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Sean ‘Diddy’ Combs calls behavior ‘disgusting’ and apologizes ahead of sentencing

Disgraced hip-hop mogul’s comments come after one of prosecution witnesses backed out at last minute

‘I just want to shake my tail feather’: how KeiyaA shut out the noise to make one of the year’s best albums

The pressure of besting her self-released debut – and becoming a public figure – made the US vocalist spiral. Remembering who she was inspired her phenomenal second LP, a comparison-defying odyssey of jazz, pop and club music

Cardi B: Am I the Drama? review – vigorous score-settling and brutally witty put-downs

Seven years after her debut, Cardi B is back with a ferociously enjoyable 70-minute album of eclecticism and enthusiastic annihilation of her enemies

MTV VMAs 2025 winners: Lady Gaga, Ariana Grande and Sabrina Carpenter triumph at muted award ceremony

Singers took home two trophies each as Mariah Carey won a lifetime achievement award, in a night that largely celebrated female artists

Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant

Dressed like a vicar, Albarn leads his band – joined by a choir, a string quartet, De La Soul and more – in renewing Demon Days’ downbeat drama

Straight outta Stirling: the musical giving William Wallace the Hamilton treatment

Beats, rhymes and Bannockburn? The creators of Wallace explain why they used hip-hop to tell the story of Scotland’s national hero

Earl Sweatshirt: Live Laugh Love review – a head-spinning trip with rap’s great rulebreaker

With a sunlit disposition and paeans to his daughter, the mood turns lighter on the US MC’s sixth album – but the glitching, crashing beats are as esoteric as ever

‘The Black experience is more than just London’: Chiedu Oraka, the Hull rapper handpicked to support Coldplay

When Chris Martin called, the MC saw an opportunity to rep his city, pursue his goal of being rap’s next ‘king of the north’ – and expand perceptions of Black British identity

Drake lawyers allege Universal head Lucian Grainge ‘personally involved’ in Kendrick Lamar diss track

Lawyers for Universal Music Group deny that British chief exec had any ‘meaningful involvement’ in the promotion of allegedly defamatory track Not Like Us

National Indigenous Music awards 2025: Emily Wurramara wins artist of the year

Warnindhilyagwa singer also wins film clip of the year, while Malyangapa Barkindji rapper Barkaa wins album of the year

Busta Rhymes calls assault lawsuit by ex-assistant ‘an attempted shake-down’

Rapper’s former assistant has alleged an abusive work environment which climaxed in being punched in face

‘Working with Kanye? That’s definitely in the past’: rap legends Clipse on beef, Bono and Mr Bean

Amid their triumphant reunion, the brothers Pusha T and Malice answer your questions on the wisdom of the apostles, the catharsis of writing about their late parents and the greatness of Billy Joel

‘Stevie Wonder really stirred something in me’: Melanie Blatt’s honest playlist

The All Saints singer can do all the rap bits in Neneh Cherry’s Buffalo Stance but which Prince tearjerker does she want for her funeral?

AraabMuzik: Electronic Dream 2 review – the return of a maximalist MPC wizard

This sequel retains the original’s generation-defining mix of dread and debauchery, although it is overshadowed by recent bolder versions of the sound

The DJ who united the warring tribes of French rap and dance – and died far too young

DJ Mehdi perished in a tragic accident aged 34. A new documentary, Made in France, restores his pivotal role in the electronic music revolution that grew out of 00s Paris

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  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • ‘Would you breastfeed your own father?’ The goofy, spiky world of art-pop duo Charlotte Adigéry and Bolis Pupul
  • A new song gives Cop31 Eurovision vibes – but how should we score progress so far?
  • Hamlet Hail to the Thief could have been rotten but redeems Radiohead’s ‘record that got away’
  • Duran Duran drummer Roger Taylor leaves band due to tinnitus
  • Adam and Joe on spoofing ‘Christopher No-Laughs’ with a toys’ Odyssey – and Patrick Stewart’s haunted house
  • New allegations against convicted rapist Ralph Carr revealed: ‘I was blacking out while saying no’
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • The bar singer, the K-pop veteran and the ‘railway track diva’: meet three Eurovision Asia 2026 hopefuls
  • Richard Lloyd obituary
  • ‘Young, Black and female in Brixton is hard’: ​from football to Top Boy and wordplay, the inspiring journey of UK rapper Cristale
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • Dua Lipa, Tame Impala and SZA set to headline Coachella 2027
  • Come on Andy… stop gaslighting us and fund music education. It’ll be worth it I promise
  • Danny Kelly, football broadcaster and renowned editor, dies aged 69
  • Juan Atkins obituary
  • Australians are streaming more music than ever – but homegrown songs are being skipped
  • Whispers in the Woods review – paddling in the moonlight in tender study of human-animal interaction
  • Lessons in Harmony by Jonathan Coe review – what can music tell us about national identity?
  • Paul McCartney becomes a billionaire and world’s third richest musician
  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist

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