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Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill

Singer Emma Morton brings an indie-girl chorister’s brightness to this captivating debut album, on songs with hints of darkness that sound ages-old

Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand

The Oklahoma band use hooky vocals to help their lyrics on desensitisation slip down easy, though their third album lacks the distinction of earlier releases

Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered

Three works by the idiosyncratic Finnish composer who died in 2023 are recorded for the first time

‘Why not try to be the best in the world, just for the fun of it?’ Art Garfunkel on a rich, restless life – and reconciling with Paul Simon

He taught maths and walked across Europe, trying to leave his demons behind. As he goes back on tour aged 84, the folk-pop legend explains how he came back to singing

The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom

The Gesualdo Six brought focus and luminous tone to a sequence of early devotional music; Reich’s Tehillim made a mesmeric and ecstatic pairing

‘I want to go further’: Justin Broadrick on retiring Godflesh, playing with Phoebe Bridgers – and his new band

A hernia may mean his screaming days are over, but the Napalm Death alum’s influence on metal echoes on in unexpected places – and with ‘heavy, ugly’ experiments in the pipeline, his passion for ‘outsider music’ remains strong

Berlin Philharmonic/Petrenko review – insightful Elgar and Tchaikovsky holds Proms audience in thrall

Elgar’s Enigma Variations sounded fresh and striking in the German orchestra’s reading, while Tchaikovsky’s fourth symphony was thrilling and monumental

Adéla: Prima review – Slovakian star smashes the fourth wall to bask in pop’s cynicism and seduction

The 22-year-old is impressively frank about indulging industry sleaze in her pursuit of fame on a debut that puts a distinctive spin on the best of 00s hedonism

The Excursions of Mr Brouček review – Rattle’s illuminating touch lets Janáček’s sozzled antihero soar

In this beautifully balanced live recording Simon Rattle, the London Symphony Orchestra and an outstanding cast make the music sing and dance

‘I have an obsession with barber shops’: kd lang on her prairies upbringing, Patsy Cline and being shaved by Cindy Crawford

The Canadian singer-songwriter answers your questions about her trailblazing career, her spirituality, and collaborations with the likes of Neko Case, Laura Veirs and Pee-wee Herman

‘The myth is constantly being told’: creating a live album on stage as tribute to New York

In an ambitious new project, a cast of New Yorkers will help to create a one-of-a-kind tribute to New York City on stage in Central Park

Queens of the Stone Age’s Josh Homme kicked a woman and his ex-wife alleged domestic abuse. Why the cosy makeover?

Like Johnny Depp and Chris Brown before him, Homme has got past his chequered history to retain an adoring fanbase. Almost a decade post-#MeToo, audiences no longer seem to care

Guitar used by George Michael in Faith video goes up for auction

Gretsch Synchromatic 160 acoustic guitar expected to sell for as much as £120,000, as star lot in auction of items owned by late personal assistant Siobhan Bailey

‘I show how energetic it can be’: the photographer capturing Britain’s golden age of jazz

Temi Adegbayibi started out taking pictures of the Ezra Collective and other British musicians as a hobby, then found his work exhibited at the Royal Albert Hall. He discusses Black joy and the movement and stillness of jazz

New musical to give intimate portrait of Marilyn Monroe and Arthur Miller’s marriage

Misfits Together, by Bastille’s Dan Smith and To Kill a King’s Ralph Pelleymounter, is set amid the 1950s’ ‘red scare’

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  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives

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