wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

‘I feel like I’m at war’: are we losing the battle against machine-made music?

Despite outcry from musicians, AI slop is creeping into the charts as record labels scramble to adapt to a new normal where hits can be made at the click of a button

Countries in ‘armed conflict’ barred from hosting Eurovision

Organisers says new rule will ensure contest provides ‘safe and welcoming environment’ for participants

Post your questions for Amy Lee of Evanescence

The metal icon is here to answer your questions about the band’s 90s origins, MTV fame and being trailblazer in a male dominated genre

From sensation to spectacular, to silence: the strange history of Coleridge-Taylor’s Song of Hiawatha

Chances to hear Samuel Coleridge-Taylor’s choral masterpiece in concert are rare. Ahead of its belated Edinburgh festival premiere with the Orchestre Symphonique de Montréal, we look at the epic work - and its epic baggage

‘Today’s Brazilians have no idea what it feels like to lose democracy’: Joyce Moreno on her battles to become a Latin musical great

After her defiant femininity outraged many in Brazil, she lived through a military dictatorship and was boycotted for years. But after more than 30 albums, she explains how she kept going

LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming

The first of two evening proms began with the Los Angeles Phil’s polished but polite Beethoven and intoxicating Adès. Later, the Fantasia orchestra’s bitty playlist-type programme only occasionally sparked into life.

Rod Stewart cancels farewell tour dates after undergoing successful heart procedure

The singer said that he was ‘already feeling better’ but forthcoming dates on his mammoth farwell tour will not now go ahead

A moment that changed me: My stammer made life a misery – then a song gave me back my voice

As a teenager, I was so ashamed of my speech disability that even my family didn’t know about it. When Scatman John came on the radio, celebrating his own stammer in a hit about self-esteem, I knew I had to meet him

The astonishing voice of Grace Cummings: ‘The peace I found in music is a legitimate lifesaver’

The Australian singer-songwriter, whose remarkable sound has been likened to Nina Simone and Nico, is back with a new album shaped by a few years of ‘incredible pain and change’

Spotify to distinguish AI artists from real people – and stop recommending them

Music streaming platform creates ‘AI persona’ label that will appear on profiles and track listings in crackdown on fake performers

Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually

Esa-Pekka Salonen led an orchestra of players from London’s Royal Academy of Music and New York’s Juilliard School through 20th-century classics with Vilde Frang the electrifying soloist in Berg’s Violin Concerto

Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie

San Francisco’s pop-punk pioneers Green Day loom large in this fun, puppyish film about a scrappy band desperate to meet their idols

The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy

Missy Mazzoli and Royce Vavrek’s new music theatre work boasts a richly textured score with a direct but sophisticated musical language. Daniela Mack is ideal as the conflicted doctor as its heart

Joby Talbot’s Path of Miracles / György Kurtág’s Kafka Fragments review – Bristol Proms reach for the heavenly

Sunday afternoon’s two concerts, closing the Proms’ Bristol weekend, brought the superlative Tenebrae, and Sakari Oramo swapping baton for bow to duet with his wife

‘For this record, I took an edible and said, screw it’: jazz pianist Sullivan Fortner on confronting the trauma of Hurricane Katrina

The New Orleans native is a three-time Grammy winner at the top of his game – and is now using his instinctive style to celebrate the resilience and clarity of Katrina survivors

Post navigation

← Older posts
Newer posts →
  • Duncan Sheik obituary
  • Stephen Shears obituary
  • Trevor Jones obituary
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Powderfinger confirm reunion for national tour 16 years after saying farewell in last live show

Contact www.wrongmog.com   Terms of Use