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James: Getting Away With It review – hippies, hardnuts and dreamers unite

Auto-hagiography it may be – most of the interviewees were in the band at some point – but this portrait of the seminal Manchester indie group is charming stuff

Post your questions for Amy Lee of Evanescence

The metal icon is here to answer your questions about the band’s 90s origins, MTV fame and being trailblazer in a male dominated genre

‘She’s the voice of a really particular moment’: how Phoebe Bridgers became her generation’s defining songwriter

The US songwriter’s third album has drawn rave reviews, she counts Taylor Swift as a fan and pop bears the imprint of her wit and pathos. Her peers explain how she did it

‘There is an alternative to capitalism’: after addiction and losing a home to LA wildfires, indie rockers Diiv start again

No stranger to rebuilding after disaster, the US band’s frontman Zachary Cole Smith now sees the entire capitalist project as ripe for reinvention, on a surprisingly upbeat new AG Cook-produced album

Throwing Muses frontwoman Kristin Hersh: ‘I was compelled to make music after cracking my skull open’

The alt-rock veteran answers your questions on Buddhist time travel techniques, duetting with Michael Stipe, and her autobiographical new album

Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation

After sweeping the Grammys and being scrutinised by the press, Bridgers deploys electronics and unsettling sound design to brilliantly evoke emotional turmoil

‘I put a raging dent in Neil Young’s forehead!’ Tim Pope on his riotous videos for the Cure, Bowie, Queen, Soft Cell and more

He dressed Freddie Mercury as a prawn, got Paul Weller to wear lipstick, locked the Cure in a flooded wardrobe and created a 75ft penis for Hall & Oates. Pope looks back on is wild adventures with titans of music

‘I was so self-assured in my early 20s. Then my frontal lobe hit’: Rachel Chinouriri, every pop star’s favourite UK pop star

​She faced racist bullying as a child – then pigeonholing as an artist. Now following up a hit debut album championed by the A-list, the Croydon singer-songwriter says she finally understands who she really is

Add to playlist: the ramshackle, soulful twang of Twisted Teens and the week’s best new tracks

The New Orleans country-punk duo are on a hot streak, about to release their third album in a year, and the crunchy, literate hooks keep coming

The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form

​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey

As they release their first album in 16 years, the Vini Reilly-fronted band answer your questions on sandpaper record sleeves, having Harry Styles as a fan and inventing a new style of guitar music

‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song

​With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album

Post your questions for Kristin Hersh, of Throwing Muses and more

The alt-rock icon is preparing to release her latest solo album Sugar on Blackstone, and will answer your questions about her five-decade career

‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk

Five decades since punk bible Sniffin’ Glue, DIY magazines are in rude, rich health. Their creators talk fandom, community-building and resisting the algorithm

‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole

After the Guardian’s music critics chose their best of the half-year, we asked you for your picks – from Brian Jackson and Arlo Parks to Maya Hawke, Flea and more

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← Older posts
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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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