wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

Morrissey cancels Valencia concert after being left in ‘catatonic state’ by city noise

After latest concert cancellation, singer also describes Valencia hotel as ‘indescribable hell’ that will require ‘one year to recover’ from

‘A lot of late 70s bands wore grey. But we were determined to have fun’: the return of the mega-influential Swell Maps after 46 years

Championed by the BBC’s John Peel and signed to Rough Trade, the band were punk when that meant DIY, psychedelia and prog as well as screaming chords. What’s more, they loved Pink Floyd …

Seven of the best music festivals to visit by train from the UK

From jazz in Rotterdam and hip-hop in Paris to brass bands on the beach in Blackpool, the Guardian’s music editor chooses the best European festivals that can be reached by rail

Echo and the Bunnymen review – Ian McCulloch leaves it to the crowd to sing these timelessly great songs

The frontman struggled to get through most of the band’s choruses but that left space for Will Sergeant’s glorious psychedelic shapes and a supportive sing along

Peter Millson obituary

Other lives: Musician who co-founded the Jazz Butcher band and recorded five solo albums

Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together

The Stockholm musician’s debut album is a fascinating character study with improvised lyrics and a light, pretty sound that belies its emotional depth

Cruz Beckham review – son of David and Victoria transcends nepo-baby tag with intriguing psych-pop

His music is still all over the place, lurching from landfill indie to solipsistic ballads, but the youngest Beckham son can certainly play guitar

Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run

Lillie West’s fourth album is a hazy, mid-tempo meditation on escape that gets stuck in a numbing mid-tempo mode – though there is a gorgeous moment of release

‘We’re a pub friendship – with songs attached’: deadpan dazzlers Black Box Recorder return, thanks to Billie Eilish

Their unnerving songs about car crashes and suburban ennui, sung in a sparkling yet unemotional RP, stood out from the Britpop bloat. Now, thanks to a certain singer taking their streams stratospheric, the trio are back

‘Musicians drank too much and slept on my barn floor’: Andrew Bird on making cult album The Mysterious Production of Eggs

‘I was playing all day and night in a kind of fever, throwing in pop, jazz, violin, guitars and polyrhythms, while wrestling with some demons’

Hen Ogledd: Discombobulated review – a manifesto for collective action from Richard Dawson’s folk-rockers

Featuring taunts in Welsh, ‘bard rap’ and spirited jigs, the British quartet’s ragged, rich music underpins their vision for change

Mitski: Nothing’s About to Happen to Me review – mordant, melodic melancholy from the best songwriter of her generation

The US singer-songwriter’s latest album flits deftly from horror to humour, with threads of melancholy and desperate unhappiness binding the tracks

‘It’s a nice surprise to be treated like kings!’ Why are mid-level British indie bands massive in China?

My group, Swim Deep, plays to crowds of hundreds across the UK – but in China, we play to tens of thousands. And we’re not the only ones

Mandy, Indiana: Urgh review – grimy, thrashing, purgative attack on injustice is the year’s first great album

The Manchester/Berlin band’s second album refines their industrial-club sound, as physical and hyper-detailed as being dragged under by a wave and admiring the flotsam

Yumi Zouma: No Love Lost to Kindness review – New Zealand dream-poppers’ reinvention doesn’t go far enough

The quartet edge away from their trademark sound with louder guitars and bolder intentions – but their reinvention is more gradual than radical

Post navigation

← Older posts
  • US rapper Mystikal pleads guilty to third-degree rape in 2022 arrest
  • Kid Rock decries settlement reached between Live Nation and Trump’s justice department
  • ‘People say: be quiet and make your music’: avant-pop star Mary Ocher on her vociferous politics – and leaving Israel behind
  • The Kingdom: Oxford Bach Choir, BSO/Nicholas review – Elgar’s unloved oratorio sounds expansive and convincing
  • 867-5309: number from 1980s hit song Jenny now routes callers to cancer support
  • Mike Vernon obituary
  • The Taylor Swift effect: US vinyl sales top $1bn for the first time since 1983
  • ‘We kicked Bono’s arse’: how we made Atomic Kitten’s Whole Again (with a little help from Kraftwerk)
  • Past Life review – hypnotist opens psychic portal in pulpy British mystery on trail of a serial killer
  • ‘We did Disneyland on mind-altering substances’: Primus frontman Les Claypool on being rock’s great joker – and why Metallica rejected him
  • Sinfonia of London/ Wilson/ Kantorow review – pushing the limits of the well-oiled orchestral machine
  • ‘I watched society burn a woman at the stake’: Melissa Auf der Maur on her bandmate Courtney Love and the farce of the 90s
  • Diane Warren becomes record-holder for longest Oscars losing streak with 17 nominations and no wins
  • Golden from KPop Demon Hunters wins Oscar for best original song
  • Iranians embrace anthem by AI singer created by UK-based, Iran-born artist
  • ‘Siegfried wants to have fun, kill the dragon, meet the girl’: Andreas Schager on Wagner’s young bully
  • Saturday Night Live: Harry Styles pulls double duty in decently silly episode
  • BBC Symphony Orchestra/ Oramo/ Son review – rainy days, rolling hills and enchanted creatures
  • ‘I had never heard something so angry and feminine’: Jehnny Beth’s honest playlist
  • ‘You’ve got to be able to laugh at yourself’: Jamie Oliver stars in video for CMAT’s The Jamie Oliver Petrol Station
  • How to Make a Killing to Wu-Tang Clan: your complete entertainment guide to the week ahead
  • Bluesfest owes ticket holders $23m, as bands ‘gutted’ over cancellation
  • BBCNOW/Djupsjöbacka review – Tower’s Love Returns is an uncommonly appealing piece
  • Hallé/Chauhan/Helseth review – Muhly paints doom with Helseth’s gleaming trumpet
  • Elisabeth Leonskaja review – piano legend’s unerring sense of architecture reveals connections and kinships
  • Add to playlist: the dadaist cubist racket of Angine de Poitrine and the week’s best new tracks
  • Romania’s Eurovision song criticised for ‘glamorising sexual strangulation’
  • Diagonale des Yeux: Madeleine review – wacky multilingual outsider pop with winning quieter moments
  • James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album
  • ‘Villages are burned, animals slaughtered. We have to let the world know what’s happening’: Tinariwen and Imarhan fight for Tuareg music

Contact www.wrongmog.com   Terms of Use