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Rahim Redcar: Hopecore review – former Christine and the Queens artist plays to his fanbase

There are flashes of brilliance in this roughly-hewn album, but also flaws hidden by production flourishes. It’s intriguing but not wholly enjoyable

Still casting a spell: Broadcast’s 20 best songs – ranked!

As the Birmingham band fronted by the late Trish Keenan put out their final release, we pick the best from their eerie, evocative sound world

‘My first impression was this person’s a genius’: the life and legacy of producer pioneer Sophie

The musician, who died in 2021, shaped much of the sound of modern pop, from Madonna to Charli xcx. As her posthumous second album is released, her family and collaborators share memories of a producer who saw the future

Moby review – full of teenage energy on first tour in over a decade

With songs either maximalist or stripped back, there’s not much subtlety during this 25th anniversary tour for the once-ubiquitous Play – but there are some head-rush thrills

Jamie xx: In Waves review – bright, blissful bangers for 3am on big speakers

Filled with guest stars from his xx bandmates to Robyn, this long-gestating second solo album picks up where In Colour left off, and deepens its dancefloor devotion

The Weeknd: Dancing in the Flames review – another apocalyptic romance, and another surefire hit

Abel Tesfaye revisits his usual theme of nihilistic love and his beloved palette of 80s synths, but it’s melodically solid and there are some tweaks to the formula

Caribou review – small-scale sweaty return showcases potent pivot to pop

Playing mostly new material from upcoming album Honey, this mainstream club fare is given huge personality by Dan Snaith’s croon and yearning songcraft

Fred Again: Ten Days review – pop house with unfulfilled pretensions

An album of lofty intentions and muttered musings from the dance artist de jour is saved by a gift for a nagging hook and uplifting melody

Nala Sinephro: Endlessness review – cosmic jazz musician’s cycle-of-life meditation

The harpist-composer follows her remarkable debut with 10 lush, spacey electro-acoustic tracks featuring guests such as Nubya Garcia

‘We don’t care whether it’s cool or not’: inside the weaponised weirdness of Mermaid Chunky

How did an oddball Stroud duo, who once played the wedding of two ceramic dogs, come to get signed by LCD Soundsystem’s James Murphy? Nothing is ordinary in the world of Mermaid Chunky

Floating Points: Cascade review – an enthralling record of out-and-out bangers

The eclectic British producer returns with a more dance-focused album laden with giddy modular synths

Leeds indie band English Teacher win Mercury prize

The band take home the £25,000 prize for their debut album, This Could Be Texas, beating artists including Charli xcx and the Last Dinner Party

‘We were exhausted – mentally unwell’: Empire of the Sun on the downside of success – and rising again

In the eight years since Nick Littlemore and Luke Steele’s last album, there have been hits, clashes, babies and illness – and a new appreciation for one another

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Danielle Moore, lead singer with Crazy P, dies aged 52

Band members say she died in ‘sudden and tragic circumstances’ and pay tribute to ‘a life driven by love, compassion, community and music’

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  • Macklemore pledges his $1m Ed Sheeran tour salary to Palestine
  • Colin Kaepernick says NFL owners are colluding against Macklemore after Ed Sheeran tour ban
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Ed Sheeran wants to stay out of politics. By quitting his tour, his support acts have exposed the hollowness of neutrality
  • Cassandra Wilson obituary
  • The secret of Mozart’s genius unlocked – has a teenager succeeded where generations of musicologists have failed?
  • ‘Very authoritarian, very brutal’: three decades after the UK’s anti-rave crackdown, why is France doing the same?
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • ‘We thought death could do with a bit of dancing’: welcome to Sondering, the arts festival with its own funeral march
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • Golden Boy review – Josh O’Connor swings between hope and despair in boxing melodrama
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • ‘I thought I would lose my career’: Orville Peck on addiction and creating his best album yet
  • Alice Springs heavy metal music venue raises $1m in donations in fight to stay open
  • All supporting acts withdraw from Ed Sheeran’s tour in solidarity with Macklemore
  • Ed Sheeran responds to backlash over removing Macklemore from tour after ‘Free Palestine’ comments
  • New Order keyboardist Gillian Gilbert announces she is ‘living with cancer’
  • ‘The cauldron was already bubbling …’ Green Lung, Druidess and the return of folk horror to British heavy metal
  • I went to a festival in Kent – and had a revelation about human ingenuity
  • Texas Democrat under fire for honoring convicted abuser Chris Brown at concert
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Macklemore dropped from Ed Sheeran’s US tour after ‘free Palestine’ speech
  • How did the Guardian cover Oasis at Knebworth 1996? Well … we didn’t
  • Oasis announce 2027 tour, including return to Knebworth 30 years after historic concerts
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • ‘I’ve never been more terrified!’ Carly Rae Jepsen on motherhood, stardom and her horniest album ever
  • Hospitality industry urges Andy Burnham to lay out VAT cut plans
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Elkie Brooks looks back: ‘Before I went on stage I used to drink Guinness and a few shots of brandy’
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop

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