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Experience: I put on the world’s first deaf rave for deaf ravers like me

Finding a venue was a headache. Some bookers thought it was a joke

Eat, sleep, rave, ribbit! How Tribe of Frog became the UK’s trippiest, happiest club night

Playing the oft-reviled subgenre of psytrance, this Bristol event is celebrating its 25th year. Amid the UV paint and crochet frog hats, we find out why it’s thriving

‘The label made 500 copies – we sold it in corner shops’: the story behind lost dance music classic Punjabi Disco

It was one of the first British Asian dancefloor records but poor distribution led to it vanishing for decades. Now, with a rerelease imminent, the original synth-folk sound of Kuljit Bhamra and his mother Mohinder is finally getting its due

The late DJ Chris Hill galvanised funkateers, brought Black music to the clubs – and got Mick Jones dancing

The legendary Essex DJ, who died earlier this month, was a cultural influencer before there was such a thing. He democratised the dancefloor, fearlessly blended genres and understood the power of personality

From disco to Slayer, a DJ set by Optimo’s JD Twitch made life feel full of wild possibility

By putting techno, punk, funk and more on an even footing, the Scottish DJ – who has died aged 57 – fearlessly united factions in underground music

JD Twitch, esteemed Scottish DJ in duo Optimo, dies aged 57

The producer and DJ, real name Keith McIvor, had been diagnosed with an untreatable brain tumour earlier this year

‘The epitome of amazingness’: how electroclash brought glamour, filth and fun back to 00s music

Witty, foul-mouthed, camp and punky, it was the 00s answer to slick superclubs and the rock patriarchy. As its rough, raw sound returns, the scene’s eyeliner-ed heroes, from Peaches to Jonny Slut, relive its excesses

‘Indie boy gone bad’: the Hidden Cameras on their kinky, clubland inspired new sound

From his early 00s ‘gay church folk music’ via country-tinged indie, Joel Gibb has always been an outlier. Now he is back with an album of synthy pop pumpers

‘There was something special happening’: how a Tyneside bingo hall became a mecca for ravers

Promoter and artist Man Power brings world-class DJs and dance acts to King Street Social Club in North Shields

‘Just being who we are is political’: disco trio Say She She on impressing Nile Rodgers and making bold protest songs

Their origin story may have been quintessentially New York, but the disco-funk band are now spread across the US – and they’re more determined than ever to be heard

852 athletes, countless gilets and a man dressed as a cathedral: how Darude’s Sandstorm inspired a 6.7km fun run

It’s 25 years since the Finnish DJ unleashed his inescapable trance earworm on the world – inspiring gamers, Olympians and even a musical potato. To celebrate, the people of Helsinki dressed up for the world’s weirdest run

End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital

Full of warmth despite the rain, highs include Mexico City experimentalists Titanic and Vermont songwriter Lily Seabird’s gorgeously open-hearted voice

Parcels on working with Daft Punk and their euphoric electropop: ‘The ultimate goal is to cry on the dancefloor’

After forming at high school in Byron Bay, the Australian band’s nostalgic, disco-funk sound has been streamed more than 1bn times

AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show

Brooklyn Paramount, New YorkThe super-producer, whose big name collaborators include Charli xcx and Beyoncé, goes maximalist for a euphoric, high-energy Friday-night triumph

‘Optimism is very important, especially now’: why Sammy Virji’s joyful dance tracks are conquering the world

His masterful mix of all that is good from the UK bass scene has led to Coachella success and collabs with Giggs and Skepta – the future looks bright for this bashful star

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← Older posts
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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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