wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead

Aardman’s woolly hero reckons with a mysterious beast and Abi Morgan’s lawyers-in-love TV drama gets a Manchester-set reboot

‘A maelstrom of his own making’: how Ed Sheeran’s tour turned into a full-blown culture war

Moment of reckoning for ‘Mr Nice Guy’ of music, who embraced Macklemore’s political cred only for pro-Palestine rapper to be dropped under pressure from billionaire

Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey

The superstar’s groundbreaking Viajando por el Mundo Tropitour lands in East Rutherford with glamor, dazzle and plenty of fun

Duncan Sheik, singer and composer of Spring Awakening, dies at 56

The musician, who went from 90s alt-pop hits to Tony-winning Broadway success, died from cardiac arrest

CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season

Orchestral discipline was tight and solo contributions distinguished in Kazuki Yamada and the City of Birmingham Symphony Orchestra’s finely judged interpretation of Mahler’s transcendent Resurrection Symphony

Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty

Works by the not-quite-minimalist composer’s included her Realm Variations and quartet Stringsongs in a compelling concert

Add to playlist: the euphoric ‘Bollywood electronic’ of the Twins and the week’s best new tracks

Omar and Jamal Ikram, 21-year-old brothers, are making lo-fi glitchy dance-pop with the melodic sensibilities of Bollywood music

UK to answer for its ‘dismal record’ in Eurovision before committee of MPs

Digital, culture, media and sport committee expected to hear evidence from BBC bosses and music industry experts

Robert Kraft’s attempts to silence Macklemore have backfired spectacularly

The billionaire’s attempted crackdown on Ed Sheeran’s tour only amplified pro-Palestinian statements. It’s been a joy to watch

‘It was a mess. I had to do something’: the personal struggle that inspired rap star Giggs to start a special needs school

After a battle to get his autistic children properly assessed, the London MC has co-founded a specialist centre in Kent to help neurodivergent kids realise their potential

Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements

This fusion of western folk and the traditional music of the Baka people is an uneven patchwork of sound – but there is remarkable power in its yearning ululations

Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits

Wonderful archive footage charts the Sheffield outsiders’ unlikely rise, but the distant camerawork struggles to capture the thrill of their triumphant O2 gigs

Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house

Lorely Rodriguez contemplates the meaning of home – both physical and emotional – on a gorgeously humid, hopeful album that makes a virtue of her searching nature

‘I toured with a hole in my brain. I don’t regret a thing’: punk duo Lambrini Girls on fighting extreme times with extreme measures

Their debut stormed the charts and wowed Iggy Pop, but health crises threatened to derail the Brighton duo. Now they’re back, taking aim at the manosphere, fascism and the ruling class

Paul, John … and Yvonne? The French novelist asking: what if a woman had written the Beatles’ greatest hits?

Celebrated thriller writer Michel Bussi explains why the plot of his new novel Code Yesterday isn’t so far fetched, saying ‘I wanted to give women revenge’

Post navigation

← Older posts
Newer posts →
  • ‘When it went double platinum, Andy Burnham gave us the award’: how Courteeners made Not Nineteen Forever
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • The missed opportunity of Jay-Z’s documentary series
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Readers reply: Why are national anthems almost always orchestral?
  • Gareth Malone looks back: ‘After the Christmas No 1, I was meeting Simon Cowell, having tea with Gary Barlow and dinner with Andrew Lloyd Webber’
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • There’s more to our music than Oasis, says Manchester mayor
  • ‘We look like soft, made-up blokes, but we’re really tough’: Duran Duran on 80s excess, tabloid scrutiny and their Halloween glow-up
  • ‘I’d wander through the park all angsty listening to Arctic Monkeys’: Arlo Parks’ honest playlist
  • Manchester-based composer creates requiem to honour enslaved Africans
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • ‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Powderfinger confirm reunion for national tour 16 years after saying farewell in last live show
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Franz & Marie review – Woyzeck folk musical finds heart amid the horror
  • Fierce, frantic and loaded with menace: Fontaines DC’s 20 greatest songs – ranked!

Contact www.wrongmog.com   Terms of Use