wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

Lily Allen: West End Girl – a gobsmacking autopsy of marital betrayal

Allen’s first album in seven years traces the fallout from an open relationship, but as well as being cathartic and candid, these stylistically varied songs have melodies that sparkle

‘It’s scary how many St George’s flags there were’: Blood Orange on coming home to Essex and mourning his mother

After grief brought Dev Hynes home, he reconsidered the county that shaped him. The result is a masterful new album – made with a little help from Lorde and Zadie Smith

The Guardian view on live music: a scheme to spread the sound around deserves support

Editorial: More gigs would be a good thing, and a voluntary £1 levy for grassroots venues could help

Dave Ball was not some bloke in the background of Soft Cell – he drove their startling, subversive sound

Far more than a mute foil to Marc Almond, Ball brought his love of northern soul and strange electronics to bear on some of Britain’s most uncompromising pop

Dave Ball, synth-pop hitmaker as one half of Soft Cell, dies aged 66

Synth player and producer had huge success with Tainted Love and other Soft Cell hits, and later returned to UK Top 10 with dance project the Grid

Indie rising stars the Belair Lip Bombs: ‘We don’t want to regret not giving it a proper crack’

The Australian band’s second album, Again, is among the year’s best, put out by Jack White’s Third Man Records. This time, they say, ‘it’s cool being part of a record release where people are going to hear it’

‘At night, his guitar comes into my mind’: Amadou and Mariam’s surviving singer on life after losing her husband and musical partner

As Amadou and Mariam, the blind couple tenaciously carved out a career as one of Africa’s biggest global acts. Now, after Amadou’s death this year, his wife tells the story of their first posthumous album

Post your questions for Mavis Staples

As the 86-year-old music legend prepares to release a new album, she will take on your questions

‘I was working as a cook when it went to No 1’: how Norman Greenbaum made Spirit in the Sky

‘My label said a four-minute single with lyrics about Jesus would never get played on radio. But, in 1969, the song sold two million copies. It’s now been No 1 in three different decades’

The Uncool by Cameron Crowe review – inside rock’s wildest decade

From shadowing a cocaine-addled David Bowie to winning over Joni Mitchell, deliciously readable tales by the director of Almost Famous

‘Everyone seems to be on Zimmers’: after 70 years of hip-shaking thrills, is rock’n’roll dead?

It is now seven decades since Little Richard sang Tutti Frutti – and a rip-roaring new type of music burst out into the world. But is rock’n’roll about to die out? Our writer goes searching for signs of life

King Gizzard’s Stu Mackenzie on leaving Spotify and making all their music free: ‘Sometimes you just forget that you have free will’

Australian band’s decision to remove catalogue in protest of CEO’s military investments an easy one, frontman says, and making music with friends remains ‘top of the triangle’

Limp Bizkit announces death of bassist Sam Rivers aged 48

Nu-metal group says Rivers ‘brought a light and a rhythm that could never be replaced’

Huey Morgan looks back: ‘My father left when I was seven. Music was a way to derail those feelings of not being good enough’

The musician on dealing with PTSD, his angry TV outburst, and why one radio station refused to play anything by Fun Lovin’ Criminals

Fridayz Live Sydney review – Mariah Carey is impeccable but Pitbull steals the show

Dual headliners capped a R&B festival with fever-dream energy, including self-help sermons and Pitbull cosplayers everywhere you looked

Post navigation

← Older posts
Newer posts →
  • Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run
  • Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year
  • Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary
  • Experience: my record company replaced me with an ‘impostor’
  • Last weekend of summer brings sparkle and stars to Sydney with Mardi Gras parade, Bad Bunny and Grace Jones
  • Yuja Wang accuses Radio 3’s Norman Lebrecht of misogynistic bullying
  • Pekka Kuusisto: Willows album review – luminous, inventive and penetrating
  • Dead-end boys and West End girls: Lily Allen’s greatest songs – ranked!
  • ‘Play like a dog biting God’s feet’: Steven Isserlis on the formidable György Kurtág at 100
  • Gorillaz: The Mountain review – a late career peak haunted by ghosts yet glowing with life
  • ‘The bathrooms were rank, but we didn’t care’: how the grimy-but-great CBGB changed rock for ever
  • ‘Rest in power, Power’: Wu-Tang Clan collaborator Oliver ‘Power’ Grant dead at 52
  • Willie Colón obituary
  • Source close to Rolling Stones disputes Melania producer’s claim Mick Jagger ‘gave his blessing’ to use song
  • ‘We’re a pub friendship – with songs attached’: deadpan dazzlers Black Box Recorder return, thanks to Billie Eilish
  • The Taliban are burning musical instruments in the name of morality. It is an assault on all culture
  • Someone’s Knockin’ at the Door review – in search of Macca’s Mull of Kintyre hideaway
  • ‘People feel like they’re in on the joke’: the new wave of pseudo-biopics
  • Joe Benjamin obituary
  • Éliane Radigue, French composer and musique concrète legend, dies aged 94
  • Temple of boom! Why Taiwan’s religious sites are becoming unlikely rave venues
  • Amyl and the Sniffers embroiled in US legal battle after photographer countersues singer
  • BTS comeback show sells out immediately as 260,000 fans set to descend on Seoul
  • Brandi Carlile concert raises over $600,000 for families affected by ICE
  • Bath BachFest review – joyous and mesmerising music making
  • ‘Musicians drank too much and slept on my barn floor’: Andrew Bird on making cult album The Mysterious Production of Eggs
  • BBC Total Immersion: Icelandic Chill review – ambience, flowerpots and drones in varied day of new music
  • Willie Colón was an explosive energy source who took salsa into the stratosphere
  • ‘We watched 9/11 from the rooftop, blasting the music out’: how The Disintegration Loops became a requiem for the attacks
  • Wes McGhee obituary

Contact www.wrongmog.com   Terms of Use