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Ex-assistant who alleged Sean ‘Diddy’ Combs raped her returns to stand: ‘The lows were low’

Former employee testifying as Mia claims in sex-trafficking trial that music mogul physically and sexually assaulted her

Judge denies Sean ‘Diddy’ Combs lawyers’ bid for mistrial

Defense lawyers argued prosecutors had improperly suggested Combs was involved in destruction of evidence

Hip-hop pioneer Afrika Bambaataa loses civil case suing him for child sexual abuse

The plaintiff, who alleged that Bambaataa sexually abused and trafficked him when he was 12, was granted a default judgment after the DJ failed to show up in court

Kid Cudi testifies Sean ‘Diddy’ Combs broke into his home at sex-trafficking trial

Scott Mescudi said his Porsche was set on fire with a molotov cocktail on day nine of Combs’s trial in New York

Drugs and guns found in raid on Sean ‘Diddy’ Combs’s Miami home, court told

Homeland security agent Gerard Gannon testifies about federal raid on Miami Beach property in March last year

Salt-N-Pepa sue Universal over ownership of master recordings

Push It hitmakers Sandra Denton and Cheryl James claim Universal is blocking the return of their copyright, but label claims it has repeatedly attempted a resolution

Cassie Ventura’s mother says Sean ‘Diddy’ Combs blackmailed her for $20,000

Music mogul’s sex-trafficking trial continues as mother of key witness says she was ‘scared about my daughter’s safety’

Sean ‘Diddy’ Combs hit Cassie Ventura, singer Dawn Richard tells court on day six of trial

‘He would punch her, choke her, slap her,’ says singer as second week of music mogul’s sex-trafficking trial resumes

Tyler, the Creator review – a fiery performance from a giddy rap god

Performing solo to a backing track, the rapper nevertheless generates extraordinary heat with his fluid and furious flow atop foundation-rumbling bass

Cassie Ventura concludes testimony in Sean ‘Diddy’ Combs sex-trafficking trial

First week of testimony heard singer talk about in-patient treatment center she went to to ‘help me with my trauma’

Cassie Ventura grilled about explicit messages on day four of Sean ‘Diddy’ Combs trial

On third day of testimony the former girlfriend of music mogul details violence, abuse and blackmail

Sean ‘Diddy’ Combs trial: key takeaways from Cassie Ventura’s second day of testimony

Ventura delivered harrowing details of her time with Combs at the federal sex-trafficking trial of music mogul

Cassie Ventura tells court at day three of trial that Sean ‘Diddy’ Combs raped her

Music mogul’s former girlfriend describes physical abuse, control and violence at trial in New York City

Day two of Sean ‘Diddy’ Combs sex-trafficking trial ends as Cassie Ventura describes alleged abuse

Singer says on the stand there were ‘violent arguments’ and ‘dragging’ in former relationship with the hip-hop mogul

Sean ‘Diddy’ Combs sex-trafficking trial: key takeaways from Cassie Ventura’s first day of testimony

The singer, whose 2023 lawsuit was the catalyst for the hip-hop mogul’s charges, is a key witness – here’s what to know

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • ‘Would you breastfeed your own father?’ The goofy, spiky world of art-pop duo Charlotte Adigéry and Bolis Pupul
  • A new song gives Cop31 Eurovision vibes – but how should we score progress so far?
  • Hamlet Hail to the Thief could have been rotten but redeems Radiohead’s ‘record that got away’
  • Duran Duran drummer Roger Taylor leaves band due to tinnitus
  • Adam and Joe on spoofing ‘Christopher No-Laughs’ with a toys’ Odyssey – and Patrick Stewart’s haunted house
  • New allegations against convicted rapist Ralph Carr revealed: ‘I was blacking out while saying no’
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • The bar singer, the K-pop veteran and the ‘railway track diva’: meet three Eurovision Asia 2026 hopefuls
  • Richard Lloyd obituary
  • ‘Young, Black and female in Brixton is hard’: ​from football to Top Boy and wordplay, the inspiring journey of UK rapper Cristale
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • Dua Lipa, Tame Impala and SZA set to headline Coachella 2027
  • Come on Andy… stop gaslighting us and fund music education. It’ll be worth it I promise
  • Danny Kelly, football broadcaster and renowned editor, dies aged 69
  • Juan Atkins obituary
  • Australians are streaming more music than ever – but homegrown songs are being skipped
  • Whispers in the Woods review – paddling in the moonlight in tender study of human-animal interaction
  • Lessons in Harmony by Jonathan Coe review – what can music tell us about national identity?
  • Paul McCartney becomes a billionaire and world’s third richest musician
  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist

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