and being inspired by David Lynch

As the first trans woman to break the US Billboard Top 10 albums, she has attracted acclaim, controversy and everything in between. Now she’s ready to upend pop again with an ambitious new album, a new outlook – and her first relationship

For a Brummie like me, Ozzy Osbourne’s voice mattered

Unlike other rock stars of the 70s and 80s, Osbourne talked like a bloke from Birmingham should talk. The teenage me loved it, writes Adrian Chiles

Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory

Much anticipated set of remixes and lost songs give a glimpse of a great pop mind trying out new tricks

Post navigation

← Older posts
Newer posts →
  • From The Testament of Ann Lee to Gorillaz: your complete entertainment guide to the week ahead
  • ‘The kinetic energy is palpable’: Manchester embraces its first Brit awards
  • Neil Sedaka, Breaking Up Is Hard to Do singer and pop song hitmaker, dies aged 86
  • Pulp have the last word in Adelaide festival saga with triumphant opening gig
  • RPO/Edusei/Masabane Cecilia Rangwanasha review – the makings of a classic Strauss
  • The Hallé Presents … Jonny Greenwood review – everything in its right place, almost
  • Bruno Mars: The Romantic review – you’re better off listening to the songs he’s blatantly imitating
  • Add to playlist: the cliche-correcting medieval music of Idrîsî Ensemble and the week’s best new tracks
  • ‘It’s good music, not a guilty pleasure’: how Bruno Mars embraced cheese to become pop’s most popular star
  • Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run
  • Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year
  • Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary
  • Experience: my record company replaced me with an ‘impostor’
  • ‘Everybody wants a bestie like this guy!’ Rush on rock’s most anticipated reunion – and its greatest bromance
  • Mardi Gras parade, Bad Bunny and Grace Jones headline blockbuster last day of summer in Sydney
  • Yuja Wang accuses Radio 3’s Norman Lebrecht of misogynistic bullying
  • Pekka Kuusisto: Willows album review – luminous, inventive and penetrating
  • Dead-end boys and West End girls: Lily Allen’s greatest songs – ranked!
  • ‘Play like a dog biting God’s feet’: Steven Isserlis on the formidable György Kurtág at 100
  • Gorillaz: The Mountain review – a late career peak haunted by ghosts yet glowing with life
  • ‘The bathrooms were rank, but we didn’t care’: how the grimy-but-great CBGB changed rock for ever
  • ‘Rest in power, Power’: Wu-Tang Clan collaborator Oliver ‘Power’ Grant dead at 52
  • Willie Colón obituary
  • Source close to Rolling Stones disputes Melania producer’s claim Mick Jagger ‘gave his blessing’ to use song
  • ‘We’re a pub friendship – with songs attached’: deadpan dazzlers Black Box Recorder return, thanks to Billie Eilish
  • The Taliban are burning musical instruments in the name of morality. It is an assault on all culture
  • Someone’s Knockin’ at the Door review – in search of Macca’s Mull of Kintyre hideaway
  • ‘People feel like they’re in on the joke’: the new wave of pseudo-biopics
  • Joe Benjamin obituary
  • Éliane Radigue, French composer and musique concrète legend, dies aged 94

Contact www.wrongmog.com   Terms of Use