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The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form

Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times

The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention

The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history

US composer Keir GoGwilt’s collaborative album uses poetry and atonal music to trace the roots of Spain’s sarabande dance: a fascinating listen, though not easy

John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour

The pianist and composer, who died in 2015, deserves a wider audience for the edgy, lucid soundworld of his compositions

‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black

Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

Prosecutors say blood stains on objects in D4vd’s home probably of victim

Defense attorneys question LAPD criminalist on third day of hearing to decide whether singer will stand trial

Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat

How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey

As they release their first album in 16 years, the Vini Reilly-fronted band answer your questions on sandpaper record sleeves, having Harry Styles as a fan and inventing a new style of guitar music

Beethoven: The Last Three Sonatas/Mitsuko Uchida album review – the music emerges as if new

There are no major surprises in this live recording, just the simple but sublime sense that the music is being passed from composer, through pianist, on to us

‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song

​With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album

The music in Nolan’s Odyssey is as well-crafted – and bloodlessly forgettable – as the film itself

Ludwig Göransson’s meticulous score uses instruments of the era to create an earthy, raw and bleak soundscape, but it merely supports the portrayal of an uncomplicated hero

How a boy’s own song about eastern rosellas went viral and was covered by Ben Lee

Miles Phillips’ hit has been viewed 1.5m times and played on the radio. The seven-year-old was inspired after feeding birds and realising one ‘main bird stood out’

‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles

Their eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for

Possible bloodstains were detected at D4vd’s home, LA police officers testify

Gory details about tarp, mats and inflatable pool come to light during hearing over death of Celeste Rivas Hernandez

Do you suffer from organ failure? Here’s why you should give this mightiest of instruments a hearing

A Sunday morning Prom showcases the magnificent RAH instrument, but the organ’s not just for Bach – check out pioneering musicians from Jonny Greenwood to Kali Malone. Plus, Igor Levit is cancelled – and at the top of the German charts

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← Older posts
Newer posts →
  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • ‘Don’t do this!’ Why Paul McCartney cares about looking shorter than John Lennon in Sam Mendes’ Beatles films
  • ‘A guy held a knife to my throat and said: play something normal!’ Richard Thompson on crazy crowds, his beloved beret and Sandy Denny’s driving skills
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • A tour around Amy Winehouse’s private junk: five free art exhibitions to see
  • Finding the groove: what’s the best genre of music to dance to?
  • Tinie Tempah says he will finally visit Scunthorpe after campaign by fans
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Joni Mitchell becomes US citizen: ‘A journey that began 62 years ago’
  • Barriers facing black and south Asian music events ‘cost London up to £141m a year’
  • Duane ‘Keffe D’ Davis sentenced to 40 years to life over Tupac Shakur’s murder
  • The Chicks review – exquisite harmonies and hard-won vindication in anniversary show
  • ‘Wow, dude. You’re an idiot’: why Kelly Clarkson is fighting over a $15,000 bird on social media
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Duncan Sheik obituary
  • Stephen Shears obituary
  • Trevor Jones obituary
  • George Fenton obituary
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’

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