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‘I can’t believe not everyone catastrophises!’: Liz Stokes of Kiwi band the Beths on anxiety, ambition and being anti-optimisation

The New Zealand indie band have had a charmed rise – but behind the scenes, their frontperson was dealing with Graves’ disease and depression. Digging deep helped her realise not everything can be fixed

Where Oasis, the Killers and Noddy Holder raised hell: Britpop’s debauched HQ, the Columbia hotel

Noel Gallagher named a song after it, Marc Almond practically moved in and the Killers had a bathtub reserved for puking in – but was it rock’n’roll, or just a bit tragic?

Add to playlist: Sarah Meth’s resplendent, intimate songwriting and the week’s best new tracks

The singer-songwriter’s warm laconic voice holds together lounge jazz stylings, dreamy pop and amenable folk, cut through with a self-deprecating wit

Oasis and Black Sabbath are filling stadiums. But where’s the next wave of working-class rock stars?

Ageing music legends are thriving, but we are making it too hard for young talent to break through, says freelance writer Dan Cave

Wet Leg: Moisturizer review – Doritos, Davina McCall and dumb fun from British indie’s big breakout band

After winning multiple Grammys and Brits, the Isle of Wight band explore love and sexuality on their second LP – but there’s still room for some barbed put-downs

Pavements review – US indie rockers and their dream director run four ideas at once

Alex Ross Perry’s intriguing documentary about 90s band Pavement runs four concepts at once, whose effect is to obscure clarity

‘Your favourite album is not as cool as any dinosaur’: set sail with New York art rock duo Water From Your Eyes

Playing on party boats, recreating Chili Peppers videos: the experimental pair are committed to the bit – with a new album influenced by lockdown, recovery and Stonehenge

Glastonbury 2025: post your questions for Carl Barât and Pete Doherty of the Libertines

The Guardian is hosting Q&A sessions at Glastonbury’s Astrolabe theatre, including with the notorious Libertines pair – post your own questions below

‘I get idiot men calling me arrogant’: Irish post-punks Sprints confront the mansplainers and misogynists

​As they announce a dystopian new album and play Glastonbury, Karla Chubb and co explain why they’re not keeping quiet about Palestine and sexism

‘We have a high appetite for risk’: inside King Gizzard & the Lizard Wizard’s historic EU tour

Residencies in storied venues from a panopticon prison to an ancient amphitheatre gave an appropriate backdrop to the Australian band’s existential new record

Forever Now review – timeless stars shine among grab bag of 80s nostalgia

Public Image Ltd deliver a thrilling set and the The can still enthrall, but it is the techno-symphonies of headliners Kraftwerk that remain truly peerless

‘Not all grassroots venues are struggling’: Sheffield’s Leadmill may be closing, but the city’s DIY hubs are thriving

Despite controversial new ownership for the local landmark, Sheffield’s vibrant network of staunchly independent spots is bucking the crisis facing Britain’s small music venues

Charli xcx and Neil Young to Juan Atkins and the Asian underground: what to see at Glastonbury

There are more than 3,000 performances to choose between at this year’s giant pan-genre jamboree. From pop A-listers to underground ones-to-watch, here are our picks

‘If men couldn’t have sex with me, they didn’t know what to do with me’: Alanis Morissette on addiction, midlife liberation and the predatory 90s

She made her name with rage-fuelled anthems – and sold 75m records in the process. Now, with a highly anticipated Glastonbury slot, the California-dwelling earth mother is ready to let rip again …

‘I’ve never been so obsessed with a band’: readers’ best albums of 2025 so far

Bad Bunny blasting bigotry against Puerto Ricans, Davido’s 5ive’s uplifting vibes and a blast from trip-hop’s past. Here’s what has caught your ear this year

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← Older posts
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  • Apartment House review – an evening rich in discoveries, musical delicacies and magic
  • Indie rising stars the Belair Lip Bombs: ‘We don’t want to regret not giving it a proper crack’
  • Florian Schneider’s Kraftwerk instruments put up for auction in US
  • ‘At night, his guitar comes into my mind’: Amadou and Mariam’s surviving singer on life after losing her husband and musical partner
  • The Spin review – laughter and vinyl in wacky Irish road movie as pals try to save their record store
  • ‘Epic with a capital E’: inside Elmet, a tale of violence and greed on haunted Yorkshire heath
  • ‘I get to do whatever I want in the moment’: why more people are going to gigs, festivals and clubs alone
  • Bob Vylan ‘not regretful’ about IDF chant at Glastonbury: ‘I’d do it again tomorrow’
  • Post your questions for Mavis Staples
  • ‘I was working as a cook when it went to No 1’: how Norman Greenbaum made Spirit in the Sky
  • LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp
  • 100 Nights of Hero review – Emma Corrin leads starry cast in a queer fable with a serious streak
  • The Uncool by Cameron Crowe review – inside rock’s wildest decade
  • ‘Everyone seems to be on Zimmers’: after 70 years of hip-shaking thrills, is rock’n’roll dead?
  • King Gizzard’s Stu Mackenzie on leaving Spotify and making all their music free: ‘Sometimes you just forget that you have free will’
  • Limp Bizkit announces death of bassist Sam Rivers aged 48
  • Huey Morgan looks back: ‘My father left when I was seven. Music was a way to derail those feelings of not being good enough’
  • ‘I don’t really have sex to music, it’s a bit Tom Cruise’: Miles Kane’s honest playlist
  • Fridayz Live Sydney review – Mariah Carey is impeccable but Pitbull steals the show
  • Ruel: ‘A fan gave me one of their teeth on a necklace – I was definitely a little freaked out’
  • I can’t stop watching videos of people discovering Beds Are Burning by Midnight Oil. Send help
  • ‘No one makes money from them’: with MTV channels switching off, is the music video under threat?
  • My cultural awakening: The Specials helped me to stop fixating on death
  • From After the Hunt to the Last Dinner Party: your complete entertainment guide to the week ahead
  • Gesualdo Passione review – six singers and four dancers deliver a mishmash with a mystical tingle
  • Ace Frehley obituary
  • Stormzy elected honorary fellow of Jesus College Cambridge
  • Oggy oggy oggy! The donk-tacular dance music of Hull’s huge funfair
  • Little Simz review – hip-hop visionary radiates joy and Gallagher-level swagger
  • Add to playlist: Conna Haraway’s deeply detailed dub techno and the week’s best new tracks

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