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Phoebe Bridgers review – high priestess of ambiguity turns grief Technicolor in intimate church show

Ahead of playing arenas this winter, Bridgers gives her third album, Lost Weekend, a stripped-back UK debut that makes its bewitching songs sound even more astounding

Tupac Shakur murder trial: gang leader plotted killing to avenge beating of nephew, court hears

Prosecutors accuse Duane Davis of orchestrating 1996 shooting in retaliation for attack by rapper’s entourage

‘She never forgot where she came from’: Bonnie Tyler mourners turn out for Swansea service

Many in the crowd watching on screen outside minster have stories of meeting or knowing singer, who died in July

‘You’ve got to see this girl!’ Tanita Tikaram on making Twist in My Sobriety

‘People tell me it helped them with their rehab. I have to explain: Sorry, it’s not about alcohol – I was just a kid singing about injustice’

Next year’s Eurovision host is Burgas, not Sofia. Some Bulgarians are baffled

Next year’s competition won’t take place in the country’s capital, an announcement that even surprised Bulgarian winner, Dara

Beatles film recreates iconic Abbey Road album cover

Social media footage this weekend revealed the cast of Sam Mendes’ four-film band biopic on the zebra crossing near the studio, posing for the famous image

Thom Yorke, Romy and Brian Eno among 200 musicians urging PM to reject new North Sea drilling

Robert Smith, Olly Alexander and Paris Paloma also among signatories to letter saying exploitation of Rosebank and Jackdaw fields defies climate reality

Tether 인연 review – romantic ceilidh skips from Scotland to South Korea

Love stories ring across the generations in this charming fusion of traditional dance and music from two cultures

‘I had to learn how to be a feminist’: Greg Dulli on surviving grunge, shunning misogyny, and Afghan Whigs’ glorious return

With a soulful sound and soul-baring lyrics, the Afghan Whigs rode the post-Nirvana boom to the big leagues. Their frontman explains his exploration of the male ego – and how Usher got the band back together

Swedish Chamber Orchestra/Fröst review – dance, dynamism and a wild rumpus as maverick clarinettist-conductor takes charge

The ferociously dynamic Swedish Chamber Orchestra help Fröst drill down to the rhythmic essence of Beethoven’s Seventh Symphony as well as works by contemporary composers

Post your questions for actor and musician Samantha Morton

As the reader interview goes to Green Man festival, tell us what you would like to ask the garlanded British artist, fresh from her turn as Circe in The Odyssey

Skintown review – Northern Irish scamps rave their Troubles away

Catholics and Protestants find E-fuelled common ground at a hallowed Portrush club in Ciarán McMenamin’s adaptation of his own 2018 novel

Brandon Flowers: Thrasher review – Killers frontman’s country pivot is a rootin’ tootin’ cowboy-bootin’ hoot!

Even a couple of bafflingly misguided social commentary songs can’t detract from the joys of Flowers’ classically full-throated commitment to the Nashville bit

I Made You a Mixtape review – frothy fringe fun as dorm mates party like it’s 1999

Nine college students fall out and make up as they dance to punk-pop and alt-rock in this lively show

‘His ache is real’: Bob Dylan and more on the wild genius of honky-tonk hellraiser Gary Stewart

Worshipped by everyone from Willie Nelson to Joe Strummer, the country star with the amazing voice imploded in a blaze of guns, knives, drugs and infidelities. What’s behind his astonishing posthumous rediscovery?

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  • Duncan Sheik obituary
  • Stephen Shears obituary
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  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Powderfinger confirm reunion for national tour 16 years after saying farewell in last live show

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