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Blawan: Sick Elixir review – it’s man vs machine in an oppressive, ominous trip down the rabbit hole

Jamie Roberts’ unsettling take on bass music is crammed with glitchy rhythms and jolting sounds. It’s as disorienting as it is immersive

Experience: I put on the world’s first deaf rave for deaf ravers like me

Finding a venue was a headache. Some bookers thought it was a joke

From disco to Slayer, a DJ set by Optimo’s JD Twitch made life feel full of wild possibility

By putting techno, punk, funk and more on an even footing, the Scottish DJ – who has died aged 57 – fearlessly united factions in underground music

JD Twitch, esteemed Scottish DJ in duo Optimo, dies aged 57

The producer and DJ, real name Keith McIvor, had been diagnosed with an untreatable brain tumour earlier this year

Kieran Hebden and William Tyler: 41 Longfield Street Late ’80s review – Four Tet fries his formative country influences

Lyle Lovett meets brain-scouring distortion on the electronic musician’s surprisingly un-nostalgic collaboration with former Lambchop guitarist Tyler

‘He should be known as a film music revolutionary’: revitalising the legacy of Czech composer Zdeněk Liška

The electroacoustic pioneer scored dozens of pictures – and communist propaganda. Too successful to be persecuted by the politburo but largely forgotten when he died, his music is being revived by a new archival series

‘The epitome of amazingness’: how electroclash brought glamour, filth and fun back to 00s music

Witty, foul-mouthed, camp and punky, it was the 00s answer to slick superclubs and the rock patriarchy. As its rough, raw sound returns, the scene’s eyeliner-ed heroes, from Peaches to Jonny Slut, relive its excesses

Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea

Matthieu Ruben N’Dongo amps up the intensity on a second album that makes an uncanny atmosphere out of swarming electronics, grisly vocals and polyrhythmic percussion

End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital

Full of warmth despite the rain, highs include Mexico City experimentalists Titanic and Vermont songwriter Lily Seabird’s gorgeously open-hearted voice

Aphex Twin, a Brixton squat and a load of wet mattresses: revisiting Telepathic Fish, the heart of the 90s chillout boom

Before it became naff music for health spas, chillout was cool – and this London club night was key. As a new generation carry its spirit forward, the originators remember the beats and bedding

‘Optimism is very important, especially now’: why Sammy Virji’s joyful dance tracks are conquering the world

His masterful mix of all that is good from the UK bass scene has led to Coachella success and collabs with Giggs and Skepta – the future looks bright for this bashful star

Emma Louise on her late-in-life autism diagnosis: ‘I wish I knew earlier, because I’ve suffered so much’

The singer’s diagnoses with autism and ADHD have fueled a collaborative album with Flume titled Dumb – a word that ‘captures everything that I’ve had to overcome’

Yingtuitive’s dream-logic electronics plus the week’s best tracks

The Singapore-raised, London-based producer captures the poignancy of living restlessly on her luminous debut album

Autumns: Basic Face review – sinister vocals, metallic sounds and mutant cowbells

With its beefy rhythms and intense, unrelenting tracks, the prolific Irish producer follows the classic EBM formula to sweaty effect

For Those I Love: Carving the Stone review – bracing anger at Irish social stasis

The raw grief of David Balfe’s first album may have faded to a bruise, but his spoken-word fury is as strong as ever in these hyper-focused stories of poverty and exploitation

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← Older posts
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  • Kate Bush and artists harness power of Running Up That Hill for War Child appeal
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  • La Bohème review – noirish reframing of Puccini’s classic weepy
  • John Lodge obituary
  • ‘Death to Spotify’: the DIY movement to get artists and fans to quit the music app
  • Jade review – pop’s quirkiest star transcends manufactured past
  • The Magic Flute review – assured, atmospheric and a lot of fun
  • Rolling Stones’s Ronnie Wood says he is working on new songs with Rod Stewart
  • Perfume Genius: ‘I really like body hair! I like a bush. I didn’t even notice Jimmy Fallon censored mine’
  • ‘Rock stars would be like, Yeah, bring the kid in’: Cameron Crowe on his wild years as a teenage music journalist
  • My cultural awakening: ‘Kate Bush helped me come out as a trans woman’
  • From Tron: Ares to Riot Women: your complete entertainment guide to the week ahead
  • Taylor Swift scores second-biggest UK charts opening week ever with The Life of a Showgirl
  • John Lodge was a pioneering force of British rock’s most underrated band
  • ‘We were the original punks’: the rebel women revitalising local music scenes
  • Why Harry Vanda is coming out of retirement at 79: ‘The world is going to rack and ruin. I couldn’t help myself!’
  • Moody Blues singer and bassist John Lodge dies aged 82
  • Add to playlist: the coffee-shop charms of Jordan Patterson and the week’s best new tracks
  • Robbie Williams review – tiny Camden gig offers blinding star wattage – and a surprising new song about Morrissey
  • Širom: In the Wind of Night, Hard-Fallen Incantations Whisper review – a cacophonous folk kaleidoscope
  • Hannah Frances: Nested in Tangles review – ramshackle arrangements power restless revelations
  • Beethoven 5 Vol 4: Salvatore di Sciarrino album review – classical weight, contemporary subtlety
  • Drake’s defamation lawsuit against Universal Music Group dismissed
  • David Lock obituary
  • BBCSO/Stasevska: Become Ocean review – elemental, unsettling and beautiful
  • Ian Judge obituary
  • The Hermes Experiment: Tree album review – vivid voices and bold textures from inventive ensemble
  • Kiss’s Gene Simmons admits to being ‘horrible driver’ after California crash
  • Vegas vignettes and killer karaoke staples: Katy Perry’s greatest songs – ranked!

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