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Stereolab: Instant Holograms on Metal Film review – after 15 years, the retro-futurists make a radiant return

Motorik grooves, Marxist critique and vintage synths – in their first album since 2010, Laetitia Sadier et al pick up where they left off yet sound more timely than ever

Guy Garvey on Elbow’s One Day Like This: ‘Every week, someone tells me they got married to it’

‘We threw strings at the track and it exploded into Lion-King-esque euphoria. I once got sent footage of a few hundred people on either side of a tube track singing it at each other’

‘I’ve met people with tattoos of it’: Andy Vella on shooting the Cure’s Boys Don’t Cry cover

‘The guitar, the hair, the mystery – I think I captured who the Cure are with this picture. When I showed it to Robert Smith and the band’s manager, they jumped up and down’

‘People think I’ve gone crazy’: indie sensation Cameron Winter on leaving crowds in tears with his wild lyrics and supernatural voice

He is just 22 yet he is already being compared to Dylan, Cohen and Waits. The Geese frontman talks about the joys of going solo, employing a five-year-old bassist – and why God deserves a shout out

Maria Somerville: Luster review – a vivid and vital entry in the shoegaze revival

The Irish artist’s folk-inflected sound is both unnerving and alluring on her luxuriant second album

Views of TikTok posts with electronic music outgrow those using indie

Videos tagged #ElectronicMusic attracted more than 13bn views worldwide last year, an increase of 45% on 2023

Drummer for indie rockers the New Pornographers arrested over child sexual abuse images

Joe Seiders in custody following search of home, vehicle and phone, after allegedly attempting to film child in California restaurant restroom

Julien Baker and Torres: Send a Prayer My Way review – an intimate, queer reclamation of country music

The two deep south songwriters ditch country’s rhinestones for a personal, defiant reframing of the genre’s tropes

‘Apparently, he had a fist fight with King Charles’: the jawdropping life of Luca Prodan, Argentina’s punk god

He was a gin-swilling Scottish-Italian heroin addict who set Argentina’s music scene ablaze – baffling the junta, who would arrest his audiences. As a biopic looms, we look at the fast life and early death of the still-worshipped frontman

‘Have the courage to walk away’: Bon Iver on romance, retirement and his rapturous new record

Riven with anxiety from years of touring, Justin Vernon found he couldn’t leave the house. Then a new relationship changed his concept of love. His radiant new album shares the revelations

Pulp: Spike Island review – Jarvis Cocker and co’s joyous second coming

The anthemic lead single from the band’s first album in 24 years casts a wary eye over their peak 90s fame – but also suggests that performing is irresistible

‘Goths don’t have sex – we just stare into the black sun’: Billy Corgan’s honest playlist

The Smashing Pumpkins songwriter and guitarist on overdoing karaoke, joining Pink Floyd on stage and his secret love of Katy Perry’s Roar

‘This weird dream just keeps going!’ Wet Leg on overnight success, sexual epiphanies and facing fears

The UK indie-rockers won two Grammys for their debut album. Ahead of their second, they explain how they protected one another amid sudden fame – and how queer love and Davina McCall inspired them

Black Country, New Road: Forever Howlong review – revamped alt-rockers take a newer, weirder road

After losing their frontman, the band’s third studio album shows how resilient and adaptable they are, with luscious melodies, fantastical lyrics and lots of recorders

‘I would never be able to sing a song that a robot wrote’: Lucy Dacus on her new album’s themes of artistry and intimacy

As the indie singer-songwriter and Boygenius star releases her latest, highly personal solo record, she talks of her weariness of AI and digital art, the pressures of being in a public relationship, and her anger and fears in Trump’s US

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← Older posts
Newer posts →
  • Apartment House review – an evening rich in discoveries, musical delicacies and magic
  • Indie rising stars the Belair Lip Bombs: ‘We don’t want to regret not giving it a proper crack’
  • Florian Schneider’s Kraftwerk instruments put up for auction in US
  • ‘At night, his guitar comes into my mind’: Amadou and Mariam’s surviving singer on life after losing her husband and musical partner
  • The Spin review – laughter and vinyl in wacky Irish road movie as pals try to save their record store
  • ‘Epic with a capital E’: inside Elmet, a tale of violence and greed on haunted Yorkshire heath
  • ‘I get to do whatever I want in the moment’: why more people are going to gigs, festivals and clubs alone
  • Bob Vylan ‘not regretful’ about IDF chant at Glastonbury: ‘I’d do it again tomorrow’
  • Post your questions for Mavis Staples
  • ‘I was working as a cook when it went to No 1’: how Norman Greenbaum made Spirit in the Sky
  • LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp
  • 100 Nights of Hero review – Emma Corrin leads starry cast in a queer fable with a serious streak
  • The Uncool by Cameron Crowe review – inside rock’s wildest decade
  • ‘Everyone seems to be on Zimmers’: after 70 years of hip-shaking thrills, is rock’n’roll dead?
  • King Gizzard’s Stu Mackenzie on leaving Spotify and making all their music free: ‘Sometimes you just forget that you have free will’
  • Limp Bizkit announces death of bassist Sam Rivers aged 48
  • Huey Morgan looks back: ‘My father left when I was seven. Music was a way to derail those feelings of not being good enough’
  • ‘I don’t really have sex to music, it’s a bit Tom Cruise’: Miles Kane’s honest playlist
  • Fridayz Live Sydney review – Mariah Carey is impeccable but Pitbull steals the show
  • Ruel: ‘A fan gave me one of their teeth on a necklace – I was definitely a little freaked out’
  • I can’t stop watching videos of people discovering Beds Are Burning by Midnight Oil. Send help
  • ‘No one makes money from them’: with MTV channels switching off, is the music video under threat?
  • My cultural awakening: The Specials helped me to stop fixating on death
  • From After the Hunt to the Last Dinner Party: your complete entertainment guide to the week ahead
  • Gesualdo Passione review – six singers and four dancers deliver a mishmash with a mystical tingle
  • Ace Frehley obituary
  • Stormzy elected honorary fellow of Jesus College Cambridge
  • Oggy oggy oggy! The donk-tacular dance music of Hull’s huge funfair
  • Little Simz review – hip-hop visionary radiates joy and Gallagher-level swagger
  • Add to playlist: Conna Haraway’s deeply detailed dub techno and the week’s best new tracks

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