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‘Optimism is very important, especially now’: why Sammy Virji’s joyful dance tracks are conquering the world

His masterful mix of all that is good from the UK bass scene has led to Coachella success and collabs with Giggs and Skepta – the future looks bright for this bashful star

Yingtuitive’s dream-logic electronics plus the week’s best tracks

The Singapore-raised, London-based producer captures the poignancy of living restlessly on her luminous debut album

Autumns: Basic Face review – sinister vocals, metallic sounds and mutant cowbells

With its beefy rhythms and intense, unrelenting tracks, the prolific Irish producer follows the classic EBM formula to sweaty effect

For Those I Love: Carving the Stone review – bracing anger at Irish social stasis

The raw grief of David Balfe’s first album may have faded to a bruise, but his spoken-word fury is as strong as ever in these hyper-focused stories of poverty and exploitation

Ninajirachi: I Love My Computer review – a surprisingly moving tribute to 2010s EDM

The Australian producer’s debut album pays homage to the blustering, bombastic genre of her adolescence. The BPM soars and so do the feelings

AraabMuzik: Electronic Dream 2 review – the return of a maximalist MPC wizard

This sequel retains the original’s generation-defining mix of dread and debauchery, although it is overshadowed by recent bolder versions of the sound

DJ K: Radio Libertadora! review – explosive, cacophonous baile funk witchcraft

Kaique Vieira’s latest ‘bruxaria’ album is even bolder and louder than his 2023 debut, as he brings revolutionary spirit to the funk sound of São Paolo

Fire destroys main stage at Belgium’s Tomorrowland festival on eve of opening

Blaze came a day before thousands of electronic dance music fans were set to descend on the Belgian event

Purity Ring: the 10 funniest things I have ever seen (on the internet)

The electropop duo’s vocalist mj shares what brings her joy online – including odes to napping, crying and rainbows

DJ Nick León on Rosalía, regional Latin club sounds and rejecting success: ‘I was losing my edge’

Early success left the Miami producer feeling risk-averse. He quit touring to discover his muggy, magical sound – and accidentally scored another hit with Erika de Casier

‘We’re huge JRPG fans’: Purity Ring on how nostalgia for a gaming era inspired their new single

The Canadian electropop duo return with a new track (and forthcoming album) that sounds like a half-forgotten RPG you played in the 00s

‘She’s one of us!’ The dizzying rise of Hannah Laing, Scottish dental nurse turned superstar doof-doof DJ

The Dundee producer’s hard dance has won her millions of listeners and an Ibiza residency. But for Laing, nothing beats giving back to her community – starting with a huge hometown festival

Add to playlist: ddwy’s blissed-out downtempo and the week’s best new tracks

Drawing on electronica and deep house, the duo’s intimate soundscapes take the listener to Ibiza via Sri Lanka and Wales

Daytimers: Alterations review – Bollywood classics remixed for today’s dancefloors

The UK collective have been reimagining south Asian music since 2020, and their new compilation splices junglism and Afro-house onto gems in Sony India’s catalogue

Kae Tempest: Self Titled review – the rhythms in his lyrics are still so distinct

Despair runs through the Londoner’s fifth album but, in what is essentially a love letter to the trans community, his home town and partner, a strange beauty breaks through

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← Older posts
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  • Taylor Swift and Travis Kelce announce engagement on social media
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  • Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent
  • Measures for a Funeral review – virtuosic classical music drama is like a Tár companion piece
  • Everything We Do Is Music by Elizabeth Alker review – how the classics shaped pop
  • Kneecap cancel all US tour dates over clash with court hearing in London
  • Kevin Mott Renton obituary
  • ‘The pope complained about the lyrics!’: the Bluebells and Siobhan Fahey on how they made Young at Heart
  • Krankenhaus review – Lake District castle has the antithesis to boring corporate music festivals
  • Reading and Leeds festival review – Chappell Roan slays and Bring Me the Horizon power the circle pits
  • Royal Concertgebouw / Mäkelä review – Proms showcase legendary orchestra and its star signing
  • The one change that worked: I abandoned my cynicism – and joined Europe’s biggest gay choir
  • The Last Dinner Party and Vampire Weekend condemn festival after Mary Wallopers’ set pulled over Palestine flag
  • The Smiths’ drummer Mike Joyce announces memoir The Drums
  • Angst-filled black metal music became my identity. Until I was persuaded to really listen to the lyrics
  • Colorful Stage! The Movie: A Miku Who Can’t Sing review – candy-haired popsters put on a show
  • Relocating Notting Hill carnival would kill it off, says Usain Bolt on first visit
  • ‘Ride it, my orca’: my strange, sexy day at the Ginuwine SeaWorld concert
  • Sam Ryder looks back: ‘I thought I should put a smile on my face, no matter how I felt’
  • ‘Optimism is very important, especially now’: why Sammy Virji’s joyful dance tracks are conquering the world
  • Composer John Williams says he ‘never liked film music very much’
  • Y2K fashion and vinyl grooves: meet Abidjan’s young guardians of nostalgia
  • ‘I was a bit scared of success’: jazz-pop star Laufey on filling arenas, mansplainers, and confronting the haters

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