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Human Traffic review – one-crazy-night 90s clubbing comedy provides euphoric rush of nostalgia

This loved-up ensemble piece is cheerfully apolitical, pro-drugs and pro-hedonism – and features a very funny film debut from Danny Dyer

Fire destroys main stage at Belgium’s Tomorrowland festival on eve of opening

Blaze came a day before thousands of electronic dance music fans were set to descend on the Belgian event

DJ Nick León on Rosalía, regional Latin club sounds and rejecting success: ‘I was losing my edge’

Early success left the Miami producer feeling risk-averse. He quit touring to discover his muggy, magical sound – and accidentally scored another hit with Erika de Casier

‘That’s where I found my family’: dancefloor devotees on hedonistic moves and healing grooves

A new season at London’s Southbank Centre is inspired by Emma Warren’s book Dance Your Way Home, about the potency of communal movement. She and other artists involved explain why the dancefloor is their happy place

Wish you were still here: what happened to the one-hit wonders of 80s package holiday pop?

Europop acts from Opus to Baltimora to Nena got huge after Brits brought their songs home from their summer breaks. But despite returning to obscurity, the artists say they’re not (sun)burnt by fame

‘She’s one of us!’ The dizzying rise of Hannah Laing, Scottish dental nurse turned superstar doof-doof DJ

The Dundee producer’s hard dance has won her millions of listeners and an Ibiza residency. But for Laing, nothing beats giving back to her community – starting with a huge hometown festival

Daytimers: Alterations review – Bollywood classics remixed for today’s dancefloors

The UK collective have been reimagining south Asian music since 2020, and their new compilation splices junglism and Afro-house onto gems in Sony India’s catalogue

Kae Tempest: Self Titled review – the rhythms in his lyrics are still so distinct

Despair runs through the Londoner’s fifth album but, in what is essentially a love letter to the trans community, his home town and partner, a strange beauty breaks through

JD Twitch of Scottish DJ duo Optimo diagnosed with untreatable brain tumour

DJ and producer, real name Keith McIvor, says health has ‘declined very rapidly over just a few weeks’

Kesha: . (Period) review – a smart, funny return to her hedonistic hot-mess persona

After a long legal battle, the pop star’s sixth album harks back to her 2010s era, with a buffet of pop styles and only rare hints of her highly-publicised trauma

‘Seeing climate change like this, it changes you’: dance duo Bicep on making a new project in Greenland

Collaborating with Indigenous artists and sampling melting glaciers, the Northern Irish artists are championing Arctic culture – and documenting a collapsing world

‘Someone compared it to Bohemian Rhapsody’: Wookie on making UK garage classic Battle

‘We added a level of sophistication to garage. When we were trying to get it on the radio, one station said it was too intelligent and they wouldn’t play it’

Add to playlist: the year’s best electronic debut from Sheffield’s NZO and the week’s best tracks

The mysterious new artist’s thrillingly complete sound world is glitchily complex but beguilingly light on its feet

‘We just want to stop people being murdered’: Kneecap on Palestine, protest and provocation

The Irish rap trio have recently faced censure and a court case, but have also had support for their pro-Palestine stance. Ahead of a Glastonbury appearance deemed ‘inappropriate’ by Keir Starmer, they argue the backlash against them is a deliberate distraction

‘Pop music can be so scared to offend’: Ca7riel and Paco Amoroso, the Argentine duo subverting machismo

After going viral with their Tiny Desk concert, the impish pair are heading to Glastonbury. They explain their ‘no shame, no fear’ approach – and their ridiculous muscle suits

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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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