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‘Take that, Marti Pellow!’ Sam Fender and Olivia Dean’s Rein Me In beats Wet Wet Wet’s UK chart record

Duetting pair spend 16th week at No 1, a record for a British artist – but they’ll need 19 weeks to beat Frankie Laine’s all-time record from 1953

Bon Jovi review – rockers make a surprisingly poignant return to the stage

After vocal cord surgery, Jon Bon Jovi and band make a sturdy return with hit-packed show

The Guide #251: From Oasis to Harry Styles, music is mad for football merch

In this week’s newsletter: After a slow burn for many years, the football shirt has crossed over into the world of music fandom in a big way

Add to playlist: the fluid club deconstructions of Stolen Velour, Floco and Aria SL and the week’s best new tracks

Housesharing brought the south London trio’s sounds – classical vocals, violin, clubby production – together as they bled through the walls, to shapeshifting effect

Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse

The US songwriter paints an impressively wide variety of shades on her third album, from vintage R&B to melodic soft-rock and balladry worthy of Nina Simone

Wild Gods: The Glorious Abysmal review – truly fascinating songs born of tweed-beating and psychedelic trips

Inspired by communal Hebridean Gaelic song and ceremonial music, these reels and ballads reveal the fascinating proximity of post-rock and folk rock

Mahler: Songs of Youth and Awakening album review – exuberance and intensity from fine cast of singers

This collection of songs that the composer wrote as a young man is full of interest and emotion. Pianist Joseph Middleton brings sensitive support and an array of illustrative colours

‘It says you are a Harry Styles fan’: how ties became a secret language for concert-goers

With the singer sporting an array of ties on stage, fans have been customising, repurposing and even creating whole garments from the office neckwear staple

Beatles’ early mentor Lord Woodbine to feature in new BBC drama

Six-part series will explore the band’s years in Hamburg, including the overlooked influence of Harold Phillips

Oasis reunion helps draw record 25m ‘music tourists’ to UK concerts

Gigs by Gallagher brothers, Coldplay, Lana Del Rey and Beyonce gives £11bn boost to the economy

Pianist Jayson Gillham loses discrimination case against Melbourne Symphony Orchestra over Gaza comments

Gillham claimed Melbourne concert in 2024 cancelled in attempt to silence him over stance on Israel attacks on Gaza

‘Music was my first desire’: Anthony Hopkins releases single

Hollywood actor signs recording deal with Decca after decades of composing pieces inspired by his Welsh childhood

‘We’ve had moments of devastating pain’: jazz icons Ezra Collective on their new album – and why we can’t rely on the government

Speaking at a Guardian Live event at Love Supreme festival, the band tell us about lessons with Tony Allen, mayhem in Lagos and why musicians should be ‘pillars of the community’

‘Ramones had leather jackets when they got spat on. We didn’t!’ David Byrne on touring with Talking Heads and taking advice from Lou Reed

As his American Utopia tour film hits cinemas, the musician answers your questions about his Scottish sense of humour, working with Brian Eno and his desire to direct another film

Sueye Park: Goldmark and Sibelius album review – Korean violinist’s silvery tone is ideal for Goldmark rarity

The young violinist pairs contrasting works by Goldmark and Sibelius in engaging and fluid performances

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  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • ‘Don’t do this!’ Why Paul McCartney cares about looking shorter than John Lennon in Sam Mendes’ Beatles films
  • ‘A guy held a knife to my throat and said: play something normal!’ Richard Thompson on crazy crowds, his beloved beret and Sandy Denny’s driving skills
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • A tour around Amy Winehouse’s private junk: five free art exhibitions to see
  • Finding the groove: what’s the best genre of music to dance to?
  • Tinie Tempah says he will finally visit Scunthorpe after campaign by fans
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Joni Mitchell becomes US citizen: ‘A journey that began 62 years ago’
  • Barriers facing black and south Asian music events ‘cost London up to £141m a year’
  • Duane ‘Keffe D’ Davis sentenced to 40 years to life over Tupac Shakur’s murder
  • The Chicks review – exquisite harmonies and hard-won vindication in anniversary show
  • ‘Wow, dude. You’re an idiot’: why Kelly Clarkson is fighting over a $15,000 bird on social media
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Duncan Sheik obituary
  • Stephen Shears obituary
  • Trevor Jones obituary
  • George Fenton obituary
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’

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