Despite outcry from musicians, AI slop is creeping into the charts as record labels scramble to adapt to a new normal where hits can be made at the click of a button
Chances to hear Samuel Coleridge-Taylor’s choral masterpiece in concert are rare. Ahead of its belated Edinburgh festival premiere with the Orchestre Symphonique de Montréal, we look at the epic work - and its epic baggage
After her defiant femininity outraged many in Brazil, she lived through a military dictatorship and was boycotted for years. But after more than 30 albums, she explains how she kept going
The first of two evening proms began with the Los Angeles Phil’s polished but polite Beethoven and intoxicating Adès. Later, the Fantasia orchestra’s bitty playlist-type programme only occasionally sparked into life.
As a teenager, I was so ashamed of my speech disability that even my family didn’t know about it. When Scatman John came on the radio, celebrating his own stammer in a hit about self-esteem, I knew I had to meet him
The Australian singer-songwriter, whose remarkable sound has been likened to Nina Simone and Nico, is back with a new album shaped by a few years of ‘incredible pain and change’
Esa-Pekka Salonen led an orchestra of players from London’s Royal Academy of Music and New York’s Juilliard School through 20th-century classics with Vilde Frang the electrifying soloist in Berg’s Violin Concerto
Missy Mazzoli and Royce Vavrek’s new music theatre work boasts a richly textured score with a direct but sophisticated musical language. Daniela Mack is ideal as the conflicted doctor as its heart
Sunday afternoon’s two concerts, closing the Proms’ Bristol weekend, brought the superlative Tenebrae, and Sakari Oramo swapping baton for bow to duet with his wife
The New Orleans native is a three-time Grammy winner at the top of his game – and is now using his instinctive style to celebrate the resilience and clarity of Katrina survivors