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Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums

Beneath the Hollywood narrators, Pink Floyd-y interludes and accompanying comic books lies songwriting that proves the Tipsy singer’s breakout success was no fluke

‘People say they’ve conceived to my music’: Tricky’s honest playlist

The trip-hop star doesn’t believe in getting jiggy to songs and would choose Cyndi Lauper at karaoke. But which classic reminds him of his mum?

‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk

Five decades since punk bible Sniffin’ Glue, DIY magazines are in rude, rich health. Their creators talk fandom, community-building and resisting the algorithm

‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole

After the Guardian’s music critics chose their best of the half-year, we asked you for your picks – from Brian Jackson and Arlo Parks to Maya Hawke, Flea and more

Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’

Three years ago, the pop star was riding high after a sellout tour. But then a slew of shocking accusations from her former dancers changed everything. Where does she go from here?

R&B star Syd on her new album, the return of the Internet and Odd Future fallouts: ‘We only had three meetings as a group and I called two of them’

She was a member of the influential rap collective, then the alt-R&B hitmakers – but struggled to find her own voice. Now, after realising she ‘didn’t like anybody else’s beats’, she’s finally made a solo album that is truly hers

‘There’s not a lot of Black stories made by Black creatives in theater’: inside Kwame Kwei-Armah’s new TLC musical

CrazySexyCool, the celebrated playwright’s new show in DC, is a vibrant love letter to the hits and sisterhood of the R&B trio

‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?

The unconventional actor is releasing a new hip-hop album, the latest unlikely new string to his bow, but the big surprise is that he might actually be great

Grammy-nominated music producer Tay Keith, who worked with Drake and Travis Scott, dies aged 29

Hip-hop producer behind Travis Scott’s Sicko Mode and Drake’s Nonstop has been found dead at home during a police welfare check

The Spurs can match the Knicks’ energy in the NBA finals but not their desperation

As a lifelong Knicks fan, the Public Enemy frontman knows how much New York craves an end to its 53-year NBA title drought

‘Central to human identity’: exhibition at the Met connects bodies with musical instruments

Musical Bodies looks at 4,000 years of musical history and how humans have long forged relationships with instruments

Is Australian music at risk of extinction? Here’s what the data tells us

Forty years of Aria chart history shows big changes to our listening habits – and local artists have a huge fight ahead

Kanya King, founder of Mobo awards for Black British music, dies aged 57

Entrepreneur died of colon cancer, with Mobo Organisation hailing her as ‘one of the most fearless champions’ in the music industry

Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun

Teeing up a forthcoming solo album, the rapper doesn’t reheat his old Beastie Boys sound, instead throwing down everything from ballads to Kraftwerk references

Lil’ Kim review – formidable rap legend delivers mostly vibes, but the crowd is here for it

Fifteen years since her last Australian show, the seminal hip hop artist was met by a mood of giddy nostalgia that forgave her short set of truncated hits

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • ‘Would you breastfeed your own father?’ The goofy, spiky world of art-pop duo Charlotte Adigéry and Bolis Pupul
  • A new song gives Cop31 Eurovision vibes – but how should we score progress so far?
  • Hamlet Hail to the Thief could have been rotten but redeems Radiohead’s ‘record that got away’
  • Duran Duran drummer Roger Taylor leaves band due to tinnitus
  • Adam and Joe on spoofing ‘Christopher No-Laughs’ with a toys’ Odyssey – and Patrick Stewart’s haunted house
  • New allegations against convicted rapist Ralph Carr revealed: ‘I was blacking out while saying no’
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • The bar singer, the K-pop veteran and the ‘railway track diva’: meet three Eurovision Asia 2026 hopefuls
  • Richard Lloyd obituary
  • ‘Young, Black and female in Brixton is hard’: ​from football to Top Boy and wordplay, the inspiring journey of UK rapper Cristale
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • Dua Lipa, Tame Impala and SZA set to headline Coachella 2027
  • Come on Andy… stop gaslighting us and fund music education. It’ll be worth it I promise
  • Danny Kelly, football broadcaster and renowned editor, dies aged 69
  • Juan Atkins obituary
  • Australians are streaming more music than ever – but homegrown songs are being skipped
  • Whispers in the Woods review – paddling in the moonlight in tender study of human-animal interaction
  • Lessons in Harmony by Jonathan Coe review – what can music tell us about national identity?
  • Paul McCartney becomes a billionaire and world’s third richest musician
  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist

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