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Pop maverick Robyn on sleaze, snobbery and dating during IVF: ‘When there isn’t as much at stake, sex becomes more fun’

The Swedish musician decided to pursue motherhood alone, and found it came with a surprising sexual awakening – a story she lays out on her new album, her first in eight years

Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla

The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop

Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution

It could do with more robust political context, but this Spanish-made documentary is still a loving, insightful delve into rave’s lasting influence and lost-weekend logistics

Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way

Príncipe Discos: how Black DJs from Lisbon’s suburbs made Europe’s most exciting record label

From near-empty dancefloors to sold-out nights at Lisbon’s biggest club, the imprint has spent 15 years championing Afro-Portuguese beats, reshaping the city’s musical identity in the process

‘There’s no flag for people like us’: electro-punk duo Chalk on spanning divides in post-Troubles Belfast

Ross Cullen and Benedict Goddard’s music is as hybrid as they are, with their Protestant-Catholic and English-Irish heritages. They explain why they still need to counter hate

Seven of the best music festivals to visit by train from the UK

From jazz in Rotterdam and hip-hop in Paris to brass bands on the beach in Blackpool, the Guardian’s music editor chooses the best European festivals that can be reached by rail

Golden Plains 2026 review – Basement Jaxx turn a regional farm into a surreal and heaving club

With standout sets from Cut Copy, Marlon Williams and Water From Your Eyes, the cult favourite Victorian music festival has become the hottest ticket in town

‘People think you’re old if you need a hearing aid’: Pete Tong on ageing, all-nighters and hearing loss

He helped bring dance music to the mainstream, was a staple of the 90s Ibiza scene and at 65 still DJs on Radio 1. But all those hours in the club have come at a cost. Here, he talks survival, selling out and why he’s secretly quite shy

Brit awards 2026: full list of winners

Olivia Dean tops the winners list with four, while Sam Fender bags two – see all the category winners here

Grace Jones review – chaos, nudity and endless costume changes: the disco legend’s show has it all

The 77-year-old is one of our greatest living performers, doing sit-ups, hula-hooping and even flashing the audience – but her rich voice is the true revelation

Olivia Dean sweeps the board at 2026 Brit awards, winning four including artist, song and album of the year

The 26-year-old dominates in Manchester, landing the night’s biggest prizes as Rosé, Wolf Alice and Mark Ronson also take top honours

Temple of boom! Why Taiwan’s religious sites are becoming unlikely rave venues

Dance culture faces barriers in Taiwan, with frequent raids on nightclubs. But Temple Meltdown is trying a different tack, with sound systems overseen by gods

Willie Colón was an explosive energy source who took salsa into the stratosphere

With his gangster image, Colón ruffled the feathers of the musical establishment, but thrilled millions of fans as he displayed the raw rhythmic possibility of salsa

Raye review – dazzling display of range from old-school Vegas to Euro-dance

Switching from noirish drama to funk stomps, neo-soul to showgirl glamour, this is a big, bold show from a singer who has entered her ‘dramatic era’

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  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire

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