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Duane Keith Davis found guilty of 1996 murder of Tupac Shakur

Las Vegas jury returns verdict against ex-South Side Compton Crips gang leader in killing of US rap legend

Dolly Parton laid to rest in private Nashville funeral

The queen of country was interred next to her late husband in an intimate ceremony attended by close family

Reading and Leeds festival review – post-GCSE blowout shows how dominant dance music now is

Charli xcx and Fontaines DC are spellbinding and there’s an awesome array of genres, but the biggest turnouts are for tech house names like Kettama and Josh Baker

A job that changed me: Being a theatre usher cracked open my heart to beauty

The performances often gave me goose bumps, but I also got to observe the highs and lows of audience behaviour

A$AP Rocky review – arena spectacular has plenty of helicopters but little sense of direction

The polymath rapper’s stage show, which also features SWAT teams and a warship, is truly bravura stuff – but you can’t help feeling this is an artist at a creative crossroads

Les Siècles/Lehmann La Damnation de Faust review – vivid colour, soaring solos and a sharp-suited demon

Period instrument grain and an energised Jakob Lehmann did a fair job with Berlioz’s concert setting of the drama, but the hall’s murky acoustic buried some of the sparkle

Anthropic sued over alleged theft of ‘tens of thousands’ of songs

AI company faces multibillion dollar lawsuit over misuse of copyrighted songs to train Claude models

Bel review – the powerful life force and haunting absence of a traumatised singer-songwriter

Beldina Odenyo alchemised the pain of exile, loss and racism into music as Heir of the Cursed before her death in 2021, as this attentive tribute explores

Daisy Chain Fields review – Olivia Rodrigo’s women-led festival is electric amid extreme heat

Performances from Rodrigo, Stevie Nicks, Chappell Roan and Sarah McLachlan raise $20m for charity yet are marred by poor planning for heatwave

Oslo Philharmonic/Gražinytė-Tyla/Kopatchinskaja review – weapons-grade charisma and anarchic delight

Patricia Kopatchinskaja hurls herself into Stravinsky’s Violin Concerto, while conductor Mirga Gražinytė-Tyla brings precision and intensity to Prokofiev

The Waterboys review – Steve Earle joins a gloriously unruly return to Fisherman’s Blues

The Nashville singer-songwriter is among the guests joining Mike Scott for a sprawling, exuberant revue that finds new life in the Waterboys’ rootsy past

‘After I had my cat stolen, I would listen to Funkadelic and cry and cry’: Jennifer Herrema’s honest playlist

The Black Bananas singer knows all the words to Rapper’s Delight and relates to AC/DC, but which song reminds her of a heartbreaking theft?

Kevin Mitchell: ‘90% of us are loving, peaceful people. A few bad eggs are making us all look bad’

The musician also known as Bob Evans talks about Suburban Songbook turning 20, believing in aliens and his ‘pretty decent legs’

Laurie Anderson’s next manuscript to be locked away for 88 years in Future Library

Grammy award-winning American artist selected as 13th person to submit written work to Oslo-based project

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← Older posts
Newer posts →
  • Duane ‘Keffe D’ Davis sentenced to 40 years to life over Tupac Shakur’s murder
  • Duane ‘Keffe D’ Davis sentenced to 40 years to life over Tupac Shakur’s murder
  • The Chicks review – exquisite harmonies and hard-won vindication in anniversary show
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Duncan Sheik obituary
  • Stephen Shears obituary
  • Trevor Jones obituary
  • George Fenton obituary
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff

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