Ella Langley’s country single has spent 15 weeks as US number one thanks to its retro-modern sound, a viral misheard lyric – and a boost from the Ella Fellas
Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit
I was nearly 60 and hadn’t had sex in 10 years. And I was fine with that. But seeing the Verve’s former frontman reminded me how much fun it is to fancy someone
How did an album that began life in 1984 – fusing disco, folk, synth-pop and Chinese opera – end up as ‘one of 2026’s most thrilling releases’? And why does its creator call himself Nirosta Steel?
From Kristine Tjøgersen’s tranquil woodland reverie to Strauss’s thunderous mountainscape, the London Philharmonic – with Louise Alder – conjured colours and brought drama to this vivid programme
The Grammy-winning band had an acrimonious rift with Hinds – then he died in a motorbike crash. They explain how they’re paying tribute on their new album, and why their love for each other never ended
The duo’s groundbreaking 1985 tour reveals a strange collision of pop stardom and communism, a re-edit of Lindsay Anderson’s efforts that got him fired
In a new home after a year off, there’s a thread of fierce political anger running alongside the spirited musical performances – including standout sets from Barrington Levy and Daniela Mercury
Culture Club singer sings ‘I stand with the Jews / I don’t feel brave, I just need to behave like a human’, in song defending Israel’s response to Hamas attack
Alexandra Szemerédy and Magdolna Parditka’s production swaps 14th-century Rome for an abstract near future in an over-busy staging . Jennifer Holloway’s Adriano is a standout in a strong cast
Lucas and Arthur Jussen brought fun and energy to Poulenc’s Concerto for Two Pianos, and John Adams’ Harmonium was monumental and moving in the City of Birmingham Orchestra and Chorus’ Prom under their chief conductor Kazuki Yamada