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Gary ‘Mani’ Mounfield, the Stone Roses and Primal Scream bassist, dies aged 63

Ian Brown and Tim Burgess were among those to pay tribute to Mani, whose death was announced by his brother and nephew

Mani’s writhing, relentless bass was the Stone Roses’ secret sauce – it taught indie kids how to dance

His love of ‘good northern soul and funk’ was always in evidence and had a lasting impact on alternative music

Not Mariah again! New music playlists for the Christmas party season

Whether it’s vibe-setting dance and rap for house parties or soothing dream-pop for when you’re contemplating the clear-up, reach for these ready-made playlists

The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

The latest themed album from John Darnielle’s band – with some help from Lin-Manuel Miranda – takes them on a sumptuously crafted and surprisingly upbeat voyage to a desert island

A voice that still carries: Aimee Mann’s greatest songs – ranked!

Thirty years on from the release of her acclaimed album I’m With Stupid, we count down the sucker-punching best tracks by the US singer-songwriter

Post your questions for Geoff Barrow, of Portishead, Beak> and more

As he moves from music into film production with Game, a thriller starring Sleaford Mods’ Jason Williamson, the multifaceted creative mind answers your questions

Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman

Waxahatchee and her twin sister are joined by Lenderman and Brad Cook for an album of headstrong, tender Americana about chasing integrity and conviction

‘It’s scary how many St George’s flags there were’: Blood Orange on coming home to Essex and mourning his mother

After grief brought Dev Hynes home, he reconsidered the county that shaped him. The result is a masterful new album – made with a little help from Lorde and Zadie Smith

Where’s her Pulitzer already? Joanna Newsom’s 20 best songs – ranked!

Ten years on from the release of her rococo masterpiece, Divers, we count down the singer-songwriter-harpist’s most beautiful and devastating tracks

The Last Dinner Party: From the Pyre review – baroque’n’roll band’s speedily released second album is overheated

The London five-piece throw the kitchen sink at these dizzyingly dense songs, often crushing their melodic pleasures in the process

Sam Fender wins 2025 Mercury prize for his album People Watching

Geordie singer-songwriter’s album reached No 1 on the UK album chart, and led to a series of stadium-sized concerts this summer

The Fiery Furnaces reissue a cult classic: ‘We knew we wouldn’t seem like an also-ran NYC band in leather jackets’

As the divisive duo re-release Blueberry Boat for its 20th anniversary, they talk being unfit for success, how indie got soft and the ‘dream come true’ of getting 1/10 in NME

Hannah Frances: Nested in Tangles review – ramshackle arrangements power restless revelations

Wayward tempos and snapping drums break fresh ground in this unruly release from the Vermont musician

‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers

‘My wife finds the whole thing hilarious. She was the girlfriend who inspired it. We’ve now been together for 30 years’

The Kooks review – a triumphant and touching mass singalong

Playing to the biggest crowds of the careers, the 00s indie stalwarts perform like they’re loving every minute – although there is also raw emotion in Manchester on the night after the synagogue attack

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  • Hen Ogledd: Discombobulated review – a manifesto for collective action from Richard Dawson’s folk-rockers
  • Spanish-speaking Bad Bunny stirs lost Latin identity among Brazil’s music fans
  • HK Gruber: Short Stories from the Vienna Woods album review – still quirky after all these years
  • Casey Wasserman was the consummate LA powerbroker. Now his links to Ghislaine Maxwell threaten his legacy
  • Fred Smith obituary
  • Johann Ludwig Bach: The Leipzig Cantatas album review – this distant cousin’s music is a remarkable discovery
  • Saul review – Purves didn’t just chew the scenery, he swallowed it whole
  • The Streets review – semi-theatrical staging of A Grand Don’t Come for Free resurrects a British classic
  • If I Had Legs I’d Kick You review – Rose Byrne is tremendous as therapist in meltdown in pitch-black horror-comedy
  • Mitski: Nothing’s About to Happen to Me review – mordant, melodic melancholy from the best songwriter of her generation
  • Man on the Run review – archival delve into Paul McCartney’s post-Beatles era is a welcome revisit
  • Bad Bunny set for first lead acting role in historical drama Porto Rico
  • Tamás Vásáry obituary
  • Bono lambasts ICE, Putin, Netanyahu and more as U2 release first collection of new songs since 2017
  • U2: Days of Ash review – six new tracks reaffirm the band as a vital political voice
  • The Battle review – Britpop bickering and 90s nostalgia in Blur v Oasis comedy
  • Chuck Negron obituary
  • ‘A cry of pain from every player’: the new reality of Ukraine’s musicians
  • ‘Like an electrical gong bath!’ The Sheffield supermarket going viral for the symphonic sound of its freezers
  • Raye review – dazzling display of range from old-school Vegas to Euro-dance
  • Beats and throat singing: Sámi DJs tap into growing pride in Indigenous identity
  • Cardi B review – ambitious spectacle and sizzling choreography
  • Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia
  • ‘Quite frankly, we have nothing to lose’: how the UK is going weird for its 2026 Eurovision entry
  • ‘I’m trying to expand what it means to be a skier’: Mallory Duncan on jazz, freedom and the mountains
  • YouTuber Look Mum No Computer chosen as UK entry for Eurovision 2026
  • ‘It’s a nice surprise to be treated like kings!’ Why are mid-level British indie bands massive in China?
  • ‘It was spooky’: folk singer Olivia Chaney on how a song reflecting her own Brontë-ish love triangle wound up in Wuthering Heights
  • Harry Styles to curate Meltdown festival at London’s Southbank Centre – and play an intimate gig

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