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‘I didn’t think anyone would be into it’: Slayyyter turns midwest trash into pop gold

After a nine-year come-up, the self-described ‘worst girl in America’ is having a breakthrough

Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla

The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop

Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution

It could do with more robust political context, but this Spanish-made documentary is still a loving, insightful delve into rave’s lasting influence and lost-weekend logistics

Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy

After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love

FKA twigs review – an Olympian display of pop prowess

The British artist’s brilliantly ambitious first arena show is a breathtaking showcase of her artistic range, with pole dancing, vogue battles and sword fighting

‘There’s no flag for people like us’: electro-punk duo Chalk on spanning divides in post-Troubles Belfast

Ross Cullen and Benedict Goddard’s music is as hybrid as they are, with their Protestant-Catholic and English-Irish heritages. They explain why they still need to counter hate

Diagonale des Yeux: Madeleine review – wacky multilingual outsider pop with winning quieter moments

Music boxes, miaows and strange melodies pepper the whimsical and charmingly lo-fi post-punk of Laurène Exposito and Théo Delaunay

James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album

Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

‘Uncool rules’: the lo-fi pop pranksters reviving the Dutch answer to dada

Cheeky and rebellious, the Netherlands’ own brand of ‘ludiek’ zaniness thrived in the 1960s protest era. Now, the New Dutch Naivety movement is bringing it back with songs about chocolate, good transport and no-smoking policies

Seven of the best music festivals to visit by train from the UK

From jazz in Rotterdam and hip-hop in Paris to brass bands on the beach in Blackpool, the Guardian’s music editor chooses the best European festivals that can be reached by rail

Simo Cell and Abdullah Miniawy: Dying Is the Internet review – a virtuosic voice cuts through digital noise

The latest collaboration between the French producer and Egyptian singer pairs soaring musicality with frenetic electronics to examine the age of AI

Musician and film-maker Flying Lotus: ‘The whole lo-fi beats thing has become like Starbucks music’

Ahead of a new EP, the creative polymath answers your questions on Thom Yorke, Kendrick Lamar and how a sci-fi epic ate up his whole life

‘Like an electrical gong bath!’ The Sheffield supermarket going viral for the symphonic sound of its freezers

Redditors are thrilled by the Co-op on Ecclesall Road, where a magnificent drone is reminiscent of Brian Eno’s ambient music. We take a visit to the back aisles

‘Stabbed in the Face soundtracked an incredibly joyous time’: the weirdest songs we find romantic

Declarations of undying affection, comparisons to a summer’s day? Who needs ‘em! Our writers recall the offbeat songs that capture their hearts

Fred Again review – guest-heavy homecoming for the golden boy of UK dance is an eclectic triumph

Following a six-night stint in NYC, Fred Gibson returns to London for a brilliant, five-hour melange of his own tracks and wildly energising guest-star mini-sets

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  • Macklemore pledges his $1m Ed Sheeran tour salary to Palestine
  • Colin Kaepernick says NFL owners are colluding against Macklemore after Ed Sheeran tour ban
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Ed Sheeran wants to stay out of politics. By quitting his tour, his support acts have exposed the hollowness of neutrality
  • Cassandra Wilson obituary
  • The secret of Mozart’s genius unlocked – has a teenager succeeded where generations of musicologists have failed?
  • ‘Very authoritarian, very brutal’: three decades after the UK’s anti-rave crackdown, why is France doing the same?
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • ‘We thought death could do with a bit of dancing’: welcome to Sondering, the arts festival with its own funeral march
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • Golden Boy review – Josh O’Connor swings between hope and despair in boxing melodrama
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • ‘I thought I would lose my career’: Orville Peck on addiction and creating his best album yet
  • Alice Springs heavy metal music venue raises $1m in donations in fight to stay open
  • All supporting acts withdraw from Ed Sheeran’s tour in solidarity with Macklemore
  • Ed Sheeran responds to backlash over removing Macklemore from tour after ‘Free Palestine’ comments
  • New Order keyboardist Gillian Gilbert announces she is ‘living with cancer’
  • ‘The cauldron was already bubbling …’ Green Lung, Druidess and the return of folk horror to British heavy metal
  • I went to a festival in Kent – and had a revelation about human ingenuity
  • Texas Democrat under fire for honoring convicted abuser Chris Brown at concert
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Macklemore dropped from Ed Sheeran’s US tour after ‘free Palestine’ speech
  • How did the Guardian cover Oasis at Knebworth 1996? Well … we didn’t
  • Oasis announce 2027 tour, including return to Knebworth 30 years after historic concerts
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • ‘I’ve never been more terrified!’ Carly Rae Jepsen on motherhood, stardom and her horniest album ever
  • Hospitality industry urges Andy Burnham to lay out VAT cut plans
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Elkie Brooks looks back: ‘Before I went on stage I used to drink Guinness and a few shots of brandy’
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop

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