wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

‘I’m not a quitter!’ Rubén Blades, the salsa supremo who acted with Jack Nicholson, inspired Bad Bunny – and served as Panama’s tourism minister

As he prepares to play the UK, the 25-Grammy-winning musician (and Harvard law graduate) looks back on his astonishing journey from the barrios of Panama City to global stardom

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Candomblé: Sacred Rhythms in Brazil review – ceremonial drumming remixed for the dancefloor

A treasure trove of field recordings are reshaped into pulsating floor-fillers and sparse baile funk by a range of producers

‘It’s giving me carnival vibes’: how Fête de la Musique became a must-visit event for the Black diaspora

Begun in 1982, the festival is now a magnet for Black Britons, who spill across Paris enjoying genres from amapiano to zouk. But can it resist commercialisation – and is it getting too big?

‘A mermaid brushed her hair while people put objects under her boobs’: discover the tiny secret festivals rivalling Glasto for vibes

Fed up with expensive tickets and omnipresent branding, some festival fans are creating their own anarchic, ticketless events full of glitter and silliness. They explain how it’s done

‘There’s a way to fly mindfully. Like, I don’t have my own plane any more’: can DJ megastar Alok make dance music more sustainable?

The Brazilian musician, who collaborates with Indigenous artists and puts millions into philanthropy, explains his mission – and defends his jetsetting

David Guetta and Sia’s song Titanium got me through my fertility treatment

Hearing their in-your-face banger was a turning point for me – and I’ve never looked back

Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM

On a disappointing record helmed by co-founder Nadya Tolokonnikova, corny guitars and generically moody synths undermine the activist group’s political acuity

‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras

What will life be like in 2034? Will kids surf in quarries – or live in the woods since they think Earth is hollow? We meet the film-maker behind Gener8ion, whose dark predictions have a habit of going viral

‘In prison, I made a little studio in my head. It kept me sane’: Ibrahim Alfa Jr, British techno’s great survivor

He moved from Nigeria to middle England and was swept up into the rave scene – then battled through incarceration and near-death illness. After making 500 tracks while living on porridge and lettuce, he explains how he kept going

‘You can let your inner freak out!’: welcome to Pixelate and the growing craze for internet-culture raves

At Pixelate, the music is as garish as the meme-referencing costumes. Is it internet ‘brainrot’ come to life – or a much-needed offline community?

Collection of rave-era memorabilia expected to fetch up to £80,000

Producer Rob Ford’s trove of 1,700 items includes membership cards and the Prodigy’s first business card

‘The biggest myth? That I left Sister Sledge’: Kathy Sledge on sibling rivalry, Chic and disco’s political power

One of disco’s biggest stars answers your questions, recalling tours with Rick James, inspiration for Destiny’s Child and what she wished she asked Michael Jackson

Post your questions for Sister Sledge’s Kathy Sledge

The voice of some of Sister Sledge’s biggest hits is touring again, and will take on your questions

‘Brits are not as groovy as us – but they’re less square than Europeans’: how drum’n’bass united Brazil and the UK

When drum’n’bass grew stale in the 90s, it got a samba-splicing Brazilian twist. As that style returns, the scene’s legends and newcomers celebrate a cross-cultural triumph

Post navigation

← Older posts
Newer posts →
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire
  • ‘It’s not my pain. There’s a responsibility in that’: Thea Gilmore on writing songs from anonymous confessional voicemails
  • Neil Young files second lawsuit against Trump for unauthorised use of Rockin’ in the Free World at rallies
  • ‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary!
  • ‘Lost’ 1978 David Bowie tour film to play arenas in 2027, remastered by Moonage Daydream director Brett Morgen
  • Jay-Z picks headliner for 2027 Super Bowl half-time show … Jay-Z
  • John Anderson obituary
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • ‘My death was reported in Rolling Stone’: how the Zombies made Time of the Season
  • I used to think I had impeccable taste in music. My kids taught me to stop being a snob
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • ‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Trump rallies for Mike Rogers – and Nicki Minaj’s derriere – in Michigan
  • Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models
  • Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’
  • Readers reply: will there ever again be a band as big as the Beatles or the Stones?
  • Martina Arroyo obituary
  • ‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup
  • ‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist
  • Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • ‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season

Contact www.wrongmog.com   Terms of Use