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The Yellow Tie review – John Malkovich gives major hauteur as legendary record-hating maestro

This biopic of Sergiu Celibidache, the renowned Romanian conductor who refused all recordings, is a sturdy labour of love directed by his son

Sass Jordan, Canadian rock singer-songwriter, dies aged 65

Musician who had hit albums with Racine and Rats later became a judge on six seasons of Canadian Idol

Play that funky Turbine Hall! How artist Tarek Atoui aims to take the Tate on a sonic odyssey

From underwater explosions to PlayStation joysticks, the Lebanese artist makes art inspired by sound. Can this work in a space known for its chattering day-trippers, overstimulated schoolkids and echoing acoustics?

Scottish Ensemble review – singular sounds from an ever-adventurous string orchestra

A contemporary piece by David Fennessy is framed by JS Bach and Arvo Pärt in a show characterised by uncanny sounds and ghostly chorales

Why are national anthems almost always orchestral?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

The Undertones review – silver-haired fans get Teenage Kicks once more

Derry’s answer to the Ramones play 30 songs in a breakneck and breathless ride through the punk humour and new-wave surrealism of their repertoire

‘I can’t listen to Pink Floyd – I find their music dreary’: Elvis Costello’s honest playlist

The singer-songwriter owes a lot to Georgie Fame and likes the romantic side of Jimi Hendrix – but which ringtone song can put him in a bad mood?

Ella Hooper: ‘Most embarrassing celebrity encounter? I said the classic thing you don’t ever say to Billy Bragg’

The Australian singer-songwriter on misheard Killing Heidi lyrics, going solo after a chat with Stevie Nicks, and being a shit secret keeper

From Digger to The Strokes: your complete entertainment guide to the week ahead

Tom Cruise transforms in Alejandro Iñárritu’s heavyweight satirical comedy, while the NYC indie rockers are in the UK for an arena tour

From Celebrity Traitors to Extra Geography: the week in rave reviews

Claudia Winkleman joins a castle full of celebs as the duplicitous favourite returns, while Molly Manners’ extremely funny boarding school comedy tackles desire and adulthood. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

‘My hips can’t help but move’: readers on the songs that always get them dancing

From Northern soul and 90s bangers to disco classics and indie anthems, readers share the floorfillers that never fail to start the party

Behemoth! review – Pedro Pascal classical music drama hits all the wrong notes

The actor stumbles through Tony Gilroy’s forgettable film marred by stylistic gimmicks

Cameron Winter at Carnegie Hall review – Paul Thomas Anderson’s sumptuous recording is an immediate classic

The Geese frontman mesmerizes in a concert film that is both swoony and austere

Olivia Dean accused of plagiarism on her I’ve Seen It track

Mattie Music Group, owners of Bill Withers’ back catalogue, contend the Grammy winner infringed on Just the Two of Us

‘It’s radical to release a film called Girls Like Girls in this climate’: hitmaker turned director Hayley Kiyoko on sexuality, safety and becoming ‘Lesbian Jesus’

The singer’s hit 2015 single Girls Like Girls was her breakthrough moment and also the first time she felt confident in her sexuality. Now she has directed a film based on the song – a love letter to her 17-year-old self

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  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Franz & Marie review – Woyzeck folk musical finds heart amid the horror
  • Fierce, frantic and loaded with menace: Fontaines DC’s 20 greatest songs – ranked!
  • Women and the Piano album review – Tomes brings her poetic instincts to a rewarding compilation
  • Dafydd Owain’s second album wins the 2026 Welsh music prize
  • How Black banjo players are changing Americana music
  • Only connect: two composers who put humans at the heart of their music, and the conductor who didn’t
  • ‘In the wake of death, Courtney Love was giving it her all’: Hole’s Melissa Auf der Maur on her best photograph
  • The 80-year-old market trader who became a Chilean music star
  • Freddie Jackson, romantic US singer with 10 R&B chart-toppers, dies aged 70
  • Bob Davenport obituary
  • 24 Hour Party People review – daring metatextual paean to the Manchester music scene
  • O2 signs record deal to keep London venue’s naming rights
  • Dolly Parton’s estate alleges her nephew used barbed wire to avoid being served
  • The west has a blinkered view of African music – and it’s hurting the whole continent’s culture
  • V/H/S/Mixtape review – murderous puppets pull the strings in mixed bag of gory music-themed mini-movies
  • George Fenton, Oscar-nominated British composer for more than 100 films, dies aged 76
  • Holding Lightning by Emily Lordi review – an intimate portrait of Whitney Houston
  • Olivia Dean review – a powerful, affirming night with a pop star at the height of her powers

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