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Harley Flanagan: Wired for Chaos review – riotous life story of hardcore punk godhead

It could be more probing, but this wild documentary about the Cro-Mags founder is an eye-opening account of a life on the edge

Addison Rae review – glorious fantasy from pop’s newest star

With a wedding dress and a giant crystal chandelier, the TikToker-turned-pop wunderkind’s live show is a welcome breath of escapism

British music industry adds record £8bn to UK economy, according to UK Music

Taylor Swift’s Eras tour among the big events driving spending, as British artists perform well overseas and job numbers rise

Kiss guitarist Ace Frehley died after fall, autopsy finds

Medical examiner says Kiss founding member’s death was accidental, caused by blunt force injuries from a fall

‘I can see a world where Spotify doesn’t exist’: will a new generation of music streaming companies succeed?

Nimble, open-minded outfits such as Nina Protocol, Cantilever and Subvert are looking to bring more money to artists, and a richer experience for listeners

Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity

Chart-topping singer-songwriter adds to his previous support of charity that works on behalf of small UK venues

‘Most of it was the conga preset on Prince’s drum machine’: how Fine Young Cannibals made She Drives Me Crazy

‘Prince’s Purple Rain guitar was in the corner of the studio and his lava lamps were everywhere. You couldn’t help but be inspired’

‘We never had much fun – we were angry’: Eve Libertine on life with anarcho-punk pioneers Crass

Accused of obscenity and sued by police and Tory MPs, Libertine outraged the establishment as part of Crass. Now she’s back – and she hasn’t mellowed with age

Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due

In a deftly curated programme, youthful compositions rubbed shoulders with music from her most productive period, the 1920s

BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare

Sakari Oramo and his orchestra served up a multifaceted concert, from swaggering Samuel Coleridge-Taylor to virtuosic Thomas Adès and mistily magical Sibelius

Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday

The perma-sunglassed singer tries to transport himself and the audience to a higher plane, culminating in a cathartic sing-along like a gigantic Last Night of the Proms

‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation

What do Swift and Plath have in common, and should Kamala Harris have spoken out about her political ambitions? The Argonauts author turns her lens on poetry, pop and patriarchy

‘Anastacia is a big inspiration for me – raspy, raw and heartfelt’: Ella Eyre’s honest playlist

The singer was inspired by her mum’s love for Basement Jaxx and spent 69p on Jamiroquai, but what does she put on when she’s feeling down?

Paul Kelly: ‘Imagine by John Lennon is probably one of the worst songs ever written. I can’t stand it’

The legendary Australian singer on bad songs, good advice, disastrous gigs and why he feels lucky to reach 70

Olivia Rodrigo condemns Trump administration’s use of her music for ‘racist, hateful propaganda’

Pop star rebukes DHS and White House for video demanding undocumented immigrants self-deport

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← Older posts
  • Haftbefehl shows that Germany loves art born from alienation – just not the people who create it
  • Harley Flanagan: Wired for Chaos review – riotous life story of hardcore punk godhead
  • Addison Rae review – glorious fantasy from pop’s newest star
  • British music industry adds record £8bn to UK economy, according to UK Music
  • Kiss guitarist Ace Frehley died after fall, autopsy finds
  • ‘I can see a world where Spotify doesn’t exist’: will a new generation of music streaming companies succeed?
  • Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity
  • ‘Most of it was the conga preset on Prince’s drum machine’: how Fine Young Cannibals made She Drives Me Crazy
  • ‘We never had much fun – we were angry’: Eve Libertine on life with anarcho-punk pioneers Crass
  • Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due
  • BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • ‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation
  • ‘Anastacia is a big inspiration for me – raspy, raw and heartfelt’: Ella Eyre’s honest playlist
  • Paul Kelly: ‘Imagine by John Lennon is probably one of the worst songs ever written. I can’t stand it’
  • Olivia Rodrigo condemns Trump administration’s use of her music for ‘racist, hateful propaganda’
  • Washington National Opera may move out of Kennedy Center due to Trump ‘takeover’
  • Guitar Hero at 20 – how a plastic axe bridged the gap between rock generations
  • Die My Love to Rosalía’s Lux: your complete entertainment guide to the week ahead
  • Grammy awards 2026: Kendrick Lamar leads nominations with nine nods
  • Grammys 2026: the nominations in all the major categories
  • Toussaint To Move: Free review – a joyful celebration of reggae culture
  • ‘I was the only out queer guy in rock’: Faith No More’s Roddy Bottum
  • Add to playlist: Tristan Perich and James McVinnie’s piece for organ and 100 loudspeakers, plus the week’s best new tracks
  • Rebecca Clarke: The Complete Songs album review – rich, radiant performances bring a forgotten voice to life
  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller
  • Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review – elemental power, eerie beauty
  • ‘Huge step in the right direction’: arts leaders hail move to boost creative subjects in England’s schools
  • From fiasco to feted: the story of the Dream of Gerontius, the revolutionary music of The Choral
  • ‘It’s impossible not to have contradictions in a contradictory world’: Catalan pop visionary Rosalía on critics, crisis and being ‘hot for God’

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