Wet Leg: Moisturizer review – Doritos, Davina McCall and dumb fun from British indie’s big breakout band

After winning multiple Grammys and Brits, the Isle of Wight band explore love and sexuality on their second LP – but there’s still room for some barbed put-downs

Pavements review – US indie rockers and their dream director run four ideas at once

Alex Ross Perry’s intriguing documentary about 90s band Pavement runs four concepts at once, whose effect is to obscure clarity

‘Your favourite album is not as cool as any dinosaur’: set sail with New York art rock duo Water From Your Eyes

Playing on party boats, recreating Chili Peppers videos: the experimental pair are committed to the bit – with a new album influenced by lockdown, recovery and Stonehenge

Glastonbury 2025: post your questions for Carl Barât and Pete Doherty of the Libertines

The Guardian is hosting Q&A sessions at Glastonbury’s Astrolabe theatre, including with the notorious Libertines pair – post your own questions below

‘I get idiot men calling me arrogant’: Irish post-punks Sprints confront the mansplainers and misogynists

​As they announce a dystopian new album and play Glastonbury, Karla Chubb and co explain why they’re not keeping quiet about Palestine and sexism

‘We have a high appetite for risk’: inside King Gizzard & the Lizard Wizard’s historic EU tour

Residencies in storied venues from a panopticon prison to an ancient amphitheatre gave an appropriate backdrop to the Australian band’s existential new record

Forever Now review – timeless stars shine among grab bag of 80s nostalgia

Public Image Ltd deliver a thrilling set and the The can still enthrall, but it is the techno-symphonies of headliners Kraftwerk that remain truly peerless

‘Not all grassroots venues are struggling’: Sheffield’s Leadmill may be closing, but the city’s DIY hubs are thriving

Despite controversial new ownership for the local landmark, Sheffield’s vibrant network of staunchly independent spots is bucking the crisis facing Britain’s small music venues

Charli xcx and Neil Young to Juan Atkins and the Asian underground: what to see at Glastonbury

There are more than 3,000 performances to choose between at this year’s giant pan-genre jamboree. From pop A-listers to underground ones-to-watch, here are our picks

‘If men couldn’t have sex with me, they didn’t know what to do with me’: Alanis Morissette on addiction, midlife liberation and the predatory 90s

She made her name with rage-fuelled anthems – and sold 75m records in the process. Now, with a highly anticipated Glastonbury slot, the California-dwelling earth mother is ready to let rip again …

‘I’ve never been so obsessed with a band’: readers’ best albums of 2025 so far

Bad Bunny blasting bigotry against Puerto Ricans, Davido’s 5ive’s uplifting vibes and a blast from trip-hop’s past. Here’s what has caught your ear this year

Hotline TNT: Raspberry Moon review – love lights melodies through the fuzz

Will Anderson opens up on the NYC group’s third album, revealing an expansive articulacy to his take on 90s indie-rock

‘You’re lying if you don’t acknowledge death’: Wednesday’s Karly Hartzman on the wild, dark stories in the year’s best alt-rock album

Wednesday’s picaresque yarns are full of arson, sex shops and outcasts. At home in North Carolina, their leader explains why she likes things ‘a little bit scary’ – and what’s next after her split from bandmate MJ Lenderman

My unexpected Pride icon: they were not cool, but bands like Mumford & Sons eased the turmoil of coming out

As a queer, black woman raised on jazz and soul, discovering the genre of indie folk felt like an antidote to the guilt and self-loathing I was battling through

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals