wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

Colin Matthews: Seascapes album review – the songs teem with detail

Soprano Claire Booth and baritone Marcus Farnsworth celebrate the influential British composer’s kaleidoscopic soundworld with this collection of four song cycles

‘I felt my humanity was bastardised’: Cynthia Erivo says reaction to Ariana Grande red carpet incident rooted in racism

Wicked co-star said reactions to the incident, which included suggestions she was Grande’s ‘bodyguard’, reflect an insidious view of Black women

Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot

The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music

Escaping Babylon by Jesse Bernard review – an intimate history of Black British music

A personal exploration of the sounds that defined a community, from Soul II Soul to Dizzee Rascal

‘We’re waiting for the plan to find us’: Mouse on Mars on working with Lee ‘Scratch’ Perry and 30 years of oblique adventures in sound

The German duo are returning with the results of their whirlwind session with the late dub legend, best heard in a ‘spatial audio’ installation. They explain why such an unexpected move is par for their artistic course

AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red

I draw the old way – with my hand. Doing it with AI would not make me more creative, it would drain the colour out of my existence

Raves, Brecht and re-enacting Diana’s funeral: the White Hotel bows out as the north’s bravest music venue

​After 10 years of avant-garde mayhem, the rough-diamond Salford venue is set to close. Its founders look back on their artistic free-for-all and explain how its spirit will continue

La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece

Martin Lloyd-Evans’s credible production roots the action in time and place. Amanda Echalaz is a richly drawn and touching Minnie and conductor Matthew Kofi Waldren adds colour and drama

Risk-taking, rigour and radicalism – Daniel Harding is an exciting prospect for Los Angeles

Also, happy 125th to the Wigmore Hall, and, the vivid soundworld of 16th-century Spain

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal

Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar

‘The UK is a hostile environment to do art’: Tara Clerkin Trio on the​ir bold, bright music – and the fight working class artists face

The British band’s breezy, collagist sound has charmed underground music fans – though it belies the family and financial strife that went into their beautiful second LP

Australian BTS fans blast Ticketmaster’s ‘predatory’ tactic of hiding price until tickets go on sale

Consumer think-tank says K-pop fans should know the prices before being sent into a ‘high-pressure sales funnel’

Magic, mastery and magisterial power: 10 of Sonny Rollins’ greatest recordings

After his death aged 95, we look back at a remarkable catalogue of work that stretches from vivacious mid-50s sets to his evocative performance after 9/11

‘I’ve rebranded as a stoic. It’s my ting now!’ The crime and punishment of Pozer, UK rap’s fastest, fiercest talent

In a chaotic London childhood, Isaiah Sampson got drawn into drug dealing and worse before hauling himself into the charts. He opens up about his psychological scars and trust issues

125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths

The veteran chamber music venue kicked off a celebratory two-week festival with a starry lineup of performers playing works that had featured on the first ever programme

Post navigation

← Older posts
Newer posts →
  • Superstars have always had huge egos – but from Cristiano Ronaldo to Taylor Swift, it’s getting ridiculous
  • Imagine a world without Wagner … it’s not easy, but let’s try
  • ‘He saw signs saying No Blacks – but he never got bitter’: Sterling Betancourt, the man who brought steelpan music to the UK
  • Jesus Christ Superstar review – Sam Ryder raises the roof in rock opera turned up to 11
  • Dolly Parton musical set for Broadway this winter: ‘a dream come true’
  • BTS review – pure joy and astonishing versatility at K-pop titans’ first UK show in seven years
  • Madonna was always anti-nostalgia. But looking back on Confessions II has revitalised her music
  • Adapt or die: the Australian live music lovers trying to reinvent an ‘ancient’ and ‘unviable’ industry
  • Lauren Bennett, singer on LMFAO’s Party Rock Anthem, dies aged 36
  • ‘The song got us signed but I hated it’: how Haircut 100 made Fantastic Day
  • ‘I was there!’ Writers remember legendary gigs by Beyoncé, Brian Wilson, Britney, Oasis, Daft Punk and more
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • Paul McCartney performs I Want to Hold Your Hand for first time in 60 years at Taylor Swift wedding
  • Gaza’s musicians reopen bomb-shattered conservatory – in tents
  • Kazuki conducts Harmonium review – John Adams’ wild ride centres an elegant showcase of US composers
  • ‘A big chunk of positive energy’: Green Man celebrates 10 years of training refugees
  • ‘Justin Bieber was played so much in the changing room’: Leah Williamson’s honest playlist
  • Jessica Mauboy: ‘Why did I do a kookaburra call for Ellen DeGeneres? Did I think that was cool?’
  • Beyoncé releases surprise new track for Fourth of July weekend
  • ‘Emotional connection’: Wonderwall becomes England’s World Cup anthem
  • Taylor Swift wears Dior wedding dress for marriage to Travis Kelce
  • The Rolling Stones: Foreign Tongues review – stomping blues and anti-Musk politics make this another late triumph
  • The Guide #250: All the US/UK cultural crossovers you may have missed but need to read about
  • From Madonna to Minions & Monsters: your complete entertainment guide to the week ahead
  • Taylor Swift and Travis Kelce marry at New York City’s Madison Square Garden
  • Stars assemble in New York City amid preparations for Taylor Swift 4 July wedding
  • Taylor Swift fans brave the New York heat to be (at least somewhat) near wedding to Travis Kelce
  • Mark Holden: ‘I started telling the judges off. And that’s really totally uncool’
  • Seasonal Quartet: Ali Smith and New European Ensemble review – words and music connect
  • The US turns 250 and Taylor Swift gets married. I think we all know which is a bigger deal

Contact www.wrongmog.com   Terms of Use