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Morrissey puts his business interests in the Smiths up for sale ‘to any interested party’

Musician says he has ‘no choice’ after being ‘burnt out by any and all connections’ to his former bandmates

Swiftie boyfriends face proposal pressure: ‘Taylor and Travis put you on the clock’

After Swift and Kelce’s blowout news, some diehard fans are eager to be engaged at the same time as their pop idol

‘Just being who we are is political’: disco trio Say She She on impressing Nile Rodgers and making bold protest songs

Their origin story may have been quintessentially New York, but the disco-funk band are now spread across the US – and they’re more determined than ever to be heard

David Bowie’s final project was 18th century musical, new V&A exhibition reveals

A forthcoming display of the singer’s archive includes sticky notes detailing a theatrical work called The Spectator, about a petty thief and high-class gangs in London

Add to playlist: ultra-prolific Leicester rapper Snoa plus the week’s best tracks

With 71 singles and three albums so far this year, the teenage MC is keeping the quality control high as he swerves across cloud rap, grime and more

Here & Now review – Steps supermarket musical is a sweep of bangers, bops and ballads

Endlessly entertaining jukebox show frames its plot around a seaside store’s workers to purvey the band’s hits

Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea

Matthieu Ruben N’Dongo amps up the intensity on a second album that makes an uncanny atmosphere out of swarming electronics, grisly vocals and polyrhythmic percussion

Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity

Classic melodies, spring water acoustics and pared-back poeticism about living in the moment fill Adrianne Lenker and co’s latest with life

Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil

The teeming textures of Nielsen’s 5th symphony are controlled with care and refinement by Edward Gardner, with the Bergen Philharmonic – and soloist Alessandro Carbonare – outstanding

‘You’re either getting punched or going skinny dipping’: Swedish indie star Jens Lekman on playing 132 weddings of his fans

He once sang, ‘if you ever need a stranger to sing at your wedding ... then I am your man’. Couples took him at his word. Now, he’s turned the experience into an album and novel

Intervision Song Contest: why Russia is reviving its ‘cultural counterweight’ to Eurovision

Conceived in 1960s Czechoslovakia, Vladimir Putin ordered the competition’s return and the US has now confirmed its participation – is this domestic theatre or international outreach?

‘Our songs last three minutes but they feel like an hour’: the return of Spinal Tap – an exclusive that goes up to 11!

Over 40 years since This Is Spinal Tap was mistaken for a comedy, its hard-rocking subjects are back for a legally obligated final gig. Our writer smells the glove

Bruce Springsteen to release fabled electric version of 1982 album Nebraska

Studio versions of the stark, home-recorded album have never been issued, but will appear alongside new Springsteen biopic

Girls Aloud’s Nicola Roberts: ‘Lady Gaga told me she wanted to be the moon for a day. I’m like: where do I go next?’

Ahead of her debut in London’s West End with the musical Hadestown, Roberts answers your questions on navigating overnight fame as a teenager and why she would drop everything to work with Kate Bush

Folk Bitch Trio: ‘Being pathetic and lonely is great for songwriting’

On the heels of their debut album Now Would Be A Good Time, the Melbourne indie band open up about life on the road, their global aspirations and ‘the pathetic little tragedies’ that occur in your 20s

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  • ‘I’m in my sod-it era’: Sophie Ellis-Bextor on speaking up, suing the tabloids and finding power in perimenopause
  • Josh Pyke: ‘I turned around and throat-punched the guy – and the whole gig stopped’
  • ‘America, are we dating?’: Oasis finally wins over the US with triumphant tour
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  • My cultural awakening: a Bastille show helped me get over my crippling Covid-era anxiety
  • You haven’t felt the power of heavy metal until you’ve seen a room of grown men cry
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  • Rick Davies obituary
  • Spinal Tap eat your heart out: the Pretty Things drummer Viv Prince forged the blueprint for rock’n’roll hijinks
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Add to playlist: the DIY no wave dub of Devon Rexi and the week’s best new tracks
  • Self Esteem to star as raging rock star in revival of David Hare’s Teeth ’n’ Smiles
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • MP3 players are making a comeback – I tested 15 to find the best
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Radiohead condemn ‘exploitative’ touts and resale sites ahead of tour
  • ‘Addiction teaches you a lot’: breakout pop star Lola Young on sex, substances and self-loathing
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • And if your head explodes: Pink Floyd’s 20 best songs – ranked!
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Bangor Cathedral choir suspended after singing ‘inappropriate’ hymn
  • ‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera
  • Dreaming of You: The Making of the Coral review – the charming rise of the melodic noughties band

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